We are looking to hire a Gaffer to join our team for 2 days on May 15th and 16th in Atlanta, Georgia. We are looking for someone with enough experience in grip and lighting as well because we will be short staffed and would like to have someone join our team who can help carry out this project.
Thank you!
Date:
May 15 & 16
Rate:
$500
In search of a Gaffer for a true-crime miniseries for a prestige cable network.
SCHEDULE:
Tues May 11 - Shoot Interview
LOCATION:
Metro Atlanta
RATE:
Based on a 12 hour day
COVID + CREW DETAILS:
- Crew is less than 10 people
- We will have a CCO on set and provide PPE
- We will have you tested in advance (our expense) of the shoot
TRAVEL:
- MUST be local to the Atlanta area
- Please do not apply if you "can be" in Georgia, but are not yet
ADDITIONAL:
- If you have your own gear and van to transport it, please note that!
We are looking to hire a grip to join our team for 2 days on May 11th and 12th in Miami Florida. We are looking for someone with enough experience who can help carry out this project.
Date:
May 11 & 12
Rate:
$500
Looking for talented crew to work on a 1-day TV Commercial shoot. Commercial experience a plus.
GRD1
SAG-AFTRA film with distribution and celebrity talent attached.
Filming will take place over 14 days.
Must be willing to take COVID test before production and abide by COVID safety protocols.
Food, travel, and lodging will be provided.
Looking for utilities for a last minute concert gig in Miami. 400/10.
Seeking Best Boy Electric for full season of a TV series.
Series is a narrative drama/thriller involving the NYPD, which will be broadcast on national TV. The season will be 10 episodes, 45 min per episode.
Production will start on June 2nd and last until end of September, about 75 days of shooting. We will do 5 day weeks (Mon & Tues off). All locations in the NYC area.
Thank you!
We are shooting an eerie, cinematic short film about the dark side of how society generates electricity. The film itself is an environmental, social commentary piece and it is for a good cause.
We are looking for a strong, multipurpose grip to join a small G&E team of 2. This is a small production with no cast members. We are only shooting scenic, environmental shots with no sound. There will be 2 people on the camera team, 2 on G&E and 2 in art dept.
Concerning coronavirus: We prefer VACCINATED crew members. If you are not vaccinated, a COVID-19 test will be required before starting this job. All crew must wear MASKS. This production will be adhering to all COVID-19 precautions as outlined by the CDC and the State of California.
Seeking Grip for 2-day interview shoot. Responsibilities include assisting with lighting and setting up interviews. Please send rate and references.
Looking for Atlanta local
Food competition show.
ABOUT VIXEN MEDIA GROUP
Vixen Media Group’s award-winning studios produce compelling content in locations around the globe. Its network of branded websites has over 30 million visitors every month, and its innovative studios have won over 100 awards. With over 10 million followers the company has been credited for “changing the industry” and has been profiled in Rolling Stone, Forbes, BuzzFeed, Vice, GQ, Men’s Health, The Daily Beast, and on the BBC. Our lifestyle brands have revolutionized the industry and we are only just getting started.
ABOUT THE ROLE:
We are looking for a full-time Production Equipment Manager to oversee our busy and flourishing equipment department. Reporting directly to the Production Operations Director, the Production Equipment Manager will process dozens of in-house equipment requests each week for a wide range of productions and projects.
They will be responsible for all in-house and rental equipment use and maintenance. The Production Equipment Manager will collaborate closely with Production Coordinators, in-house staff and vendors to ensure equipment is working properly, is provided on scheduled shoot dates, as well as acting as one of the main stakeholder when it comes to recommend and/or decide on choice of equipment.
The Production Equipment Manager has expertise knowledge of cinematic and DSLR cameras, audio equipment, lighting and miscellaneous components. They must embrace high volume, fast-paced conditions and demonstrate strong judgment and critical thinking skills. This role interacts closely and frequently with various cross-functional teams and stakeholders within the organization, therefore strong organizational, leadership, communication, interpersonal, and presentation skills are essential.
RESPONSIBILITIES:
Oversee daily equipment reservation and rental processes for all brands and shoots.
Create, implement and enforce equipment rental and checkout policies and procedures.
Perform regular quality control of gear and perform daily inspections to ensure all equipment is in working order.
Coordinate equipment requests with in-house staff (Directors, Line Producers, Production Managers, DITs, ACs, etc.) and rental houses.
Provide technical expertise and improve processes on set (i.e advise on audio problems on set or last minute equipment changes).
Oversee equipment budgets.
Tag and ingest new equipment purchases.
Stay up-to-date with applicable technology and make purchase suggestions based on the company’s needs.
Perform software updates, assess health of hardware, perform upgrades as needed.
QUALIFICATIONS:
Minimum 5 years experience working and managing equipment rental houses, an equipment department or similar business circulating rental items.
Expertise of cinematic and DSLR cameras and components such as Arri, RED, Canon IV, lenses, filters, etc.
Expert knowledge of audio equipment, lighting, grip/electric gear.
Exceptional communication (verbal and written), and collaboration skills.
Strong project management, leadership, time management skills.
Ability to oversee multiple projects and solve problems in a fast-paced environment.
Positive attitude and ability to be flexible in a fast-paced, ever-changing environment.
Comfortable interfacing with and presenting to executives and stakeholders.
SCHEDULE
Full-Time Position
Additional hours will be required during high production season
BENEFITS
Competitive salary
PTO
Health insurance
Great vibes at the office, snacks, and drinks provided at all times
Access to annual training budgets
Office Equipment
Looking for 2 G&E guys who can help pre-rig a studio for 1-2 days.
This job will entail handing fixtures (I.e. sky panels, source 4, fresnel) into the overhead grid of a small studio. The lighting plot has 30 fixtures and we will work with a designer + 2 g&e to hang lights and patch DMX. 14' grid, scissor lift on site.
Rate $30/hr .. likely a 10hr day.
Seeking experienced Grip for full season of a TV series. Please mention if you are also experienced as a dolly grip.
Series is a narrative drama/thriller involving the NYPD, which will be broadcast on national TV. The season will be 10 episodes, 45 min per episode.
Production will be 4 months, from June - September. About 75 days of shooting. We will do 5 day weeks (Mon & Tues off).
To apply, please provide resume and work examples. Thank you!
Grip needed with docu-series experience for 2 weeks of sit down interviews and broll shoots for a true crime series. Shoots will be done in various outdoor locations in Fairbanks area.
Experience as an AC also a plus for broll days.
Must be a team player!
Key Grip needed for all new court room TV series filming in Lexington KY.
This is a stage/control room setting.
May-Aug; 29 shoot days
Please send resume/rate/availability
Thanks!
CBS Sports show shooting in Sacramento is looking for a Utility for 7 days in June. Production will cover travel costs in 150 mile radius (i.e. if Crew is traveling from SF to Sac); cover hotel costs while on set for 7 days; and per diem for meals.
GRD1
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
This is not an exclusive Staff Me Up job. This partner requires you to apply on its own site.
