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8/30

Atlanta, GA Details

Full Time

The *** *** Company is hiring for a Director/Technical Director. They will Direct and Technical Direct live and taped shows or segments, as well as pre-production and post-production sessions from a production control room or post suite, delivering high production value, "network-level" on air results. Responsible for executing the vision of the producers, while contributing technical expertise and creativity.

**** YOU'LL DO:

Lead the show's technical production crew including audio operators, graphics operators, utilities, field crews, etc.
Assist with the establishment of best practices for production techniques to create high production value, "network-level" standards
Review show rundowns prior to productions with Executive Producers, Producers, Talent, and Production Tech team communicating rundown changes, show needs, script changes, crew performance expectations, etc.
Block studio camera shots to meet the demands of the show, demonstrating a progressive approach via the blocking to add value to on air results
Be able to direct all show elements taking full advantage of the capabilities of the production switcher (DVE wipes, animated transitions, box effects, live shots, etc) along with available graphic production devices
Identify and critique high production value, "network-level" lighting and sound design
Operate preset cues from the lighting board
Operate iNEWS (or comparable) system - accessing and marking rundowns, scripts, and communicating changes to production team
Provide pre and post-show performance feedback and critiques as needed.
Give time cues as required to Talent & production team
Report show outcome to Dir Show Report after every show
Report equipment problems and discrepancies to Manager
Oversee creative and directorial production of CTV, specifically the high profile shows
Partner with team members to effectively share techniques and skills to strengthen the skills of the team as a whole
Participate in development of ideas and implementation of process improvements for Director / TDs
Report, via written shift notes, any personnel or equipment issues to appropriate Manager and next shift team lead

**** YOU'LL NEED:

Bachelor's degree in broadcasting, engineering, technology, or other technical science desired
8 years experience working in a major television production studio as a director or technical director

**** YOU'LL BRING:

Technical knowledge of production video, audio, comms, and record/playback are required.
Possess a thorough understanding of staging, basic facility operations, safety, and basic signal transmission
Excellent communication skills, as well as attention to detail
Ability to work collaboratively with a highly technical team in determining show and production performance
Ability to determine operational configurations of all studio technical systems and solve complex issues during production

**** ENVIRONMENT:

Will be required to sit in a chair from 2-6 hours at a time
Will be required to wear a headset and listen to multiple audio sources during on-air show production
Will be required to type on a keyboard for a period of 2 - 3 hours during pre-production and for 2-6 hours during the on-air show production
Will be required to look at a computer monitor and other monitors for a period of 2 - 3 hours during pre-productions and for 2 - 6 hours during the on-air show or production. Some monitors could be as close as 2 ft and as far as 12 ft away
May be required to move and lift set pieces. Set Pieces may range *** ween 20 - 100 lbs. Items over 20 lbs. would be carried by multiple crew members

#LI-SM2

#LI-Onsite

*** ' COMMITMENT TO EQUITY, DIVERSITY AND INCLUSION:
At *** , we are committed to a diverse and inclusive culture that reflects the communities we serve. We are intentional about creating an environment where employees, our audiences and other stakeholders feel valued and inspired to reach their full potential and make authentic connections. We foster a workplace culture that embraces each person's diversity, including the extent to which they are similar or different. *** leaders believe that an equitable and inclusive culture is not only the right thing to do, it is a business imperative. Read more about our commitment to equity, diversity and inclusion at *** .com .

ABOUT *** :

The *** *** Company (NASDAQ: SSP) is a diversified *** company focused on creating a *** ter-informed world. As one of the nation's largest local TV broadcasters, *** serves communities with quality, objective local journalism and operates a portfolio of 61 stations in 41 markets. The *** Networks reach nearly every American through the national news outlets Court TV and *** News and popular entertainment brands ION, Bounce, Defy TV, Grit, ION Mystery and Laff. *** is the nation's largest holder of broadcast spectrum. *** runs an award-winning investigative reporting newsroom in Washington, D.C., and is the longtime steward of the *** National Spelling Bee. Founded in 1878, *** has held for decades to the motto, "Give light and the people will find their own way."

As an equal employment opportunity employer, The *** *** Company and its affiliates do not discriminate in its employment decisions on the basis of race, sex, sexual orientation, transgender status, gender, color, religion, age, genetic information, medical condition, disability, marital status, citizenship or national origin, and military membership or veteran status, or on any other basis which would be in violation of any applicable federal, state or local law. Furthermore, the company will make reasonable accommodations for qualified individuals with known disabilities unless doing so would result in an undue hardship for the company.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

8/30

Director

Burbank, CA Details

Full Time

Job Summary:

Director, Production Legal Affairs
The Director, Production Legal Affairs handles day-to-day production legal matters including drafting, reviewing, and negotiating below-the-line production agreements for *** Entertainment - *** film banners 20th Century *** , *** Pictures, and Searchlight Pictures; and managing other special projects.

Responsible for managing, evaluating, prioritizing, and directing the work of Managers, providing guidance, resolving highly complex issues, minimizing risks, and ensuring that productions are supported on a timely and accurate manner.

Responsibilities:

Accomplish department objectives by collaboratively managing, planning, and evaluating department activities.
Achieve results by communicating job expectations, planning, monitoring, and appraising performance results.
Provide technical and managerial supervision in connection with day-to-day production legal matters for one or more Studio divisions, focused on both theatrical and streaming content.
Act as a focal point for managing and resolving issues.
Draft, review, and negotiate (including editing and redlining documents) visual effects agreements, below-the-line production, and third-party agreements, including a wide variety of contracts including location agreements, office space rentals, leases, equipment rentals, manufacture agreements, vendor agreements, aviation and drone rentals, watercraft agreements, prop rentals, among other services.
Oversee the drafting, review, and negotiation of third-party liability issues that arise during production.
Draft third-party production services and review of international production ser *** company template forms and agreements.
Comfortable counseling business partners and making decisions that have legal and business impacts.
Routinely exercise discretion and independent judgment.
Provide guidance to producers and production personnel for high-risk issues as needed.
Partner with Attorneys, Finance, Labor Relations, Physical Production, and Risk Management among other teams to ensure alignment.
Set up and maintain processes, guidelines, and forms to ensure that productions are serviced in a timely and accurate manner. Continuously identify ways to streamline processes and roll out best practices.
Assess status of productions, on a continuous basis, making adjustments to an approach or resources as needed.
Perform special projects (e.g., master sourcing agreements) and other related duties as needed.

Basic Qualifications:

Minimum 3 years relevant experience drafting, reviewing, and negotiating contracts at an entertainment company, law firm, or related industry.
Self-motivated and disciplined, with ability to multi-task under pressure, prioritize, and manage a heavy workload in a fast-paced environment.
Excellent critical thinking and analytical skills with the ability to analyze complex issues and devise solutions independently.
Team player with a positive attitude.
Highly organized, efficient, adaptable, accurate, and detail oriented.
Strong communications skills
Strong computer skills, including proficiency in Microsoft Word, Excel, and Outlook, as well as proficiency with editing documents and redlining applications.

Preferred Qualifications

Previous supervisory experience.

Education

Bachelor's degree.

#CORP_ *** ; #LegalAffairs; #twdc ***

The hiring range for this position in California is $123,000 to $165,000 per year. The base pay actually offered will take into account internal equity and also may vary depending on the candidate's geographic region, job-related knowledge, skills, and experience among other factors. A bonus and/or long-term incentive units may be provided as part of the compensation package, in addition to the full range of medical, financial, and/or other benefits, dependent on the level and position offered.

