Looking for an Field Producer with strong home renovation producing experience (this job is separate from the Showrunner position posted last week) to live on location in Boise, Idaho for 29 weeks. Housing and transportation covered.
About the job:
Refinery29 is looking for a Video Producer to join our team for an investigative documentary series. This person will be intimately involved in the storytelling process from pre-production to post. They should be a fast learner and have a strong understanding of the Refinery29 voice. Please include your resume, cover letter, and clips with this application. Digital rates apply.
What you'll do:
Oversee the execution of 2-3 episodes
Problem solve in a fast-paced media environment
Develop and research stories
Oversee both in-field and post-production
Be responsible for factual and legal concerns
Keep episodes on track for both deadlines and budget
What you have:
Must be a self-starter
Strong research, communication, and writing skills
Ability to meet deadlines
Experience managing a lean crew in the field
Experience working with an on-camera host
Experience in journalistic/news endeavors a plus
To be successful here you are:
Comfortable working in a fast-paced, high volume team
Ready to adapt with an ever-changing environment
A collaborative team player with a positive attitude
Looking for an experienced Field-Producer or Shooter/Producer in Nova Scotia , who can produce a small two - three day shoot. Strong story producing skills desired. Ideally you can shoot 2nd camera on a FS7 or C300. Filming will be August 27-29
We are looking for someone who can shoot and produce a small segment for a digital series. We are estimating an hour set up, 30 minute interview, and take down. This would be a half day rate of $500 plus kit fee rental depending on your camera and equipment. Still waiting to lock a date but hoping sometime next week. Must be local to area.
Availability Week of 8/27 and then availability 3 weeks later for about 3-4 week run.
Can be local to New Orleans or Baton Rouge
Looking for a storyteller, a run and gun filmmakers across the US to shoot our culture-driven videos
We need someone who can film and record sound. The filmmaker must own his own camera.
Culture Trip (www.culturetrip.com) is a leading platform for travel and culture with a reach of 35 million across our social pages and an average of 10 million readers to our site every month...and growing every month!
We are looking for curious and passionate filmmakers to tell inspiring stories to the global audience.
Looking for a rock star Field Producer who is great and directing cameras and interacting with cast. Preferred candidate will be an adept storyteller who understands the rigors of working in the field. This position if for a real road warrior, be prepared to bring your positive attitude and leave the big egos at home.
*Bravo experienced required
Please send cover letter with salary requirements and references.
Looking for a strong Segment Producer. This is a creative position as well as a logistical position.
Responsibilities will include but are not limited to: research, writing pitch sheets, finding shooting locations, working with production team on logistics, obtaining releases and permits, and always being ahead of the game. We need someone who works well in a team environment and who is not afraid to roll up their sleeves. Please include references with your cover letter.
Looking for a shooter/producer with home renovation and competition experience. Local LA position, full rate.
LOOKING FOR A SEASONED PRODUCER TO HELP US PRODUCE A DIGITAL PIECE COVERING A GOLF TOURNAMENT. WILL BE TASKED WITH PRODUCING OUR SIDELINE TALENT AS THEY GIVE COMMENTARY ON THE EVENT AS WELL AS RUN OTFS WITH PLAYERS AS THEY MOVE FROM ROUND TO ROUND.
SHOULD HAVE REALITY TV PRODUCING EXPERIENCE AND EXPERIENCE COVERING SPORTING EVENTS.
MAJOR PLUS IF YOU CAN ALSO SHOOT.
We are seeking full-time and part-time (contract) series producers with game show experience for a new digital interactive trivia series. This position would be producing (2) 10-minute shows daily, including writing, editing, researching and working with talent. The project would be a full-time 4 month contract with the potential to expand beyond 4 months. The project will be based in Santa Monica or Hollywood.
Looking for a solid Field Producer for a long running docu series. This person must have experience working with younger (18-23) cast and must be able to travel extensively. The position also demands creative writing experience as the producer will handle story development and then create a complete an internal episodic overview. A plus is experience working in a docu series environment. Looking to start this producer position within 2 weeks. This is a potentially long running position, we will start the person on a 2 month term with the option to extend for much longer.
