Apply to this Technical Supervisor Job

Havoc Robotics is a content and entertainment company focused on combat robotics currently centered around a series of seven tournaments hosted in Norwalk, CT, and streamed live to a virtual audience through YouTube and other platforms. The league was launched in late 2018 as a small, grassroots tournament with 13 robots, and has since grown exponentially - we’ve hosted 850 robots across 22 events, each designed and built by a diverse, highly engaged community. Upward of 350 spectators attend each of our events at our HQ in Norwalk, CT, in addition to an online following and highly engaged livestream audience in the tens of thousands.

We are looking for a Broadcast Production Engineer to provide support and maintenance to our high-end infrastructure of broadcast/livestream systems. This is a great position for someone with a background in electrical engineering looking for a junior-level position, who is eager to learn and expand their skill-set in a hands-on role, open to a non-traditional/flexible schedule (including some scheduled late-night or weekend work), and able to work 90% of the time from our HQ in Norwalk, CT.

Responsibilities:
- Support infrastructure for on-air broadcast production systems
- Support Live Control Room production systems and subsystems
- Support infrastructure systems including routers, intercom, monitoring, audio suites and other live production related gear
- Respond to, communicate, manage, and track technical issues as they arise, sometimes after hours or on weekends
- Perform maintenance of subsystems including software and hardware updates, modifications and replacements as warranted
- Implement and maintain process standards for deployment, and develop support documentation for operations personnel as needed
- Be part of a team that works hands-on with the latest generation of production systems and technologies
- Collaborate and share responsibilities effectively with a team of mechanical and software engineers.

Skills:
- You are comfortable with current media technologies, concepts and emerging trends (i.e Media over IP, Cloud Computing, etc.)
- You have a bachelor’s degree or professional/trade experience in electrical engineering or computer science
- Demonstrated working knowledge of IT / networking theory, topology, and best practices
- Ability to troubleshoot and replace computer hardware components and proprietary broadcast equipment
- Ability to interpret technical documentation standards including CAD-based workflow diagrams
- Ability to handle multiple tasks and projects simultaneously, work independently and as part of a team in a collaborative manner
- Ability to work a flexible schedule based on the needs of a live production environment, including overtime as required
- Experience with file-based workflows and knowledge of enterprise Media Asset Management systems
- Versed in video standards for broadcast television and production environments
- Ability to troubleshoot audio and video signals in a hybrid SDI/NDI/Dante production environment
- Fundamental understanding of production control automation and best practices
- Working knowledge of Windows and Mac systems
- Ability to remove, lift and replace equipment in racks as warranted
- Strong skills in the areas of root cause analysis, organization, and escalation to subject matter experts
- Excellent verbal and written communication skills and the ability to frame issues clearly
- Strong desire to learn, cross-train and a passion to maintain current knowledge of relevant and emerging technologies
- Strong team environment with a diversity of knowledge and technologies

Contractors
Currently, all staff and non-staff are working remotely except for select roles that have an in office requirement. We value the health and safety of the people that work for us above all else, and our office re-openings will remain contingent on the course of the COVID variants and federal, state and local safety guidelines and recommendations.

THE DIVISION’S STORY
Content Services and Operations consists of a wide range of media centric roles. We are responsible for managing the entire life cycle of A+E’s programming. This is where we produce, transform, broadcast, and distribute content as well as run the technical infrastructure for the Media Supply chain. We are an energetic team that fulfills the business objectives within a thriving dynamic industry. Developing new solutions to continually improve the user experience of our customers, consumers and colleagues is our mandate. If you have the determination and aptitude, are seeking for a role in this challenging and rewarding business and are eager to work for a department that sets the standard for our industry, then we look forward to speaking with you!

THE ROLE: Global Technical Evaluation Technician
A+E’s Global Acquisitions and Technical Operations team is a community of collaborative post-production and media operation professionals. Together, we oversee the delivery, technical evaluation, and QC process for over 300 program masters each month along with short form, podcasts, and international programming across A+E’s entire brand portfolio. The team also consults with our production partners on post-production best practices and technical workflows.

This Technician will be responsible for performing Global Technical Evaluation of assigned A+E Network long form and short form programs. The Technician will uphold specs and standard operating procedures that adhere to the US and Global requirements. This includes all English language content delivered for both domestic and worldwide distribution, as well as A+E owned foreign language productions, and acquired programming intended for domestic distribution only.

MORE ABOUT WHAT YOU’LL DO:
• Perform global technical evaluations of A+E long and short form programming in both a remote environment, as well as on prem when needed. On prem the individual will use Adobe Premiere with SDVI integration, Baton Auto QC, IPV, Wohlers, vectorscopes and waveform monitors. Remotely, the technician will also use Adobe Premiere with SDVI, along with Scopebox soft scopes, and Adobe Audition. Familiarity with these systems is a plus. The tech will use these systems to evaluate and ensures all programs meet A+E global technical standards.
• Review and monitor all audio tracks to make sure they meet Global standards. Must have solid understanding of Full Mix, M&E and split audio. 5.1 knowledge a plus.
• Perform a technical evaluation on all re-deliveries to confirm all fixes were properly made.
• Proactively troubleshoot video and audio issues and persistently apply industry knowledge to meet high technical standards.
• Communicate with scheduling, captioning and network managers regarding specific program status as required.
• Maintain an appropriate remote workspace that allows for maximum attention and concentration on required content, along with a robust internet connection capable of downloading large files at fast speeds.
• Attend QC dept. meetings and follow all procedures as assigned.