About *** Content:

The *** Content group encompasses a collection of world-class entertainment *** that produce high-quality cinematic storytelling for both theatrical and streaming release. It is also home to *** Theatrical Productions, producer of popular stage shows on Broadway and around the world.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** Entertainment, *** , *** Parks, and Experiences and Products. From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with *** Pictures , which is part of a business we call *** Content .
*** Pictures is an equal opportunity employer. Applicants will receive consideration for employment without regard to race, color, religion, sex, age, national origin, sexual orientation, gender identity, disability, protected veteran status or any other basis prohibited by federal, state or local law. *** fosters a business culture where ideas and decisions from all people help us grow, innovate, create the best stories and be relevant in a rapidly changing world.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

8/25

Recurring Remote Director

Bristol, CT Details

Full Time

Job Summary:

The Remote Director will be responsible for line-directing the on-air productions of live, remote sporting events. He/she will work with college and university sport production departments to help provide continuity and lend their expertise to the school broadcast administration and student workforce. He/she will work in conjunction with Producers and Coordinating Producers to determine the creative and technical direction of live remote sporting event telecasts. He/she will also work in conjunction with the Event Operations department to determine technical facility and personnel needs for those telecasts. During live event productions, the Remote Director will be responsible for executing the technical production of the telecast, including following storylines and working with the event Producer to adapt the broadcast coverage plans as live events develop. The Remote Director is responsible for overseeing the technical crew for the live event productions, including providing direction, feedback and development for those personnel.

Responsibilities:

Provide instruction to schools regarding all roles of television production. Candidates should have a wide range of experience in the truck, ranging from AP and AD responsibilities, producer and director responsibilities, as well as a deep understanding of technical below the line roles.
Liaise with school production partners to provide timely feedback for student produced content.
Visit school production partner campuses to assess equipment compliments, discuss and recommend industry standard production techniques, and provide a conduit for guidance for school administrative staff.
Plans, directs and executes on-air productions of live, remote sporting events, properly documenting assigned events.
Makes the on-the-spot decisions regarding what pictures and sounds will be broadcasted; interprets data and information to decide upon shots, features and sequences.
Works with Producer and Operations team to determine camera placement at each venue; plans and executes the capture of desired shots, live-to-tape builds and sequences of shots.
Works with engineering technicians for integration of all elements in a telecast such as graphics, enhanced technology elements, switcher effects, composite music, etc.
Directs the technical crews and freelancers assigned to remote events; conducts production and technical meetings to define crew responsibilities and to outline expectations of the crew for any given live remote sporting event.
Collaborates with Crewing department the best assign production technical crews for assigned live events; provides post-event feedback and constructive criticism to the Event Operations team and Crewing department on assigned crew members.
Conducts research on the teams, players, storylines, trends, etc. in order to be knowledgeable on each game/sport that are assigned.
Provides instruction to on-air talent prior to telecasts and directs them, as required, during telecasts.
Makes on the spot editorial adjustments to coverage patterns as unforeseen situations and opportunities arise.
Trouble-shoots, on-the-spot, operational issues that arise during assigned live remote sporting events.
Ensures that all commercials and promotions for all assigned productions are correctly inserted.
Participates in the development of the concepts and content of assigned sporting events to reach viewers and to increase market penetration and viewership.
For assigned live remote sporting events, interacts with and communicates as required with conferences, leagues, college/university staff, coaches, players, etc.
Maintains ongoing communications with third-party resources, e.g., talent, production companies to provide needed services, equipment and elements, assets, components and information for assigned live remote sporting events.

Basic Qualifications:

Valid Driver's License is required.
Knowledge of the real-time live sporting event directing processes.
Ability to clearly and concisely communicate to all crew member during the live telecast.
Knowledge of the technical equipment involved in directing live remote sporting events.
In-depth live remote sporting event directing skills.
4 to 5 years of progressively complex related live sporting event directing experience.
Knowledge of sports and sports history.

Preferred Qualifications:

Understanding of the financial implications of directing live remote sporting events.
Appreciation of popular culture, e.g., "what's cool" and assists with defining the tastes of *** 's viewers.
Understanding of the market positioning and strategies of assigned sporting events.
Travel required.
Understanding of the financial implications of directing live remote sporting events.
Appreciation of popular culture, e.g., "what's cool" and assists with defining the tastes of *** 's viewers.
Understanding of the market positioning and strategies of assigned sporting events.

Required Education:

High School Diploma or equivalent

Preferred Education:

Bachelor's Degree

Additional Information:

Please note this position will allow flexibility to work in remote U.S. / lower 48 state locations and not exclusive to Bristol, CT.

# *** ***

The pay range for this recurring remote Director role is *** ween $47,500 and $90,000. Select benefits may be provided as part of the compensation package, such as medical, financial, and/or other benefits, dependent on the level and position offered. To learn more about our benefits visit: *** .

About *** :

Working at *** is unlike anything else. That's because we're always finding new ways to interact with fans - however and wherever they connect with sports. Every day we're doing things that no one has done, all in a dynamic culture where we defy odds and continuously outdo ourselves. When you have the latest technology, game-changing ideas and world-class talent on your team, every day is extraordinary.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** Entertainment, *** , *** Parks, and Experiences and Products. From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with *** Productions, Inc , which is part of a business we call *** .
*** Productions, Inc is an equal opportunity employer. Applicants will receive consideration for employment without regard to race, color, religion, sex, age, national origin, sexual orientation, gender identity, disability, protected veteran status or any other basis prohibited by federal, state or local law. *** fosters a business culture where ideas and decisions from all people help us grow, innovate, create the best stories and be relevant in a rapidly changing world.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

8/16

Technical Media Producer (p/T) - Kwch

Wichita, KS Details

Full Time

About *** Television:

*** Television is a leading *** company that owns and operates high-quality stations in 113 television markets that collectively reach 36 percent of US television households.

We constantly strive for excellence. Through upgrading to the latest technology and seeking new ways to stay on top in our markets, we focus on training and development of the best and brightest employees in the business.

About ****:

**** 12 was the first television station in Kansas and began broadcasting on July 1st, 1953 under the call letters **** Channel 12. The station was licensed to and broadcast from Hutchinson, Kansas about 45 miles northwest of Wichita. In 1956 station facilities were moved to the current location on 37th St North in Wichita. In 1983, **** call letters changed to **** and ownership was consolidated with three other Kansas stations in the market. These satellite stations include **** in Dodge City, **** in Hays, and **** in Goodland. Since 1985, **** has held the #1 position for 6pm and 10pm News in the Wichita-Hutchinson Plus television market. **** has remained dominant since that time and Eyewitness News is the #1 news at Noon, 5pm, 6pm, and 10pm.

Job Summary/Description:

****-TV, ****-TV, and satellite stations ****-TV, ****-TV, ****-TV, is currently accepting applications for a part-time Technical *** Producer to join the #1-rated news team in Kansas. This position is responsible for operating broadcast production equipment for producing newscasts and Master Control Operations. The individual selected will also be responsible for camera shots, audio, technical direction of the newscasts as well as segmenting shows, commercial dubbing, and monitoring our nine streams. We’re seeking someone part-time to work in news operation or in a live broadcast environment. A high school diploma or GED is required as well as a driver’s license with a clean driving record. Some college or vocational schooling is also required.