Please include at least three references.
We need a great shooter/producer to assist our red carpet and junket interviews at the Toronto International Film Festival. We are filming interviews in VR and need a camera operator with their own gear to film additional video.
Please list your camera equipment, lighting, and audio you are willing to bring for the rate $200/day.
Must be Toronto local with your own equipment. SUBMIT ASAP with REEL.
Seeking an experienced and professional Shooter/Producer for a short day in Euless, TX on August the 23rd.
Location will be given upon hiring.
We will be providing the camera equipment (Sony FS7 and either Canon EOS lenses or Xeen primes)
Be local to the area as we will not be reimbursing for mileage
Production black leaning towards business casual is preferred
Send along your Rate/resume/reel/references upon applying for this gig
Thanks for your time!
New major network reality competition show filming in the Atlanta area is looking for a Segment Producer to help produce challenges. Job duties will involve scouting and locking locations, casting extras as well as sourcing vendors and materials. Previous experience working with kids is a bonus, but not required.
Must be local to Atlanta with a knowledge of the area, with a valid driver's license and a car. There may be additional travel outside of the area and production will cover those costs. Position starts mid-September.
Please send current resume and relative experience to the above.
We are filming interviews for a documentary in London. We need a producer/shooter with their own equipment to tape a few 1 hour interviews with b-roll.
Please only submit if you can provide your own camera (preferably Sony a7s) that shoots 4k for the all-in rate of $350. It's a plus if you also have a basic interview light kit, a lav mic, and transportation.
Please send a detailed list of your equipment, your reel, and if you have transportation.
Must be London local.
Contestant Producer needed for a brand new Cooking Competition/Game Show shooting in Provo, Utah in September.
The role will involve being the personal liaison with contestants competing on the show. During Pre-production the producer will conduct phone interviews, write bios and story documents, and be the main point of contact for all contestant communication. During production the producer will be in the studio during taping, asking questions to the contestants, taking story notes, and communicating with supervisors in the control room. The Contestant Producers will also conduct sit-down interviews with individuals and groups competing on the show.
The ideal candidate has experience on non-fiction television production producing and interviewing non-actors. Some experience with food, live studio, and/or game shows is ideal.
Looking for an enthusiastic and talented content creator to freelance on a small but potent team producing social content for a large, iconic American brand. Individual needs to be experienced shooting DSLR cameras (5D, A7s) as well as larger "pro-sumer" cameras (C500, FS7). Must be able to light, shoot & edit (Premier). After Effects & Photoshop skills are a bonus. Must be local to Atlanta but willing to travel on occasion.
(NY): Established production company is still seeking a Junior level Producer or Senior level Associate Producer for am upcoming film on anti-Semitism today. Job is open now.
****The candidate MUST have a background related to journalism and some familiarity with the subject matter********
Additionally, the candidate should have experience in most (not necessarily all) of these areas:
Global research and casting of interview subjects and locations
Global crew/travel/shoot preparation
Have a very, very strong understanding of politics, global events, Europe, Israel, the Middle East and Jewish history.
A valid US passport, a drivers license and a lot of courage.
Archive Research for still, photos and music.
Solid knowledge of pre-pro, production and post production
The ability to DIT if needed
Willingness to work far too many hours with a smile
Job is based in NYC and all work takes place at our offices.
You should have a strong work ethic (i.e. you always arrive early and stay late without being asked, and don't have a lot of friends whose weddings you need to go to), 3+ years experience.
This job will be pretty amazing, Apply soon, apply often, and always apply here.
Please apply with a cover letter telling us about yourself. Thanks!
I am looking for a versatile person who can assist me to with interviewing subjects as well as set up and tear down of a very portable video setup. No equipment required.
Established hit doc-series is looking for one outstanding field producer/multi-cam director to join the team!
