Looking for an experienced Sound recordist with kit for a new reality show filming in Hershey PA.
Please note you must be able to work as a local in Hershey PA, there is no accommodation being provided.
Additional interview shoots for Netflix documentary. Exact date tbc, but commencing the week of 15th June.
Looking for sound recordist to record sounds of Light Sports Aircraft at a small airport in Advance, North Carolina (about 2 hours west of Raleigh). Must have own gear. Would like to do this ASAP.
Looking for an audio mixer local to Salt Lake City, UT for a one day interview shoot. Crew will be very small and safety/COVID-19 best practices will be top priority.
Please include day rate and kit fee.
Hello!
Looking for a sound mixer for a one-day documentary interview shoot.
Must have a professional manner and be mindful of the current situation with COVID-19.
Must provide own equipment (we will be interviewing 2 talent).
Our budget is small so we can only offer a kit rental for $300 along with $350/12, so $650 all in.
Looking for a sound mixer to for on-location sound as part of a short-form Documentary Series. Filming will approximately begin this week through early-June. Owning your own gear is a plus, please include your package inventory if you're able to provide your own gear.
We are looking for an experienced Audio Mixer for a non-union reality shoot in Little Rock, AR. Must have reality TV experience and credits. Looking for someone available from June 15th- July 20th
Must be able to work as a local. Unfortunately, we cannot provide hotel, flight, mileage or per diem for this position.
Call will be in Little Rock, AK to prep gear.
Please include availability with resume and if you are able to work as a local.
We are looking for an experienced Audio Mixer for a non-union reality shoot in Wasilla, AK. Must have reality TV experience and credits. Must have experience with sound devices and lectrosonics equipment. Looking for someone available from June 7th- July 17th (with weekends dark unless a change in productions schedule).
Must be able to work as a local. Unfortunately, we cannot provide hotel, flight, mileage or per diem for this position.
Call will be in Wasilla, AK to prep gear at crew hotel. Production will drive you and the crew to the location in Palmer, then back to Wasilla to wrap.
Please include availability with resume and if you are able to work as a local.
MUST BE ABLE TO WORK AS A LOCAL IN WASILLA, AK.
PLEASE DO NOT APPLY FOR ANY OTHER POSITION AT THIS TIME.
Looking for a sound mixer to work on set for an independent short film. It will be taking place in Dade City Florida on 6/29-7/3. Must own and operate all your own equipment.
Days: 6/29-7/3
Hours: 6-7 hours/day
Morning to afternoon, no night shots. (Exact times TBA)
Please include RATES along with resume/ reel in your application
Thank you!
Seeking sound mixer for interviews in Youngstown, OH on June 10th and 13th. Mixer must have their own kit with Sound Devices 644T or equivalent multi-track mixer, lav and boom to record sound from single talent per interview. Be prepared to discuss COVID protocols for your gear. Must be able to listen to audio from an adjacent room within house as part of our COVID protocols. Crew expected to wear mask while on set.
We are looking for a Sound Mixer for a pitch tape shoot in Tuscon, AZ. We will be filming sit-down interviews as well as rolling audio in the wild. We will be shooting in the desert. Audio mixer must have access to his own kit with a mixer, boom and 2 lavs (kit fee will apply)
The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Must have reliable transportation.
Primary audio engineer, responsible for setting up and live mixing of microphones and direct feeds for FloMarching live streams. Must meet FloMarching guidelines on setup day to ensure the highest quality audio. Works with A2 (PA) on live day to ensure full coverage of audio systems from every organization. A1 needs to have experience with Allen & Heath SQ-5 mixer, wireless audio integration, and be familiar with FloCaster. Must have reliable transportation.
Primary audio engineer, responsible for setting up and live mixing of microphones and direct feeds for FloMarching live streams. Must meet FloMarching guidelines on setup day to ensure the highest quality audio. Works with A2 (PA) on live day to ensure full coverage of audio systems from every organization. A1 needs to have experience with Allen & Heath SQ-5 mixer, wireless audio integration, and be familiar with FloCaster. Must have reliable transportation.
We are looking for a Location Sound Mixer for an independent narrative project, shooting in North Alabama in the Decatur and Huntsville areas in late July & early August. We will be producing a number of science-focused adventure shorts for the young adult market.
We have 4 shoot days scheduled, beginning July 29th.
Please be aware that most of the locations will be outdoors, including in the woods.
The rate is $140/day, exempt from overtime. If you own any sound gear, we can discuss a kit rental rate.
Must be able to work as a local, meaning no accommodation or transportation will be provided.
Primary audio engineer, responsible for setting up and live mixing of microphones and direct feeds for FloMarching live streams. Must meet FloMarching guidelines on setup day to ensure the highest quality audio. Works with A2 (PA) on live day to ensure full coverage of audio systems from every organization. A1 needs to have experience with Allen & Heath SQ-5 mixer, wireless audio integration, and be familiar with FloCaster. Must have reliable transportation.
The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Reliable transportation, a valid driver’s license and good driving record are required.
The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Reliable transportation, a valid driver’s license and good driving record are required.
The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Must have reliable transportation.
The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Must have reliable transportation.
The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Must have reliable transportation.
The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Must have reliable transportation.
The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Must have reliable transportation.
The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Must have reliable transportation.
The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Must have reliable transportation.