Duties/Responsibilities include (but not limited to):

* Basic knowledge of television production
* Photoshop and After Effects experience a plus
* Must be able to maneuver studio cameras and pedestals to different heights, locations and angles
* Must be able to perform routine studio and set maintenance, including regularly checking and changing studio lights
* Working knowledge of studio cameras, Final-Cut Pro, Chyron, and Photoshop
* Basic knowledge of audio levels
* Strong initiative and attention to detail is required
* Must be able to follow written and verbal direction
* Excellent listening skills, good communication skills required
* Proficient in Microsoft Office and Google
* Working knowledge of studio cameras, Final-Cut Pro, Chyron, and Photoshop
* Basic knowledge of audio levels
* Strong initiative and attention to detail is required
* Must be able to follow written and verbal direction
* Must be flexible to work other shifts
* Must be able to handle high stress situations and pressure deadlines
* Must be able to work with other departments and work well in a team environment
* Ability to work independently with little supervision
* Ability to remain positive and foster a positive work environment
* Must have an energetic attitude and be able to represent all TV stations in public in a positive, professional manner

Qualifications/Requirements:

* Operates studio camera and Chyron as directed by Producer and/or Director during newscasts or other special programming.
* Responsible for operating the teleprompter, controlling the pace.
* Use non-linear editing when necessary.
* Responsible for the input and recall of all news graphics for daily newscasts and the construction and input of graphic elements for all production in studio and for mobile services.
* Communicates instructions to talent and guests during live and live-on-tape productions
* Produce daily/weekly promos.
* Will be required to operate field cameras and lighting equipment as required while assisting with remote production events.
* Operate robotic cameras.
* Helps to assure a high quality broadcast by monitoring on air and cable broadcast signals, following the program log to air programs, breaks and promotions.
* Monitors and controls transmitter output and resolves any on-air problems.
* Provides support for future broadcasts by recording programs from satellite feeds by dubbing tapes from various sources.
* Utilizes multiple on-air play lists to ensure playback of all programs, commercials, and promotions according to standard departmental procedures.
* Helps to assure compliance with applicable regulations and communication with other departments by maintaining transmitter and discrepancy logs, equipment incident report, daily reports of records, and the Master Control Log.
* Communicates with sites and *** regarding accurate start and end times for live event segments and the airing of promotions. Responsible for making necessary adjustments to appropriate lists and logs. * Perform other duties as assigned.

Come join our dynamic news team, go to *** , you may type in the job title, station call letters, or click on "apply now", upload your resume, cover letter and references

(Current employees that are interested in this position can apply through the *** -TV UltiPro employee portal)

****-TV/ *** Television Group, Inc. is a drug-free company

Additional Info:

*** Television provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, age, disability or genetics. In addition to federal law requirements, *** Television complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, and transfer, leaves of absence, compensation and training.

*** Television expressly prohibits any form of workplace harassment based on race, color, religion, gender, sexual orientation, gender identity or expression, national origin, age, genetic information, disability, or veteran status. Improper interference with the ability of *** ’s employees to perform their job duties may result in discipline up to and including discharge.

*** Television encourages all new employees to be fully vaccinated against the coronavirus virus prior to or by the first workday.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

8/15

Graphics

Charlotte, NC Details

Full Time

Job Requirements: Must be local to location (or willing to work as a local).

Receive, research, and process all requests for graphic creation from assigned production and follow through to completion and delivery
Establish communication with VP, Production Workflow Management to ensure proper scheduling and tracking of projects
Deal with day-to-day operations of all production in progress through producers
Compile and maintain all compilation reels for assigned production along with seasonal updates.
Attend all project-related meetings, take notes, and distribute
On-going follow-up with logs, style guides, tool kits
Schedule and supervise edit and audio sessions as needed
Work with Graphics Technology group within the department for all elements (including style guides) needed to complete remote and studio deliveries
Assist assigned designer, artist, or operator in the creation of requested graphic by supplying all necessary information for project. The goal should be to minimize repetitive work through editorial errors
Establish and maintain communication with appropriate technical personnel in order to ensure proper completion and delivery of graphic request
Maintain working knowledge of all production relating to graphics at all times
Assist producers in the timely delivery of all sales enhancements
Accurately QC elements both on tape & digital formats
Take on additional tasks as needed

**** YOU **** NEED

Attention to detail
Ability to prioritize multiple projects and tasks
Strong working knowledge of all digital graphic file formats and their appropriate applications
Strong working knowledge of all department technologies relating to file transfer from studio to remote production units
Fundamental understanding of time management techniques
Basic understanding of on-air graphic systems
Working knowledge of all graphic systems in the department and how they relate to one another and to the equipment of requesting party
Working knowledge of Adobe Photoshop, Illustrator, and After Effects
Working knowledge of file sharing and its implications for graphic production
Ability to work non-standard hours, such as early morning or evening shifts, weekends, and requested rotational shifts when necessary

We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, gender identity, disability, protected veteran status, or any other characteristic protected by law. We will consider for employment qualified applicants with criminal histories consistent with applicable law.

At *** , we foster a culture and environment where everyone feels welcome and can thrive. We are deeply committed to diversity, equity, and inclusion, including attracting, retaining, and promoting diverse talent across our company. We live in a diverse world, with different ideas and different perspectives that come together to spark new ideas and make great things happen. That means reflecting the diversity of the world around us is critical to our company's success. We ensure that our viewers, communities and employees feel heard, represented, and celebrated both on screen and off.

Click here to learn more about the diverse communities of people behind our brands.

View more detail about *** Benefits.

APPLY NOW

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

8/12

Director

Denver, CO Details

Full Time

****, the *** *** station in Denver, CO is seeking a Director III to join the team! The Director III is responsible for directing the station's newscasts from the news automated control room with a minimal amount of errors while supervising the crew. This position reports to a Production Manager.

**** YOU'LL DO:

Assigned to daily newscasts as a director or technical director.
Works with show producers using newsroom computer system to create an integrated automated show rundown.
Directs control room crew for pre-production, studio shot planning and graphics integration.
Direct other shows, production shoots and special reports as assigned.
Assist with any studio setups including but not limited to lighting.
Perform Master control duties as needed and assigned by production manager.
Perform studio technical tasks as assigned, including but not limited to ensuring studio is prepared and set-ups are complete; assign and set-up mics for on-air talent and conduct mic checks; coordinate studio position/placement for live shows; operate tele-prompter and cameras during live and taped shows.
Assist other directors with trouble-shooting technical problems and effectively resolves/removes roadblocks as they occur during production in the studio.
Other duties as assigned by the Production Manager.

**** YOU'LL NEED:

High school diploma or GED required. Bachelors in related discipline preferred.
3 years experience directing LIVE newscasts and 1 year experience with production automation systems is strongly preferred.
Must have previous multi-camera directing experience preferably in television news with control room automation.

**** YOU'LL BRING:

Must have the ability to direct fast-pace rapidly changing productions for extended periods.
Working knowledge of state-of-the-art video switchers and effects.
Familiar with routers, video servers, audio consoles, robotic studio cameras, graphics systems and studio production equipment.
Strong computer skills.
Effective communication and people skills.
Must be able to work a flexible schedule.

ADDITIONAL CONSIDERATIONS:

Constant viewing of multiple video and computer monitors.
Flexible work hours required, including holidays, weekends, evenings and possible overtime hours.
Must be able to lift up to 50 pounds.

#LI-SM2

#LI-Onsite

COMPENSATION RANGE:
Hourly: $55,000.00 - 64000

Pursuant to local salary transparency laws, the salary range posted is specific to candidates who will perform this work in Colorado.

**** WE OFFER (ADDITIONAL BENEFITS):

A career path to grow your professional experiences
Full medical, dental and vision benefits, as well as certain other health and wellness benefits
Retirement savings plan with company match
Other key company benefits include disability accident insurance, hospital indemnity, critical illness, life insurance, AD&D, ID protection, pet discount program, and employee assistance program. More details about timing and conditions of benefits eligibility and other plan terms and conditions will be provided upon hire.

*** ' COMMITMENT TO EQUITY, DIVERSITY AND INCLUSION:
At *** , we are committed to a diverse and inclusive culture that reflects the communities we serve. We are intentional about creating an environment where employees, our audiences and other stakeholders feel valued and inspired to reach their full potential and make authentic connections. We foster a workplace culture that embraces each person's diversity, including the extent to which they are similar or different. *** leaders believe that an equitable and inclusive culture is not only the right thing to do, it is a business imperative. Read more about our commitment to equity, diversity and inclusion at *** .com .