REQUIREMENTS:
As Camera Director:
-Must have extensive experience field directing multi-camera crews (2-3 cameras)
-Must be able to lead a field crew, exude patience, respect and keep the crew morale up.
-Must be a leader and set the tone for the team, but also work well within the team too. We don't have room for ego's or attitudes on our shoots/show- everyone is vital and integral in getting great content. Nothing is below anyone here. We all work together to make a great show.
As Field Producer:
-Must be great with story and able to track multiple story lines unfolding in the field before you. No matter what you prepared to shoot, when something bigger/better or unexpected happens, must be able to adjust to new developments and track those new stories, sometimes throwing out the original plan all together
-Must be excellent and super approachable with talent as well as know how to build quick and trusting relationships off camera in order to get the best on camera content. Furthermore- must be excellent at maintaining those relationships long term. This isn't a show with a constantly changing cast. The relationships we have with our cast already span Close to a decade so it's vital that you're dedicated to building but also maintaining your relationships with a large cast (and crew alike)
-Must be able to connect with a myriad of personalities- some are easy, some are difficult
-Must be willing to be on camera when the 4th wall is broken around story
Position: Is "Field Producer" and encompasses field producer who also directs multi-cameras and crew simultaneously
**You Must have experience and know how to produce talent and track story while simultaneously calling camera shots and looking for the best visual ways to tell the story. Writers tell their stories with pen and paper. A painter expresses their vision on canvas. In TV, cameras are our medium. We need producers who remember that and understand how to elevate the story and content with great shooting/visuals.
Prep, Travel & Shoots
-This job preps in NYC so must be able to be in NYC to work with your AP prepping your shoots
-Must stay in constant contact with your talent to get story/life updates and plan upcoming shoots
-Must be able to travel to locations nationally for shoots frequently...Sometimes with plenty of prep time, sometimes at a moments notice. The doc element of this project means we need to often fly with no notice to cover breaking story.
-Must be ok traveling/working weekends- we often shoot on weekends- more than not.
-Prep: Responsible for creating beat sheets/shooting schedules
-In field: must be great with time management and report daily to Co-EP with shoot/story updates
-In field: You will be responsible for creating nightly hot sheets and making sure they're sent out nightly to Co-EP and Supervisors
Ultimately, we're looking for that rare, special field producer out there that has the ability and confidence to "go with the flow" & truly have fun in the field, create and maintain a super positive working environment for the cast AND crew alike, but equally be focused, dedicated and know how to get the stories and pieces needed to tell them without burning bridges with the cast.
Fantastic company/people to work for with a fantastic team assembled to work with!
If interested please contact us asap! The field prod/dir position will start up in August
-Position will run for 6-8 months or longer with possibility of continuing directly into following seasons
NOTES:
-valid drivers license and ability to drive if/when needed is a major plus
-experience or an understanding of addiction and mental illness is also very valuable
VITAL:
Again- please have extensive field producing experience in this genre. This is not a position for a new producer or AP ready to make the first jump to producer. 5+ years experience required as field producer in unscripted with a focus on doc-reality is required.
NYC production company looking for Producers for talk show pilot. Should have prior experience in the genre and able to start work in August. Please send references upon applying.
Looking for experienced Producer/Writer with crime/investigative journalism background. Producer will develop, research, scout and field produce. Looking for candidates that have strong story sense and writing skills.
Seeking local Shooter with reality tv credits to shoot broll.
Must be able to run own audio and back up media.
***Production Company will provide A7/5D, Zoom recorder, Tripod, Lacie Drive***
Seeking a Field Producer who is able to travel for an unscripted show.
Looking for someone experienced with docu-series credits.
*Must be an excellent communicator with a great attitude.
*Must understand story and stakes
*Be able to write beat sheets and write scripts.
*Seeking a sharp, experienced field producer who can tease out story beats at every turn.
*Must understand the post side/what post needs and appreciate how the field flows with post.
*Must have experience working on location for an extended period of time. (7 months)