WHAT YOU’LL LEARN:
On our team, you will learn what it takes to produce and deliver high quality content to markets around the world. You will acquire a wide range of technical knowledge of television and streaming media, as well as a deep understanding of the standards and requirements needed to distribute that content worldwide. You will be at the forefront of developing and testing the new workflows and technology needed to continue producing and delivering the award-winning content A+E Networks is known for.

YOUR STORY:
The ideal candidate is a critical thinker and a proactive problem-solver. You are highly proficient in all aspects of 4k & HD Video and audio production and technical specifications with an excellent understanding of video levels, audio meters and all technical specs as needed. You have knowledge of post-production processes and file formats, giving you an understanding of technical requirements and distribution workflows. Proactive work ethic while maintaining a keen focus on accuracy in a detailed oriented workflow a must, a positive attitude with a desire to excel in a team-oriented culture and a passion for new technology.
A strong technical understanding of broadcast quality production, editing and mastering is required, including standards conversion, video compression and best practices for handling HD footage during postproduction in both tape and file-based workflows. Firm comprehension of audio mixing and stem creation is required. Knowledge of 4K formats and processing a plus
Management of schedule and ability to prioritize deadlines and workload is critical. This ensures individuals are notified promptly and accordingly on status of shows and media as well as made aware of any necessary changes to current workload.
• A minimum of 4 years of experience working Tech Eval/QC, post-production, production services, media supply chain and/or digital distribution.
• A strong technical understanding of broadcast quality production, firm comprehension of audio mixing and stem creation is required.
• Must be well versed in multiple frame rates, file resolutions and codecs.
• Must have an excellent understanding of waveform monitors, vectorscopes, audio meters and all technical specs as needed. Knowledge of NLE softscopes and/or Scopebox a plus.
• Self-motivated to achieve goals, highly collaborative, resourceful with proven ability to work proactively, independently under tight timeframes in a fast-paced, growth environment.
• An innovative, passionate, and team-focused operational professional.
• Comfortable with an outward facing communication style, representing A+E Networks to our partners.
• Must have solid understanding of Full Mix, M&E and split audio. 5.1 knowledge a plus.
• Exceptional listener and communicator who effectively conveys information verbally and in writing.
• Must be able to quickly adapt to new technology and workflows.
• Knowledge of Adobe Suite, SDVI Rally, and IPV is a plus.
• Excellent written and verbal communication skills.
• Must be extremely organized.
• Must be available to work on-site as needed.
• Must be fully vaccinated at the start of employment, unless legally exempt.
• Must be willing to adhere to Company Code of Conduct and COVID-19 Safety Protocols and Policies.

Please note project assignment associates are engaged to provide service to A+E Networks on a temporary basis in connection with a specific project. Project assignment associates are hired and employed through a third-party vendor with a duration/tenure of no longer than eighteen (18) months.

The Director/TD's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics, and titles while communicating to the camera operators which shots they will be putting on the air.

Gear Shop Technician

ITV America is now the largest independent producer of non-scripted content in America, through its production companies ITV Entertainment, Leftfield Pictures, Sirens Media, Loud TV, Outpost Entertainment, High Noon Entertainment, Thinkfactory Media, and Good Caper Crime. ITV America produces leading content, including Queer Eye, Hell's Kitchen, Love Island, The Four, Pawn Stars, Fixer Upper, Forged in Fire, and Real Housewives of NJ, just to name a few.

The Shop Technician position will be responsible for ensuring that all rental equipment is functioning and maintained. They should have a clear understanding of television/film production and the ability to work closely with clients to provide technical support.

This role is located in Stamford, CT and reports to the VP, Gear Shop.

Primary Responsibilities:
- Manage inventory of rental equipment physically and in our rental software application system
- Initiate any repairs, routine cleanings of audio & video equipment, and ensure equipment meets our quality control standards
- Conduct check in/out of equipment orders
- Ensure safe transfer and shipment of equipment
- Unpack, inspect, return gear and report any damages or missing items after rental equipment has been returned
- Maintain a clean and orderly tech booth and office area
- Responsible for all day-to-day technician duties within the Gear Shop

Qualifications:
- Strong interpersonal skills and the ability to work effectively across all levels of the organization with discretion, tact and diplomacy at all times. Patience, tolerance and resilience are key skills.
- Self-starter that is willing to learn and able to manage ambiguity and operate effectively with little supervision.
- Ability to help evolve and implement improved processes.

Compensation:
$50,000-$55,000 base plus OT

Our people are our greatest asset and, as an equal opportunities employer, we welcome applicants from diverse backgrounds to work both in front of and behind the cameras.

"ITV, where creativity, diversity and collaboration put us right at the heart of popular culture."

We are a small boutique-style production company that provides specialized photography primarily for VFX studios, LED/XR stages and green screen compositing. We are looking for detailed oriented camera technicians and AC's to join our roster of freelance operators.

Organizational skills and attention to detail are just as important as technical knowledge of the latest digital cinema and DSLR camera systems. Ability to manage and troubleshoot signal paths is a must.

360 capture experience a HUGE plus.

Membership in IATSE local 600 is NOT required, but a big plus.

Knowledge of Adobe Creative Suite software is a plus.

Valid driver's license required.

Ability to manage loads of 50+lbs is required.

Travel, including international, is often required. A valid passport and clean criminal record are both helpful.

We are looking forward to meeting you.

Thanks.

The Director/TD's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

Familiarity with VMIX a plus.
Familiarity with Rugby a plus

The Director/TDâ??s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

Familiarity with VMIX a plus.

The Director/TDâ??s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

The Director/TD's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics, and titles while communicating to the camera operators which shots they will be putting on the air.