ABOUT *** :

The *** *** Company (NASDAQ: SSP) is a diversified *** company focused on creating a *** ter-informed world. As one of the nation's largest local TV broadcasters, *** serves communities with quality, objective local journalism and operates a portfolio of 61 stations in 41 markets. The *** Networks reach nearly every American through the national news outlets Court TV and *** News and popular entertainment brands ION, Bounce, Defy TV, Grit, ION Mystery and Laff. *** is the nation's largest holder of broadcast spectrum. *** runs an award-winning investigative reporting newsroom in Washington, D.C., and is the longtime steward of the *** National Spelling Bee. Founded in 1878, *** has held for decades to the motto, "Give light and the people will find their own way."

As an equal employment opportunity employer, The *** *** Company and its affiliates do not discriminate in its employment decisions on the basis of race, sex, sexual orientation, transgender status, gender, color, religion, age, genetic information, medical condition, disability, marital status, citizenship or national origin, and military membership or veteran status, or on any other basis which would be in violation of any applicable federal, state or local law. Furthermore, the company will make reasonable accommodations for qualified individuals with known disabilities unless doing so would result in an undue hardship for the company.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

8/11

Newscast Director

Washington, DC Details

Full Time

The Hill, a division of Nexstar *** Group, seeks a Newscast Director for Hill.TV and our flagship morning program, "Rising." (You can watch the show at *** or *** .)

In this role, you will be expected to:

Call direct daily newscasts and other original productions, including special events, Hill Events, and sponsored content.
Lead the technical crew in airing fast-paced newscasts.
Facilitate the overall look and presentation of news production under the guidance of producers.
Program video switcher to provide composite effects required in any given program.
Keep track of changing program rundowns.
Ensure that all video sources and remotes are of high technical standards.
Collaborate with producers to facilitate production elements, including music, graphics, lighting, camera-blocking, guest interactions, set furnishings, and all other related presentation elements.

Ideal candidates will have these skills and qualifications:

5+ years professional experience in LIVE production and directing.
Bachelor's degree in Communications, Television or equivalent professional experience.
Possess a strong fundamental understanding of news video and audio production equipment technologies.
Possess a working knowledge of video servers, graphic playout systems, video routers, switchers, robotic cameras.
Experience using TriCaster 2 Elite.
Demonstrate excellent judgment and timely decision-making in a dynamic and fluid live news production environment.
Ability to work precisely under deadlines and pressure.
Must be an effective leader and able to positively motivate and effectively communicate with producers and production crew.
Excellent organizational and communication skills.
Must be willing to learn and adapt to new technologies.
Able to make quick decisions and give accurate instructions to crew during live broadcasts.
Demonstrates innovative thinking and creativity in all aspects of their responsibilities.

About The Hill

Established in 1994,The Hill is the country's definitive digital source for non-partisan political news and information. Inside the Beltway, it's known as an essential, agenda-setting read for lawmakers and i *** uencers. Beyond the Capitol, The Hill's trusted content is shared more often on social *** than any other major broadcast or political news brand in America.

Our properties include TheHill.com, reaching a monthly audience of 41M; Hill.TV, the largest independent video platform within the Beltway with 1.4B annual views; The Hill's print edition, one of the most i *** uential sources for law and policy makers; Elevate *** , creating breakthrough branded content offerings for leading marketers; and The Hill Events, which hosted 70 virtual events last year, featuring 92 Members of Congress and 88 industry leaders in meaningful policy discussions.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

8/5

Director

Missoula, Details

Full Time

The Director II works in all areas of television production and is responsible for technical directing fast paced, complex newscasts and other local programming as well as assisting in completion of pre-production for newscasts.

**** YOU'LL DO:

Oversees the set up and operations of equipment including camera, audio, video and lighting. Constructs and dismantles set.
Ensures smooth operation of technical equipment and services during broadcast.
Troubleshoots technical problems during production or broadcast.
Directs assigned newscasts, which include "switching" newscasts and other productions, completing the pre-production for all newscasts and checking all sources prior to air.
Monitors the status of all live shots and content prior to a live newscast.
Works closely with news department, directors, producers, and promotions to ensure that the desired on-air look is attained with a minimal amount of errors.
Perform other duties as assigned.

**** YOU'LL NEED:

High school diploma or GED required. Bachelor's degree in TV production or related preferred.
Minimum 1 year experience as a director/technical director.

Working knowledge of television station production equipment.

**** YOU'LL BRING:

Must be familiar with all aspects of television production including audio, switching, digital effects, camera operation and shot composition, lighting, and character generators.
Good working knowledge of computers.
Ability to handle multiple priorities under extreme time constraints with poise and skill.
Solid leadership skills.
Excellent knowledge of proper composition, grammar and spelling.
Must have excellent communication skills; ability to give directions in a clear, efficient manner.
Excellent organizational skills.
Ability to work in a fast paced environment.
Capable of working well with commercial clients while adding a creative look to commercial spots.
Must be familiar with all aspects of television production........lighting, character generators, and news automation.
Must be a team player.

OUR TEAM:

We have hikers, rock climbers, mountain bikers, kayakers, runners, skiers, gamers, musicians, community leaders, swimmers and every other mixture of diverse backgrounds, passions and life experiences. We are a community of welcoming, mission-focused, and lively people that continue to grow as we grow our company and rise to our full potential in every aspect of our business.

****E YOU'LL LIVE, **** AND PLAY:

Missoula, MT where the Clark-Fork river really does run though this vibrant city. Set at the convergence of five mountain ranges, earning Missoula the name of the "hub of five valleys". Missoula is surrounded by 60,000 acres of wilderness and is an outdoor paradise, with national forests, ski areas, incredible hikes, and bicycling, raging rivers with excellent blue-ribbon trout fishing. Missoula has repeatedly earned its ranking as a top 100 Best Places to live and was recently recognized as one of the healthiest places in the US with the highest life expectancy compared to any other city in Montana. If you seek a life that isn't consumed by your work or your commute, where living is about community, exploring the same trails as Lewis and Clark as well as knew adventures and a place where "fur babies" are considered part of the Missoulian community than this is the place for you ! After Billings, Missoula is the second-largest city and metropolitan area in Montana and is home to the University of Montana, a public research university.

Where else can walk outside and jump on a mountain trailhead or drive two to three hours and arrive at the gates of both Glacier and Yellowstone National Park! The economy is growing, culture and arts are thriving calling filmmakers such as *** 's Yellowstone to call on Missoula for some of the most beautiful scenic movie and TV show backgrounds. Truly the last best place!

#LI-SM2

#Onsite

*** ' COMMITMENT TO EQUITY, DIVERSITY AND INCLUSION:
At *** , we are committed to a diverse and inclusive culture that reflects the communities we serve. We are intentional about creating an environment where employees, our audiences and other stakeholders feel valued and inspired to reach their full potential and make authentic connections. We foster a workplace culture that embraces each person's diversity, including the extent to which they are similar or different. *** leaders believe that an equitable and inclusive culture is not only the right thing to do, it is a business imperative. Read more about our commitment to equity, diversity and inclusion at *** .com .

ABOUT *** :

The *** *** Company (NASDAQ: SSP) is a diversified *** company focused on creating a *** ter-informed world. As one of the nation's largest local TV broadcasters, *** serves communities with quality, objective local journalism and operates a portfolio of 61 stations in 41 markets. The *** Networks reach nearly every American through the national news outlets Court TV and *** News and popular entertainment brands ION, Bounce, Defy TV, Grit, ION Mystery and Laff. *** is the nation's largest holder of broadcast spectrum. *** runs an award-winning investigative reporting newsroom in Washington, D.C., and is the longtime steward of the *** National Spelling Bee. Founded in 1878, *** has held for decades to the motto, "Give light and the people will find their own way."

