Electrician Production Jobs

We are looking for a Los Angeles area based experienced Grip/Electrician combo as we approach the start of production for a low-budget feature length drama with 11 shoot days. Duties include assisting the Gaffer in bringing to life the overall look of a film by creating and controlling light. Filming will start on or about June 8th, 2023.

RUN Studios has a part-time opportunity for a technically savvy, solution-oriented individual. We are seeking a driven Light System Tech to assist our client, a leader in the video production industry located in the Redmond area.

Video production is an integral part of our clients marketing and communication strategy, and you will be front and center in supporting those productions. Working with the larger production team you will working with Lighting Director or Gaffer to assist the GrandMA Op to address lights. You will also review current power set-up and map out any power additions to make sure current load can maintain new request load.

The work will be on an as-needed basis, hours will fluctuate based on project needs. Must be available to work on site in Redmond, WA.

As a Light System Tech, You Will

Keep safety priority number one
Monitor power additions and subtractions to make sure production crew is safe while working with preset distro power supply
Support production rigging needs
Operate necessary lighting and staging equipment
Take direction from LD Gaffe, or GrandMA Operator
Utilize manual or computer controlled lighting system
Keep lighting equipment in good shape
Work with facility support or accessing lighting fixtures and gak

As an Applicant, You Bring

Basic knowledge of distro power set-ups
Knowledge of power load calculations and how to manage
Knowledge of DMX configuration and set-up
Ability to adapt to sudden change
Knowledge of video production and gaff and grip workflow and gak

Bonus if You Have

Scissor and or Boom lift experience
Experience with both live studio and cine production
Experience as a Master Electrician
At RUN Studios we recognize our ultimate success depends on our talented and dedicated workforce. We understand, value, and are grateful for the invaluable contributions made by each employee. Our goal is to provide a comprehensive program of evolving competitive benefits specifically designed to support the needs of our employees and their dependents.

Compensation

Pay Range: $30.00 - 40.00 (Hourly)

The successful candidate’s starting pay within this range will be based on various factors such as individual qualifications and work location.

Benefits:

Benefits and perks may vary depending on location and nature of the work, but eligible employees have access to medical, dental, vision, life, and AD&D benefits, health savings and flexible spending accounts, other telehealth and wellness benefits, a minimum of seven paid holidays per year, accrual of at least 6.5 days of paid time off per year, a 401k plan with company match, discretionary bonuses dependent on company, team or individual performance, and referral bonuses for eligible hired referrals.

As an equal opportunity employer, RUN Studios is committed to the principle of pay equity and does not discriminate on the basis of race, religion, national origin, gender, gender identity or expression, sexual orientation, genetic information, protected veteran status, disability, age, or other legally protected status

Gaffer Needed on Wednesday, 6/7 to assist with interview and b-roll shoot. Also looking for the following gear:

- 6 C-stands or baby stands
- Three 6x or three 8x frames or a combo of the two
- 8-10 shot bags

We are filming a 20-mile stretch of pipeline installation throughout Kokomo, IN. All crew must wear steel toe or composite boots on the job site. Grip will be assisting with bounce lighting subjects for b-roll and setting up gear for simple exterior interviews (silk, bounce, flag, shinny). Small crew: two cameras, sound, grip. 10-hour day. Access to transporting exterior grip equipment.

Please provide labor and gear options/rates.

We're looking for someone who is comfortable working by themselves to set up gear in all departments: camera, audio, grip, electric for a single person interview. There will be no operating of equipment, we just need help setting it up.

We're looking for an applicant that is:
- Knowledgable in camera, grip and lighting gear
- Easy to work with
- Respectful and professional with clients and talent
- Detail oriented and follows instructions closely
- Comfortable working alone and being directed by remote producers

If you have an interest in playing with new technology then this is a good opportunity. Studiobox is on the cutting edge of new tech.

In addition to your resume or LinkedIn profile, please tell us a little bit about yourself.

Grip/Swing needed for a Non Union Documentary shooting in eastern Oregon. Experience in other departments is very helpful. Small crew that jumps in where. needed. Shooting in small towns & ranches, moving location every few days. A "road trip" type of shoot.

We are looking for a Utility/Swing who is local to the New Orleans area for 2 days.

Days: 6/14/23 - 6/15/23
Rate: $650/12
Locations: New Orleans, LA and Chauvin, LA

Must be able to self-drive.

