Key Grip Production Jobs

Hey Cincy GE!

We are interviewing US Veterans in the Cincinnati area, in simple, short-form documentaries.
Pre-light May 5, shoot May 6

Looking for a key grip to help rig a basic interview setups, and provide an extra hand for cam team out on location.

Rate is $600 / 12 hours.
Having consistent transportation is preferred, as there will be a few locations. Will reimburse all milage between call and wrap

Send some info and we will chat!

Hey Philly GE!

We are interviewing US Veterans in the Philadelphia area, in simple, short-form documentaries.
Pre-light May 8, shoot May 9.

Looking for a key grip to help rig a basic interview setups, and provide an extra hand for cam team out on location.

Rate is $600 / 12 hours.
Having consistent transportation is preferred, as there will be a few locations. Will reimburse all milage between call and wrap

Send some info and we will chat!

We need a Grip to work our 4-day shoot in Rio Grande Valley.

You should have at least two credits, and your own equipment.

We are brining the series Black Clown to Rio Grande Valley (from Dallas) and are looking to connect with up and coming talent in the valley.

The shoot will be 2-days on, 1 day off, 2-days on for a total of 4 shoot days.

Looking for a key grip for a b roll shoot - nimble crew a la ENG but needing someone to be able to be adaptable for space and move calmly and quickly.

Please send references along with response!

o Will be assisting hand-held camera operators throughout the game

o Moderate to high cable coil management proficiency, MUST be able to Over/Under consistently in a high tempo environment behind a handheld camera throughout the show

o Assisting in tear down of compound post game

Pay is $30/10, OT after 10

o Will be assisting hand-held camera operators throughout the game

o Moderate to high cable coil management proficiency, MUST be able to Over/Under consistently in a high tempo environment behind a handheld camera throughout the show

o Assisting in tear down of compound post game

We are in need of a Gaffer for a Scranton, PA area shoot for a campaign ad. You will be expected to work closely with the team's Director of Photography during this one-day shoot on May 2nd.

Our rate for Gaffers is $750 per 10hour day.

We are in need of a Grip for a Scranton, PA area shoot for a campaign ad. You will be expected to work closely with the team's Director of Photography during this one-day shoot on May 2nd.

Hello!

Looking for a Grip to help us film some outdoor shots next week on May 2nd. Prep day May 1st & wrap May 3rd.

Reality TV / Documentary style

Still confirming Location, but likely Santa Clarita

Filming:
- Outdoor exteriors of our location in an empty field
- Capturing scenes
- Showing science experiments for education

Happy to discuss on a call about rate, and what we will be filming.

Seeking a grip to assist on a skeleton crew capturing interviews and b-roll for our client in the Des Moines, IA area. This is for a large retail brand.

Seeking candidates with on set grip/PA experience, ideally in the commercial/event space.

No gear required.

***THIS WILL BE AN OVERNIGHT SHOOT***

Call time will be 9:15pm

Seeking a grip assist on a skeleton crew capturing interviews and b-roll for our client in Hartford City IN. This is for a local manufacturing plant.

Seeking candidates with on set grip/PA experience, ideally in the commercial/event space.

No gear required.

We reimburse every mile traveled after traveling 100 miles round trip at $0.67 per mile.

Looking for experienced Gaffer

We are filming multiple vertical commercial videos.
There will only be 1 person on camera at a time.

Shooting on Iphone and Black Magic

will be paid via invoice

o Will be assisting hand-held camera operators throughout the game

o Moderate to high cable coil management proficiency, MUST be able to Over/Under consistently in a high tempo environment behind a handheld camera throughout the show

o Assisting in tear down of compound post game

All Entry Level Positions
Utility
o Will be assisting cart camera operators throughout the game

o Low to moderate cable coil management proficiency,

o Assisting in tear down of compound post game

Light Panel
o Will hold a lighting panel toward the sideline reporter to make sure their face is properly lit for the broadcast

o Assisting in tear down of compound post game

Parab
o Will hold the parabolic mic, pointing it at the action on field to collect audio for the broadcast

o Assisting in tear down of compound post game

Looking for experienced utilities for a corporate event in Reno, NV on May 2nd. This will be a one day set-shoot-strike. Must have experience working on live events/broadcasts. Utilities will be responsible for running cabling, building cameras, and assisting with load-in and strike.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A key member of the camera department responsible for setting up and operating equipment to achieve desired shots. They assist in camera movement, rigging, and maintaining safety on set. Grips ensure that lighting and camera gear are properly positioned and secured, contributing to the overall visual quality of the film.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

The head of the lighting department responsible for implementing the DP's vision. They work closely with the DP to set up and adjust lighting equipment to achieve the desired mood, tone, and atmosphere for each scene. The gaffer oversees the lighting crew, ensuring that all lights are properly positioned, powered, and controlled to enhance the visual storytelling and support the director's creative vision.Plays a pivotal role in overseeing and coordinating all aspects of the production process. Their responsibilities include managing budgets and schedules, arranging for locations and permits, and ensuring that the production runs smoothly from pre-production through post-production.

Looking for a Gaffer to provide lighting and grip equipment for an interview, broll, and product shoot in beaverton Oregon. Must be willing to work as a local. Please provide your gear list and day rates. If you have a local grip you work with thats a bonus. Thanks!

Seeking experienced Gaffer with corporate experience for a 1-day executive leadership shoot in Dallas, TX on May 14th to support camera team in lighting for 3x interview set-ups.

-2x camera shoot
-Total of 3x talent delivering reads from a script/teleprompter throughout the day.
-B-roll of the corporate offices.
-Ability to provide own gear for an additional kit rental fee is a plus.
-Tech scout on May 13th

We are looking for a Utility/Stagehands to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

Need a Grip/Electric swing for a low budget interview shoot at a residential location for a small local business. One set up, one interview.

Ideal candidate has experience setting up overhead frames, working with combos, setting up litemats and basic grip knowledge with working with flags and floppies with c stands.

$250/8

Missouri-based commercial video company looking for a local Grip with kit for a commercial shoot.

This is a simple, comedic spot being filmed at a gas station exterior.

Please respond with the day rate and equipment list.

If this sounds like something you are capable of doing, please reach out to us!

Important note: In case of April showers, we are also holding weather days for this job on May 2nd and May 3rd.