As an equal employment opportunity employer, The *** *** Company and its affiliates do not discriminate in its employment decisions on the basis of race, sex, sexual orientation, transgender status, gender, color, religion, age, genetic information, medical condition, disability, marital status, citizenship or national origin, and military membership or veteran status, or on any other basis which would be in violation of any applicable federal, state or local law. Furthermore, the company will make reasonable accommodations for qualified individuals with known disabilities unless doing so would result in an undue hardship for the company.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

8/4

Creature Technical Director (all Levels)

Mumbai, India Details

Full Time

Job Summary:

Position Summary

The Creature Technical Director rigs and envelops characters from heroes to background creatures, vehicles and props in Maya. The Creature Technical Director is able to wrangle rigging and creature pipeline issues proficiently under the direction and guidance of their supervisors; and has the ability to run flesh-surface, hair, rigid sim, crowd, and/or cloth simulations.

What You'll Do

Provide rigging and enveloping in Maya for various vehicles, characters, and creatures
Run cloth, hair, rigid body, crowd, or muscle simulations
Troubleshoot creature pipeline issues for artists in other disciplines
Script utilities/tools/plug-ins in Maya
Participate in reviews, dailies, and department meetings as required
Mentor entry level artists
Special projects as necessary

What We're Looking For

3 years relevant professional experience and a diploma in computer graphics, fine arts, design, or photography, or related field; OR 5 years of relevant experience in lieu of education
Experience as Maya rigger for assets in digital animation, visual effects, games, commercials
Experience running simulation shotwork
Experience in corrective sculpting
Knowledge of anatomy and enveloping
Positive attitude and team player
Good communication skills
Nice to have:
- Experience with Massive or Houdini crowd software
- C++
- Basic proficiency in another discipline - modeling, texture, TD, animation
- Proficiency with Linux
- Expertise with Maya
- Experience with python scripting

This position is with *** Entertainment Company Ltd. LLC, which is part of a business segment we call *** . *** Entertainment Company Ltd. LLC is an equal opportunity employer. Applicants will receive consideration for employment without regard to age, race, colour, religion or belief, sex, nationality, ethnic or national origin, sexual orientation, gender reassignment, marital or civil partner status, disability or pregnancy or maternity. *** fosters a business culture where ideas and decisions from all people help us grow, innovate, create the best stories and be relevant in a rapidly changing world.

#JoinILM

About *** :

Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production, and attraction industries. ILM has created visual effects for over 325 feature films and has played a key role in seven of the top 10 worldwide box-office hits of all time and has contributed to 25 of the top 50. ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, the company continues to break new ground in visual effects, VR, AR, and Immersive Cinema.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** Entertainment, *** , *** Parks, and Experiences and Products. From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with *** Visual Effects (India) Private Limited , which is part of a business we call *** .

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

7/26

Technical Director - Big Ten Network (iatse #762)

Chicago, IL Details

Full Time

OVERVIEW OF THE COMPANY *** Sports

*** Sports, the industry leader in live events, is the umbrella entity representing *** Corporation's wide array of multi-platform US-based sports assets. Built with brands capable of reaching more than 100 million viewers in a single weekend, *** Sports includes the sports television arm of the *** Network; FS1, FS2, *** Soccer Plus and *** Deportes, as well as a joint-venture business in the Big Ten Network and digital properties including *** and the *** Sports App. *** Sports has delivered the most watched television program, *** 's America's Game of the Week on *** , for fourteen consecutive years.

JOB DESCRIPTION
The Big Ten Network is seeking a Technical Director to join their team in Chicago, IL. The Technical Director will primarily be responsible for setting up and operating a production switcher (either locally in MICR control room or on-site in a remote production truck) to switch the video portion for broadcasts of live sporting events and related programming in conjunction with the director, producer, engineering staff, and control room/production truck crew. Additional duties include preparing and organizing switcher animation files, ensuring equipment is functioning properly, and working with the Crewing Dept to help train freelance Technical Directors. The Technical Director is expected to Technical Direct the network's highest-profile broadcasts, including some travel to work on-site as determined by Coordinating Producers. Additionally, the Technical Director may be allowed to direct a select number of broadcasts as assigned by the Coordinating Producers.

This is a Union IATSE role and must adhere to the minimum conditions described in the bargaining agreement by and *** ween the Big Ten Network and IATSE (Local #762).

A SNAPSHOT OF YOUR RESPONSIBILITIES

Set up and operate a production switcher (either locally in MICR control room or on-site in a remote production truck) to switch the video portion for broadcasts of live sporting events and related programming in conjunction with the director, producer, engineering staff, and control room/production truck crew
Permitted to Direct and/or Produce broadcasts of live sporting events as assigned by Coordinating Producers, not to exceed 30 days per year and must be in accordance with agreed-upon conditions
Expected to Technical Direct network's highest-profile broadcasts as determined by Coordinating Producers, including being available to travel to remote events to TD on-site when necessary
Ensure production switchers, routers, monitor walls, and video signals are functioning properly by working closely with the engineering department and camera/video operators
Prepare and organize switcher animation files and Cueman files for both MICR control room switchers and remote production truck switchers, in cooperation with production assistants and graphics design department
Schedule, train, and recommend freelance technical directors (including B1G Network Operations Workshop training program) for MICR control room productions with assistance from crewing department
Use knowledge of technical directing and production switches to assist studio automation control room operators with building switcher effects

**** YOU **** NEED

5+ years of experience as a Technical Director for national/regional broadcasts of live sporting events
Specialized knowledge of production equipment and software including Grass Valley K-Frame switcher, Grass Valley K2 Server, EVS Spot box and Lance Controller, Evertz Router and Monitor Wall System, Adobe Premiere Pro and *** Encoder, Microsoft Word & Excel
General knowledge of production equipment including Grass Valley or similar triax and fiber broadcast cameras, Evertz Dre *** atcher Replay, VizRT Graphics System, *** Box score software, Ross Overdrive automation system, computer networking
General understanding of multiple sports and college teams
Ability to clearly give quick and decisive direction and judgment in a high-pressure, live television production environment
Good written and oral communication
Exceptional organization skills

NICE TO HAVE BUT NOT A DEALBREAKER

High school diploma or equivalency, Bachelor's degree preferred

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

7/22

Production Assistant

Panama City, FL Details

Full Time

7/21

Operations Technician

Tampa, FL Details

Full Time

7/20

Editor

Binghamton, NY Details

Full Time

**** *** 34 an *** and *** affiliate in Binghamton, NY has a full time opening for a Master Control video editor/director.

Responsible for uploading of programming and commercial files to Master Control video server.
The position will edit news video and longer format station projects.
The candidate will run playback server and alternate serving as technical director during the production of live and taped events.
Graphics creation and posting of stories to the station website.
Coordinate asset and information exchange.
Perform other duties as directed by management.

Requirements & Skills :

Television production experience and college degree preferred.
Valid driver's license and reliable transportation.
Preferred Software skills include Adobe CC Suite production package including Premiere Pro, After Effects, Photoshop, Audition and *** Encoder.
Position will require day-to-day multi-tasking, as well as managing multiple projects simultaneously with frequent change in direction and priority.
Must be able to work independently or as part of a team.
Occasional weekends, evenings, and holiday shifts will be required.
Meet all deadlines, fulfill scheduling commitments, and consistently achieve quick turnarounds in a fast-paced, rapidly changing environment.