Looking to bring on a local Grip/Gaffer for a CBS Reality Renovation series, filming in Palo Alto, CA on Friday, June 16th. Thursday, June 15th would be a half day with pre-set lighting and meeting with EPs and crew on location to discuss shoot schedule for the following day.

Looking for someone who owns a grip van or has worked with local rental houses depending on gear needs - which will be discussed via phone. Indoor renovation with OTF setups and renovation â??scenesâ?? outside.

Details on the rate & show format will be discussed via phone.

Must be able to provide proof of COVID Vaccination and will be tested via self-test PCR, provided by production.

Looking for experienced gaffer. One location is a huge church. Main goal is to achieve overcast soft continuous lighting.

Comedy drama genre.

We have a 3 day single cam commercial shoot in the Walnut Creek and surrounding area for a celebrity beverage brand and are looking for a grip to bring onto the project. Most of the project will be shot in various locations(1-2 locations per day) and there may be some content outdoors as well.

Hi. We are shooting for two days in NYC to wrap up a feature film shooting in other states. We are a SAG ultra low budget drama.

We need a gaffer - hopefully an owner/op with a 2 ton(ish) package.

Checks written at wrap on second day.

LOCALS ONLY - please do not reply 'yes' to the local question if you are not local.

I am looking for a gaffer with own lighting gear for a low budget web-series June 6-9 and maybe a few more days after. The pay is 250/day.

Please only submit if you have lighting equipment you can bring for the rate above.

Thank you

We are looking for a Los Angeles area based experienced Key/Dolly Grip combo as we approach the start of production for a low-budget feature length drama with 11 shoot days. Duties include working closely with the Gaffer and Director of Photography in relation to all non-electrical support gear on set such as rigging, lighting rigs, and builds and maintains all of the equipment on which cameras are mounted to. Filming will start on or about June 8th, 2023.

This is an outside renovation shoot. Production will have gear, but looking for someone who owns gear or has worked with local rental houses in case any additional gear is needed.

Details on the rate & show format will be discussed via phone.

Looking for an experienced grip who can assist in setting up the equipment and generally helping out on set for the duration of the gig. Some additional tasks will be related to helping move set pieces and chairs between setups.

Looking for G & E team for a design based reality competition show. This is a union show.

Jupiter Entertainment seeks an experienced Grip as local as possible to Houston, TX to join us for 11 shoot days between 6/19 & 7/3 with exact dates to be confirmed.

This shoot will consist of single on-camera talent with two cameras for sit-down interviews (taking place indoors) and stylized b-roll. Interview and true crime experience is strongly preferred. Gear will be provided, a team-oriented attitude is a must!

If you are interested and available, please include your rate for a 12-hour day as well as your reel/credit list along with your application. Thank you!

Jupiter Entertainment seeks an experienced Gaffer as local as possible to Houston, TX to join us for 11 shoot days between 6/19 & 7/3 with exact dates to be confirmed.

This shoot will consist of single on-camera talent with two cameras for sit-down interviews (taking place indoors) and stylized b-roll. Interview and true crime experience is strongly preferred. Gear will be provided, a team-oriented attitude is a must!

If you are interested and available, please include your rate for a 12-hour day as well as your reel/credit list along with your application. Thank you!

Will need to be local to Winston Salem. Will be lighting interview set ups. Gear is a huge + and kit rental included based on package.

Production needs a Grip to assist the Director and the Director of Photography in setting up the camera for shots

Production needs a Gaffer to work with the Director of Photography in order to light the set for each scene.

Looking for an LA based Key Grip for a non-union, 1-week shoot.

Shooting narrative elements for a documentary. Rate is $350/12.

BIPOC encouraged.

Looking for an LA based Gaffer for a non-union, 1-week shoot.

Shooting narrative elements for a documentary. Rate is $350/12.

BIPOC encouraged.

We are seeking Freelance Grip and Lighting crew members for upcoming projects. This crew would take care of everything topside to ensure a seamless production and keep the day to day operations of the electrical or grip departments running smoothly

Job duties:
• Planning and executing a lighting plan including the placement and powering of lights.
• Utilize flags, silks, reflectors and manipulate light to help the DOP achieve a desired look.
• Physically support other departments as necessary with rigging and temporary structural elements
• Checking equipment quality and making sure that nothing is broken or damaged on set, fixing equipment or finding a solution to replace broken gear.

Qualifications:
• Physically fit. Must be able to lift heavy equipment
• 3 plus years experience
• Flexible work schedule
• Problem solving skills
• Take direction well

For this position you will be holding a parabolic microphone on the field collecting background audio. No previous experience needed.