Broadcast Engineer Production Jobs

KO-MAR Productions is looking for a freelance Engineer to work on a number of upcoming projects as well as general maintenance for the control room/studio. Fiber based control room/studio. We are hoping to eventually turn this into a full time position

We are looking for an Encoding Engineer to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 16-19, with the Conference happening on September 16-18.

Experience working with vMix, OBS, and Makito X4Es is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

· Collaborate with producers, directors, and other team members to execute technical aspects of productions

· Assist in the planning and execution of video shoots, including camera setup, lighting, and audio recording

· Identifying problems

· Documenting engineering processes, parts, repairs, and causes of failure

· Maintain and troubleshoot broadcast equipment, including cameras, video switchers, audio mixers, and lighting systems

· Set up and operate equipment for live broadcasts and recordings

· Monitor broadcast signals to ensure quality and make adjustments as necessary

· Stay up-to-date with the latest trends and technologies in broadcast engineering

· Monitor broadcast signals to ensure quality and make adjustments as necessary

· Be familiar with SMPTE fiber work flows.

· Be familiar with the ROSS Carbonite switcher.

$500 for a half day, $700 for a full 12 hour day.

We are looking for a TD to join our broadcast team for the remainder of the Pokemon season. The ideal candidate is available for all 3 shows. Knowledge of Blackmagic switchers, internal macros, and external macros via Companion is a must. This is a graphics-heavy show, and switching between the different looks seamlessly is critical.

Payment will be made after each job on a Net 30 pay schedule through Wrapbook. All travel, accommodations, and expenses will be covered and/or reimbursed. Dates for all shows below:

5/23-27 Los Angeles
6/4-10 New Orleans
8/12-19 Honolulu

Rate is $600/10. 1.5x OT after 10, 2x OT after 12.

Flat half-rate for travel days.

We are looking for a CAMERA SHADER to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Ursa Broadcast G2 or Sony Bodies is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

We are looking for a Technical Director to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience with Blackmagic Constellations is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

We are looking for a Technical Manager to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 14-20, with the Conference happening on September 16-18.

Experience working with Blackmagic Videohub Routing, AJA Fiber, Blackmagic Switching and Cameras is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

The Director's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

The Technical Director/Director must be experienced in preparing and switching various video elements during live event productions. Work is expected to meet FloSports quality standards and will be executed in a fast-paced, live production environment.

Technical Director/Director responsibilities include:
Prepares and switches video sources at a high level
Performs live digital effects and transitions
Inserts pre-records, graphics, and title slates
Strong communication skills in camera operations calling
Proficient with Blackmagic ATEM and VMIX switching software

Needed TD for a live YouTube show that will have two studio host, four cameras (two PTZ, one blackmagic ursa on sticks, and either a Steadicam or jib), and remote guests. ROSS carbonite switcher

Position: In-House Cam Tech Assistant
Responsibilities but not limited to:
• Prep and build various camera packages (C300, C70, FX9, FX6, FS7, etc.)
• Knowledge of Teradek products
• Product research
• Prep, check-in/check-out, wrap, LD processes
• Able to troubleshoot
• Rental software knowledge a plus
Attributes:
• Professional demeanor
• Proactive and hungry for learning
• Detail-oriented
• Accustomed to multitasking with a positive attitude
• Team player

References will be requested

Looking for a Technical Director who is local to Detroit to work with a European crew to program a Sony MVS7000X Switcher. TD will not switch the show, just program what is requested by the client.

Dates are April 23 - April 26 (4 Days).

Must be local to Detroit. There is no travel budgeted (Hotel and Flights). I can do mileage reimbursement if you are driving in from a nearby city.

$750 up to 12 (days are planned as 10's)