Physical Demands & Work Environment :

The video editor/director must be able to stand, sit, conduct telephone conversations, use electronic mail, write letters and memos, conduct face-to-face discussions with individuals or groups, make decisions without supervision, make decisions that impact the results of co-workers, work near others, work outdoors in all weather conditions, and work indoors in environmentally controlled conditions. In addition, the video editor/director must be able to lift, set up and operate equipment weighing up to 20 pounds, and be able to handle, control or feel objects, tools, or controls. Repetitive movements are required. EOE

****-TV / ****-TV IS AN EQUAL OPPORTUNITY EMPLOYER

Apply online at www.nexstar.tv

www.binghamtonhomepage.com

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

7/20

Technical Director I, Studio Ops

Bristol, CT Details

Full Time

Job Summary:

Position Summary:
The Technical Director must be proficient in preparing and switching video elements during live and pre-recorded productions in control room environments. Work is done while ensuring all content meets *** 's high standards of quality and will be performed in a fast-paced environment for a wide variety of studio shows and events.

Responsibilities:

Focus on major areas of work, typically 20% or more of role
Operates all broadcast equipment and technology within assigned operating areas
Builds and maintains effects for various productions, providing associated communication and documentation to the entire Technical Directing team
Demonstrates solid knowledge of plant signal flow/routing
Measures video signals to ensure quality control of *** endorsed standards on all operations
Participates in special event coverage and projects as necessary
May train others in operational areas and if so, required to generate training documentation.
File reports, as necessary, on specific working conditions, equipment status, and personal development at the request of management.
Participate in training programs, (physical, classroom, virtual, etc.) for self-career development and/or regarding relevant equipment and workflow changes within the operation.
Any other duties needed to help achieve business objectives

Qualifications:

Minimum of 2 years practical Content Production or related experience at the regional to large market or network level.
Proficient knowledge of all TV Production equipment and technology within assigned operating areas.
Flexibility to alter shifts/days off and work overtime to accommodate projects and departmental objectives including the ability to work nights and weekends.
Must demonstrate ability to perform tasks under tight deadlines, work independently and lead simultaneous projects.
Solid understanding of workflow in other business units, including their impact and/or specific integration with Production Operations.
Organizational, efficiency and planning skills are required.
Must be willing and able to adapt to a constantly changing environment.
Candidates must have good computer background (Outlook, Word, Excel, PowerPoint, etc...) and solid communication skills.
Problem solves and troubleshoots using effective communication to best convey any issues needing resolution.
Seeks out information in regard to the workflow of other business units, including their impact and/or specific integration with Production Operations, and utilizing that information to enhance processes and/or educate others.

Preferred Qualifications:

Bilingual (written and spoken) - English/Spanish
Demonstrable Knowledge of Broadcast Communications Equipment
Understanding of Remote Event Workflows and Terminology
Ability to provide exceptional customer ser *** to our partners
Regional - National Level Live Event Experience
Demonstrable Grass Valley Switcher and Automation Experience

Required Education:

High School diploma or equivalent

Preferred Education

Bachelor's Degree in Communications, Studio Production, or related field
Vocational School or related experience

Additional Information: (i.e. physical requirements, holiday, nights, weekend shifts, etc.)

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** Entertainment, *** , *** Parks, and Experiences and Products. From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with *** Streaming Technology LLC , which is part of a business we call *** *** & Entertainment Distribution .
*** Streaming Technology LLC is an equal opportunity employer. Applicants will receive consideration for employment without regard to race, color, religion, sex, age, national origin, sexual orientation, gender identity, disability, protected veteran status or any other basis prohibited by federal, state or local law. *** fosters a business culture where ideas and decisions from all people help us grow, innovate, create the best stories and be relevant in a rapidly changing world.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

7/14

Director

Bristol, CT Details

Full Time

Job Summary:

The Event Director II will be responsible for line-directing live productions in-house (REMI) and on-remote, including some of *** 's most complex and highest profile sporting events. During live event productions, the Event Director II will be responsible for executing the technical production of the telecast, following storylines and working with the Producer to document the sporting event. In addition, will work in conjunction with Coordinating Producers and Producers to provide support and guidance on content philosophy and coverage. The Event Director II will oversee the long range planning and coordination of specific projects, working in conjunction with Production, Creative Services and Operations to provide the directing blueprint for execution and element integration into productions. The Event Director II will need to be a team builder with strong production and technical knowledge, and demonstrate leadership qualities in all interactions and decisions. The Event Director II will be responsible for oversight of the technical crew for live event productions, and provide direction and feedback. Also, will be required to coach, develop, and mentor the directorial staff and provide consistent and comprehensive feedback. The position is Bristol based, and may include the need to direct studio-related productions when the schedule dictates.

Accountabilities:

Plans, directs and executes on-air productions of live remote and REMI sporting events, properly documenting assigned events.
Oversees technical crew for the live event productions; providing direction, feedback and development.
Works in conjunction with Remote Operations to determine technical facility and personnel needs for telecasts.
Works in conjunction with Producers and Coordinating Producers to determine a creative vision and technical direction as it applies to the presentation, driving innovation and new workflows that embrace technology.
When necessary, will organize and lead meetings to develop production and operational strategies.
Wide range of event production experience, ranging from AP, AD, Producer and Director responsibilities, as well as a deep understanding of technical roles.
Makes the real-time decisions regarding what pictures and sounds will be broadcast; interprets data and information to decide camera angles, features and sequences.
Works with Producer and Operations team to determine camera placement at each venue; plans and executes the capture of desired shots, live-to-tape builds and sequences of shots.
Works with engineering technicians for integration of all elements in a telecast including graphics, enhanced technology elements, switcher effects, composite music, etc.
Directs the technical crews and remote employees assigned to events; conducts production and technical meetings to define crew responsibilities and outlines expectations for live remote events.
Collaborates with Crewing department to best assign technical production crews for live events; provides post-event feedback to the Remote Operations team and Crewing department if applicable.
Prepares for each game accordingly by conducting research on the teams, players, storylines, trends, etc.
Provides instruction to on-air talent prior to telecasts and directs them, as required, during telecasts.
Makes on-the-spot editorial adjustments to coverage patterns as unforeseen situations and opportunities arise.
Troubleshoots, real-time, operational issues that arise during assigned sporting events.
Has the knowledge and the ability to direct studio-related productions, both in-house and on-remote.
Provides ongoing feedback to Directors and Associate Directors and documents in written form to Management. Written feedback should be thoughtful and comprehensive with clear, detailed examples.

Participates in periodic clip review sessions with Managers and Event Directing team to further develop directing skills.
Practices and maintains the Directing Department performance standards as they apply to leadership, communication, operations, personal development and productions, and consistently performs all of the duties and functions required of the role. Demonstrates strong leadership qualities in all interactions and decisions.

Qualifications:

In-depth live remote sporting event directing skills.
Knowledge of the real-time live sporting event directing process.
Ability to clearly and concisely communicate to all crew members during the live telecast.
Knowledge of the technical equipment involved in directing live remote sporting events.
Knowledge of sports and sports history.
Travel required.

Preferred Qualifications:

Minimum 10 years of progressively complex live sporting event directing experience.
Understanding of the financial implications of directing live remote and REMI sporting events.
Appreciation of popular culture and assistance in defining *** viewer tastes.
Understanding of the market positioning and strategies of assigned sporting events.

Required Education:

High school diploma

Preferred Education:

Bachelor's degree in broadcasting, communications, journalism or a closely related field

Location:
Preferred location is Bristol, CT but fully remote work may be a possibility.

Compensation:

The hiring range for this remote position is $108,600 to $205,000 per year, which factors in various geographic regions. The base pay actually offered will take into account internal equity and also may vary depending on the candidate's geographic region, job-related knowledge, skills, and experience among other factors. A bonus and/or long-term incentive units may be provided as part of the compensation package, in addition to the full range of medical, financial, and/or other benefits, dependent on the level and position offered.

