Looking for experienced office coordinator for reality series. Looking for candidates that can handle the paperwork, logistics, shipping media, releases, etc.
NOTE: You must have coordinator experience. Please don't apply to this job if you're looking for a PA gig or any other type of crew position.
We are looking for a DP with full camera/lighting package who can also run sound for an interview and some reality over a day in Dallas, TX and could really use your help! Our Producers will be working remotely from Los Angeles, and we need a solid DP/Operator on the ground.
This shoot will take place over 1 day in Dallas, TX (date TBD but between 8/10 - 9/09). Ideal candidates will have reliable transportation and be able to work as locals for each city.
Due to the pandemic, our company has strict guidelines with shoots, including scaling back crew sizes. This will be a 3-person crew - DP and 2 Production Assistants (big plus if you have someone you've worked with that you'd like to bring with you). One PA will serve to assist you with setup/strike, and making the usual daily runs. The second PA will serve as the interface between yourself and our Producers back in Los Angeles, via Zoom or FaceTime.
As for equipment, we are looking for someone who owns at least 1 camera (preferably Sony FS7) and a decent lighting package. If you have a second camera available as well, let’s discuss bringing that on as a possible second angle.
Last season our standard kit included the following:
2 FS7 Bodies (one set up for handheld, one can go straight on tripod)Canon 18-80mm zoom lens (or something equivalent)
Canon 16-35mm lens (or equivalent)
Canon 70-200mm lens (for sit down interview long lens style) 1 tripod1 set of Teradek
1 Director’s monitor
2 mic setups (we use Sennheiser G3, but whatever works)
4 Litepanel 1x1 Astra lights (dimmable, Bi-Color)
4 light stands
Misc grip stuff (road rags, duvetine, cardellinis)
Stingers
Given the circumstances, you don't necessarily have to have exactly the same package, but just to give a general idea of what we're looking for.
As noted above we would also need you to run sound via Lav and on-board mic.
Please reply with a link to your reel or any documentary work you've done, especially interviews.
We are looking for local crew to help us shoot an episode of "Dr. Pimple Popper" for one day in Edgewood, TX (Dallas Area), and can really use your help! Our Producers will be working remotely from Los Angeles, and we need 2 stellar Production Assistants to aid our DP/Camera Operator on the ground.
This shoot will take place over one day in Edgewood, TX (exact date tbd but one day shoot somewhere between 8/10 - 9/9). Ideal candidates will have reliable transportation and be able to work as locals for each city.
For 1 of Production Assistants the usual duties apply…
-Going on runs
-Grabbing crafty/lunch/coffee
-Helping with gear
-Helping to maintain COVID-19 compliance
-Being a generally positive "How can I help you?" personality.
Our 2nd Production Assistant will serve as a communications hub between the team on the ground and the team back in Los Angeles. This person will need to have the following items available…
-Cell phone or iPad with unlimited data and Video Chat capabilities
-Power source to keep your device charged all day
-Backup battery source for emergencies
-A steady hand to hold the frame for Producers and Camera to be in contact
Our team is easy to get along with and we embrace those who have a desire to learn! If you're interested, let’s chat and see if we can bring you aboard!
Looking for an experienced 2nd AC for an upcoming shoot. Must have experience using ShotputPRO.
Tasks
- offload media
- Keep log of card stock
all gear provided no kit needed
**MUST BE ABLE TO WORK AS A LOCAL**
Looking for an experienced Production Assistant for an upcoming shoot. Must be able to multi-task, troubleshoot and anticipate potential conflicts before they arise.
Tasks
- Assist crew where / when needed
- Communicate effectively with all levels of Production
- Must have a valid license and comfortable driving passenger/cargo vans
- Must have personal vehicle
**MUST BE ABLE TO WORK AS A LOCAL**
We are looking for a strong editor to lead the post team on a 22 episode soft format docu-series about animal rescue. Due to Covid this will be produced much like an investigative/true crime series, just without the mystery and murder.
We will be taking all available measures to prevent Covid among the staff. Our 10,000 sq ft facility has private edit suites and plenty of space for social distancing.
Ideal candidates should have multiple credits on cable or network reality series. You should be comfortable supervising a small team of editors to ensure each episode is on track to meet our delivery dates. You will also be responsible for conform, online, and creating all network deliverables. So you must have strong technical skills and experience creating digital masters that adhere to network specs and pass QC.
You will have some freedom to design the post workflow for the series. We have been planning to cut on Avid, but the right candidate could convince us to go with a Premiere workflow if preferred.
Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid driver’s license and good driving record are required.
Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.
Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, valid driver’s license and good driving record are required. Must have reliable transportation.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
