Technical Director Production Jobs

Looking for a Technical Director to work on a live stream shoot.
Rate is $600/day.

We will be streaming to Indonesia.
The live stream will be for 1 hour, the total day will be about 5 hours with load in and wrap.

Must have experience with the TriCaster Mini.
Experience with Skype TX a bonus.

Thanks!

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

A Kid's Baking Competition show that will be airing on the Disney Channel is looking for crew in Los Angeles, CA starting anywhere between October and January (see start date above).

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

The TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles as instructed by the Director. Calls shots between cameras. Must have reliable transportation.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air. Reliable transportation, a valid driver’s license and good driving record are required.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air. Reliable transportation, a valid driver’s license and good driving record are required.

The TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles as instructed by the Director. Calls shots between cameras. Must have reliable transportation.

The TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles as instructed by the Director. Calls shots between cameras. Must have reliable transportation.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air. Reliable transportation, a valid driver’s license and good driving record are required.

The TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles as instructed by the Director. Calls shots between cameras. Must have reliable transportation.

The TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles as instructed by the Director. Calls shots between cameras. Must have reliable transportation.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air. Reliable transportation, a valid driver’s license and good driving record are required.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air. Reliable transportation, a valid driver’s license and good driving record are required.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air. Reliable transportation, a valid driver’s license and good driving record are required.

Seeking a video engineer that has access to and can bring (for rental) a Teradek Link Pro or similar bonded cellular network to provide wireless internet on set. The position will receive a camera feed with audio embedded and use those as sources into a Zoom call for remote viewing.

Production Equipment Manager

Busy TV and multimedia production company seeks full time Production Equipment Manager to maintain equipment inventory and manage distribution of production equipment to in-house productions. The ideal candidate is highly organized and has significant real world experience in production (equipment preparation and camera operation, primarily) and fluency in all common lighting, grip, camera, audio, and specialty camera equipment.


Responsibilities:
Track gear inventory and availability
Manage check-in and check-out of all field production equipment.
Provide the necessary equipment to multiple projects on-time
Coordinate with rental suppliers when necessary
Oversee purchase of new equipment and re-sale of old equipment
Order replacement parts and perform small repairs, basic maintenance
Coordinate with outside vendors for larger repairs and maintenance
Coordinate shipping and receiving of large equipment packages and time sensitive media
Assist remote field productions in sourcing equipment in their local markets
Manage tech specs for various project and set up equipment appropriately before check-out
Stay current with new production equipment trends and techniques

Requirements:
Fluency in all common production formats and technical specs
Experience with television production cameras, specifically Arri Amira / Alexa, Sony FS7, Canon C300, and various DSLR/mirrorless cameras, like Canon 5D, Panasonic GH5.
Experience with lenses and filtration of all sizes and mounts.
Experience with specialty cameras and accessories (Teradek wireless video systems, GoPro, DJI Mavic drone, and Osmo)
Experience with field audio packages (Sound Devices recorders, Lectrosonics and Zaxcom wireless, IFBs)
Experience with all lighting and grip equipment
Experience with camera support systems (Tripods, Dollies, Jibs, and Gimbals)
Experience with all media recording formats and equipment
Experience with common transportation carriers from FedEx to messenger to air cargo
Experience with airline weights and baggage policies a plus
Experience with production insurance and managing assets; creating and distributing L&D reports a plus
3-5 years of experience working in both production coordination and in the field with production equipment
Able to work collaboratively with a large team in-person or via remote-work platforms, prioritization and balancing the needs of many projects, often with limited direction
Able to work on set on occasion as a Utility, potentially Media Managing or assisting Camera/G&E team as needed
Must have valid driver’s license
Must be able to lift 50 lbs
Ability to solder, build cables, clean/service equipment, and provide technical support to the field a major plus

Rate listed is negotiable based on experience and number of events per day.

We are looking for a Livestream Technical Lead to run and manage the technology components for Brooklyn Winery private virtual event livestream & online meetings. We will be hosting multiple events during the day and this role will be the go-to person for all on-site livestream virtual events.

Responsibilities

• Ensure all technical aspects (software, hardware, network, etc) and set pieces are ready to go before production
• Run OBS and Zoom platforms as per event script
• Work with Crowdpurr to execute live quizes during show
• Prepare Host during each show including but not limited to setting up and troubleshooting mics, cameras, lights
• Maintain a keen eye for detail to make every show a success with no technological hiccups
• Troubleshoot any technology issues that arise on site in software, hardware, and network connections
• Work with Event Producer to fulfill run of show needs per event
• Help train current and new staff members on various aspects of production
• Help moderate guests interactions and troubleshoot issue
• Attend weekly production meetings as needed
• Help advise on technological best practices and creative solutions
• Help create turn key solutions to streamline custom production requests by Clients

Requirements
• 3+ years in livestream, television, and/or media production
• Deep and comprehensive understanding of Open Broadcaster Software (OBS)
• Advanced knowledge of video conferencing software (Zoom, Webex, Meet, Teams)
• Advanced knowledge of live streaming software, video and audio mixing software
• Experience with Crowdpurr a plus
• Established and authoritative knowledge on livestream or live studio production standards and best practices
• Comfort working with and collaborating on scripting, editing, set design and other pre-production, production, and post-production aspects of a show
• Must be able to work nights and weekends
• Interest in and Aptitude for learning new technologies
• Ability to work in high stress situations and be a reliable and calm presence staff members and collaborators
• Excellent communication and interpersonal skills
• Adaptability and ability to think on your feet
• Ability to work quickly and with great accuracy and attention to detail
• Strong work ethic
• Collaboration and dedication to team goals required
• Strong troubleshooting skills
• Highly organized and systematic in work
• Food and wine knowledge a bonus

A Kid's Baking Competition show that will be airing on the Disney Channel is looking for crew in Los Angeles, CA starting anywhere between October and January (see start date above).