# *** ***

About *** :

Working at *** is unlike anything else. That's because we're always finding new ways to interact with fans - however and wherever they connect with sports. Every day we're doing things that no one has done, all in a dynamic culture where we defy odds and continuously outdo ourselves. When you have the latest technology, game-changing ideas and world-class talent on your team, every day is extraordinary.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** Entertainment, *** , *** Parks, and Experiences and Products. From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with *** Productions, Inc , which is part of a business we call *** .
*** Productions, Inc is an equal opportunity employer. Applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, sexual orientation, gender identity, disability or protected veteran status. *** fosters a business culture where ideas and decisions from all people help us grow, innovate, create the best stories and be relevant in a rapidly changing world.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

7/14

Director

Bristol, CT Details

Full Time

Job Summary:

The Director I is responsible for the planning and line-directing live and taped Studio, Remote and REMI productions, in both conventional and automated control rooms. The Director I will be required to participate in pre- and post-production meetings, plus contribute ideas to help realize a vision for a show. The Director I will be responsible for managing personnel and facilities as they relate to the production. In addition, will work in conjunction with Coordinating Producers and Producers to provide support and guidance on content philosophy and execution, plus coordinate and disseminate show information to the production and operational units. The Director I will need to be a team builder with strong production and technical knowledge and demonstrate leadership qualities in all interactions and decisions. The Director I will be required to coach, develop and mentor Associate Directors and Stage Managers, and must provide consistent and comprehensive written feedback of their performance to Directing Management.

Accountabilities:

Directs live and taped productions from the control room or mobile unit; coordinates and execute all aspects of scripted and unscripted shows.
During Ignite/Automated productions - Directors will code rundowns; facs studio and remote guests; troubleshoot technical issues; possibly select music and coordinate liveshots in the absence of an AD.
Provides clear, concise and orderly communication of traffic to all involved during each production.
Troubleshoots, in real-time, operational issues that arise during assigned production.
Oversees lighting, camera blocking, visual effects and graphics integration, and timing to ensure a quality presentation.
Participates in meetings with Managers and Producers to develop the concepts, editorial themes and specific narratives for productions.
In show preparation, coordinates with Associate Director the assigned pre-production elements and review the rundown for accuracy.
Contributes to the planning and organizing of assigned projects. Manages personnel and facilities as they relate to assigned projects; interacts with other departments for a common goal.
Provides ongoing feedback to Associate Directors and Stage Managers as well as other team members, and documents in written form to Management. Written feedback should be thoughtful and comprehensive with clear, detailed examples.
Observes Associate Directors and Stage Manager outside of show unit to directly contribute to their development.
Takes responsibility for personal development through independent observation and training. Participates in periodic clip review sessions with Managers and Director IIs to further develop directing skills.
May be asked to provide written feedback for various show unit personnel, including but not limited to: Designers, VCS/OCTO ops, Editorial Graphic Producers, Producers and Coordinating Producers.
Practices and maintains the departmental performance standards as they apply to leadership, communication, and personal development, and consistently perform all of the duties and functions required of the role.

Qualifications:

Has in-depth knowledge and proficiency with live directing.
Has in-depth knowledge and proficiency with production equipment and facilities.
Has strong ability to think and react quickly to rapidly changing situations in a high pressure environment.
Has strong interpersonal skills.
Has in-depth ability to direct most assigned productions and specialty shows.

Preferred Qualifications:

Minimum of 5 years of directing or related experience.

Required Education:

High school diploma

Preferred Education:

Bachelor's degree in broadcasting, communications, journalism or a closely related field

Additional Information:

Preferred location is Bristol, CT but Charlotte, NC may be a possibility.

# *** ***

About *** :

Working at *** is unlike anything else. That's because we're always finding new ways to interact with fans - however and wherever they connect with sports. Every day we're doing things that no one has done, all in a dynamic culture where we defy odds and continuously outdo ourselves. When you have the latest technology, game-changing ideas and world-class talent on your team, every day is extraordinary.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** Entertainment, *** , *** Parks, and Experiences and Products. From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with *** Productions, Inc , which is part of a business we call *** .
*** Productions, Inc is an equal opportunity employer. Applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, sexual orientation, gender identity, disability or protected veteran status. *** fosters a business culture where ideas and decisions from all people help us grow, innovate, create the best stories and be relevant in a rapidly changing world.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

7/7

Seasonal Operations Tech I (4)

Augusta, GA Details

Full Time

The Seasonal Operations Technician (4) has four primary tasks: Newscast Directing, Newscast Audio Operator, *** Center Operator and Master Control Operator.

Operates studio cameras and field cameras for live and taped events
Composes and frames shots, applying the technical aspects of light, lenses and camera settings to achieve the effects sought by directors, station management, other personnel
Adjusts positions and controls of cameras to change focus, exposure and lighting as requested by the directors, station management, other personnel
Operates audio equipment for live and taped events
Operates computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product

Collaborate with the director and studio staff to coordinate the action in the studio
Builds and decorates the set and/or provides props used for production
Assist in the installation, operation and maintenance of sound recording equipment
Operate studio graphic systems during broadcast/production
Provide audio production-related support as needed and may work with outside production facilities
Assist in digital *** productions, liaising with appropriate departments
May convert analog recordings, film, or printed materials to digital format
Maintains and stores equipment, records and tapes

Requirements & Skills :

Degree in Communication or related field, or equivalent training and/or experience
Experience in television, film, or post production preferred but not required
Must be able to interact well with video journalists, anchors, videographers, news managers, production and engineering staff
Detail oriented
Excellent communication and organization skills

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

7/4

Lead Pipeline Technical Director

Sydney, Australia Details

Full Time

Job Summary:

The Lead Pipeline Technical Director is responsible for taking a lead role in developing and maintaining the VFX production pipeline for ILM, and ensuring it is running smoothly and efficiently for all shows. The Lead Pipeline Technical Director will be active in both development projects and show support and will mentor and advise the Pipeline Technical Director team in their local Studio.

Primary Responsibilities:

Responsible for the development of workflow and tools on show-specific projects locally and across all *** .

Ensures Pipeline TD team is adhering to ILM standards when building new tools and workflows

Approves methods and procedures on new projects and in conjunction with assigned Pipeline TD

Serves as key knowledge resource for workflow and tools used in production at ILM

Runs code reviews for Pipeline TD team both locally and globally

Advises other engineers with maintenance and bug fixing of existing tools

Provides support to productions to keep the pipeline running smoothly for projects globally

Collaborates with show supervisors to develop per-show tool customizations, ensuring we are not duplicating work across shows

Updates and creates new features additions to existing tools

Provide training and assistance to both Pipeline TDs, production and artists on toolsets and workflows

Collaborates with artists and production to develop efficient workflows and supporting tools across projects

Leads discussions surrounding future workflow and tool development

Joins show and development meetings to ensure tools and best practices are known across projects

Always aware of commonality across shows, key point person for development of tools across shows

Key point person in local studio for production workflow and tools for Global teams

Works with show hub CG Supe to ensure hub and spoke technology needs are understood and prioritized

Participate in the activities of the globally distributed production engineering team, including:
- development and support activities
- regular status and planning meetings as time zones permit
- adhere to development best practices and standards defined by the Supervisor

Job Requirements:
Education / Experience :

Bachelor's degree in Computing Science or Graphics discipline, or equivalent professional experience
Proven experience in the visual effects or computer animation industries

Required Skills / Competencies :

A positive, "can-do" attitude with balance: must not be afraid to ask for help when getting outside experience base or comfort zone
A clear and concise communicator: ability to keep end users informed of progress and managers informed of requests
An effective listener: able to engage with and understand artists to discover what their requirements are
An effective time manager: must be able to prioritize a multitude of requests and not be afraid to ask for help if the path isn't clear
Passionate about delivering rigorous follow-through on assigned tasks
An agile, flexible and quick thinker: this is an energetic, dynamic environment requiring an ability to adapt to rapidly changing requirements
A creative thinker and innovator: able to devise and employ ingenious solutions to difficult problems

Technical Skills:

Expert knowledge of python programming and the Linux environment
World-class troubleshooting skills
Experience working with revision control systems and defined coding standards
Experience developing tools and/or plugins within industry software packages such as Maya, Nuke, Houdini or Katana
Experience with Renderman, vray or Arnold

Preferred Skills / Competencies:

Excellent people person
Experience with database technologies such as MySQL, PostgreSQL, MongoDB or Redis
Experience writing RESTful APIs
Knowledge of the standard python packaging and installation tool-chain
VFX, Feature Animation or Episodic production experience
Experience with Maya, Katana and Nuke
Experience with Renderman, vray or Arnold
Experience developing on Windows

JoinILM

This position is with *** Entertainment Company Ltd. LLC, which is part of a business segment we call *** .

*** Entertainment Company Ltd. LLC is an equal opportunity employer. Applicants will receive consideration for employment without regard to age, race, color, religion or belief, sex, nationality, ethnic or national origin, sexual orientation, gender reassignment, marital or civil partner status, disability or pregnancy or maternity. *** fosters a business culture where ideas and decisions from all people help us grow, innovate, create the best stories and be relevant in a rapidly changing world.

About *** :

Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production, and attraction industries. ILM has created visual effects for over 325 feature films and has played a key role in seven of the top 10 worldwide box-office hits of all time and has contributed to 25 of the top 50. ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, the company continues to break new ground in visual effects, VR, AR, and Immersive Cinema.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** Entertainment, *** , *** Parks, and Experiences and Products. From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with ILM (Australia) Pty. Ltd. , which is part of a business we call *** .

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

6/28

Production Assistant

Henderson, KY Details

Full Time

6/27

Production Technician(ne)

Denver, CO Details

Full Time

The Production Technician has four primary tasks: Newscast Directing, Newscast Audio Operator, *** Center Operator and Master Control Operator.

Essential Duties & Responsibilities :

Operates studio cameras and field cameras for live and taped events
Composes and frames shots, applying the technical aspects of light, lenses and camera settings to achieve the effects sought by directors, station management, other personnel
Adjusts positions and controls of cameras to change focus, exposure and lighting as requested by the directors, station management, other personnel
Operates audio equipment for live and taped events
Operates computer editing systems, electronic titling systems, video switching equipment, and digital video effects units to produce a final product
Collaborate with the director and studio staff to coordinate the action in the studio
Builds and decorates the set and/or provides props used for production
Assist in the installation, operation and maintenance of sound recording equipment
Operate studio graphic systems during broadcast/production
Provide audio production-related support as needed and may work with outside production facilities
Assist in digital *** productions, liaising with appropriate departments
May convert analog recordings, film, or printed materials to digital format
Maintains and stores equipment, records and tapes

Requirements & Skills :

Degree in Communication or related field, or equivalent training and/or experience
Experience in television, film, or post production preferred but not required
Must be able to interact well with video journalists, anchors, videographers, news managers, production and engineering staff
Detail oriented
Excellent communication and organization skills

Physical Demands & Work Environment :

The Production Technician, must be able to sit, conduct telephone conversations, use electronic mail, write letters and memos, conduct face-to-face discussions with individuals or groups, make decisions without supervision, make decisions that impact the results of co-workers, work near others, and work indoors in environmentally controlled conditions. In addition, the Operations Technician must be able to handle, control or feel objects, tools or controls. Repetitive movements are required. Work may be conducted in extremely bright or inadequate lighting conditions

Compensation: $17.29 per hour

To Apply : Please visit the Work for Us page at ****.com: *** or at the Nexstar Website at: *** to complete the application process. To be considered for this job you must apply online . No Calls

**** EOE/MINORITIES/FEMALES/VETERANS/DISABLED****

****/K *** is an equal opportunity employer that seeks diversity in our workforce. All qualified candidates are encouraged to apply.

****.K *** values the contribution of its employees. We recognize their efforts by offering a competitive compensation plan and an array of benefits, including medical, dental, vision, life insurance, 401(K), and more. We are committed to a drug and alcohol-free workplace. Any job offer is conditional upon satisfactorily completing a background and DMV check

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

6/17

Production Assistant

Henderson, KY Details

Full Time

6/17

Production Assistant

Henderson, KY Details

Full Time

6/7

Production Assistant

Henderson, KY Details

Full Time

6/4

Vfx Trainer

Sydney, Australia Details

Full Time

Job Summary:

As a member of the Studio Talent Group the VFX Trainer is responsible for the design, development, and instruction of training courses for new and current employees in all global *** , with a focus on ILM's Sydney studio.

We are looking for a VFX trainer who reflects the innovative spirit, creative talent, production excellence, collaborative mindset and passion for great filmmaking that define ILM.

On any given day you might...

Manage Jedi Academy efforts through developing curricula and documentation for entry-level talent, e.g. apprentices, graduates, interns, etc.
Manage all Studio Talent Group programs within the Sydney studio.
Deliver virtual technical training courses to ILM employees around the globe.
Create, evaluate and maintain technical documentation using Co *** uence.
Partner with studio leaders to understand technical training requirements.
Work closely with the Training Coordinator or to schedule and set up training.
Customise new starter technical training to meet the needs and goals of each trainee's assigned production.
Evaluate and report on trainee progress to the Director of Talent Development, and appropriate department managers and production supervisors.

Here are the skills and experience you need to be successful in this role:

You are informed on the latest thinking on training and development methods and techniques.
You are skilled at fostering relationships across time-zones, providing global partners with an excellent level of service.
If needed, you can step in and carry out shotwork as required by productions.
You are experienced with industry-standard 2D and/or 3D software packages (Maya, Katana, Nuke, Houdini, Photoshop) or proprietary equivalent.
You are familiar with the G Suite (Gmail, Docs, Drive).
You have knowledge of Linux, shell scripting, Python, and C/C++ (desirable).
You have a Bachelor's Degree in Computer Science, computer visualisation, or computer animation or related or you have equivalent industry experience.

About *** :

Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production, and attraction industries. ILM has created visual effects for over 325 feature films and has played a key role in seven of the top 10 worldwide box-office hits of all time and has contributed to 25 of the top 50. ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, the company continues to break new ground in visual effects, VR, AR, and Immersive Cinema.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** Entertainment, *** , *** Parks, and Experiences and Products. From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with ILM (Australia) Pty. Ltd. , which is part of a business we call *** .

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

5/24

Commercial Production Tech, Wsym

Lansing, MI Details

Full Time

The *** *** *** affiliate **** in Lansing, Michigan is seeking a Commercial Production Tech to join our team! The Commercial Production Tech will be responsible for assisting with writing, blocking, shooting, lighting, scheduling, and editing of all commercial/promotional productions, including public ser *** announcements for station and clients.

**** YOU'LL DO:

Works closely with Creative Services Director, Sales management, and staff on the execution of results driven advertising campaigns and script ideas.
Under the direction of management, will work closely with the sales department, clients, and talent while on shoots, direct clients on shoots, as necessary.
Coordinates promotional and advertising campaigns for station and clients for publication; assist Sales with creative concepts for clients.
Works in coordination with Creative Services Director to execute final product to include commercial/promotional script concepts.
Provides support for writing, blocking, shooting, lighting, scheduling, and editing of commercial content
Utilizes the Graphics Hub or design graphics and special effects to be utilized in commercial spots, station promotions, and news.
Works with network and syndicated affiliates to support programming on air and online.
Other duties as assigned.

**** YOU'LL NEED:

High School diploma or GED; Vocational or technical training preferred.
1 - 3 years' experience.

**** YOU'LL BRING:

Experience and proficiency with Adobe Creative Suite (specifically Premiere Pro and After Effects).
Must be able to lift to 50 pounds.
Valid driver's license, good driving record, and ability to provide proof of insurance with the company required insurance limits.

This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.

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