Camera Department Production Jobs

Non union reality show seeking local cam op for a two day shoot in the Providence area. Gear will be provided by our DP, we are just looking for a local op to join us for a fun shoot!

Experience with reality, non union shows required. Filming two talent intv and driving.

Rate- $500/12
*please do not apply if you are not local and willing to work with this rate- thank you!

*We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

Scenes will be shot inside and outside of a Hotel Building in Manhattan. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 5 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday and Sunday. Schedule will be confirmed upon hiring. Start of May 22nd may be changed...

ISO an AC to work with a small cast and crew. This candidate should be iPhone knowledgeable and comfortable using it as the camera.This shoot will be ran by remote producers via zoom and you should be ok with working and supporting producers ask on set.This could be an ongoing gig a few times a month for the right person.

Rate is 350/12

Hello!

We are looking for a one man team who is based in Independence, MO or nearby. We are looking for a DP with their own gear, who is able to run sound.

This is a small, single camera interview for one day with one interviewee. Many more details available, please reach out if interested!

$850/12 for labor, gear will be paid for additionally based on inventory

Hello!

We are looking for a one man team who is based in Eldridge, IA or nearby. We are looking for a DP with their own gear, who is able to run sound.

This is a small, single camera interview for one day with one interviewee. Many more details available, please reach out if interested!

$850/12 for labor, gear will be paid for additionally based on inventory

Hello!

We are looking for a one man team who is based in Ft Lauderdale, FL. We are looking for a DP with their own gear, who is able to run sound.

This is a small, single camera interview for one day with one interviewee. Many more details available, please reach out if interested!

$850/12 for labor, gear will be paid for additionally based on inventory

Looking for a DP/Director to lead a few shoots in West Palm Beach to showcase the city.

This is a multi-day shoot, and we'd ideally like to have the same DP for all days, but it's not a deal breaker.

Other shoot dates: 5/21, 5/22, 5/23, 5/24. 5/29, 5/30 (all 10-hour days)

Position: DP/Director
Date: May 20th, 2024
Location: West Palm Beach
Gear Required: Camera, Tripod, Slider or Stabilizer, Three-Point Lighting, External Recorder (if you do not have two-audio channels on camera), LAV Mic, and Boom Mic with Mic Stand
Rate: $600/10h (USD)

We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.67 per mile.

Looking for a camera assistant who *lives* in Savannah, GA (or within 40 min drive). *Not "willing/able to work as local", must live there.
Looking for someone to be a right hand to our DP for a documentary sit down interview; setting up cameras and video village, helping to light, etc. Must have prior experience as an AC, must have a reference.

NLV is hiring Videographers to cover a High School Field Hockey Showcase at the University of Michigan. This event is from 05/24 to 05/26. Applicants must be able to work all 3 days.

All gear will be provided by the company. There will be an Event Manager onsite who will set up equipment and give direction throughout the day. Must sign up for both days. Meals will also be provided during shift hours.

What: Lacrosse tournament
Where: East Lansing, MI
When: May 24-26, 2024
Why: $250/day. Meals included.

Responsibilities:
- Assist with set up upon arrival
- Operate camera with tripod mounted atop podium ladder or scaffolding
- Monitor and maintain power, storage, and bitrate
- Help break down equipment at the end of the day

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

Looking for DP for pickup remote interview + b-roll shoot in Grand Rapids, MI. This is for a second season of a true crime series for Investigation Discovery. Will hire local AC for support- together you will be responsible for audio and lighting and media management.

Must have their own gear - cameras, lighting, and audio
Will be responsible, with the AC, for media transfer and DIT

2 camera interview set up - FS7 or similar

Shoot Dates - TBD
Looking to film, sometime in the next two weeks. If you have conflicts - please let me know when. We may be able to work around your schedule.

-$800/12 + $1000/KIT

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Seeking a *LOCAL DP with gear*, for an independent feature documentary following local political candidates leading up to the election. Will be approx.10-15 days over the course of several months. Must have prior experience as a DP on a *VERITE* documentary or documentary series. Must also have experience lighting/ shooting proper sit-down interviews. Must have references, MUST BE LOCAL, MUST LIVE WITHIN 40 MIN DRIVE FROM DC. (not willing to work as local). Experience on political projects a plus!

*If possible, please attach your resume, or include link to website, reel, and/or IMDB.

Thank you!

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Seeking a Cam Op for a one day development sizzle shoot near Austin. Pretty simple exterior shoot, capturing host standups and some BRoll. Shooting on FX9, which will be provided by production.

SHOW DESCRIPTION

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.

RESPONSIBILITIES

• Capture video on location using company provided equipment (we film on Canon 5D Mark IVs)
• Coordinate with producers regarding content

REQUIREMENTS/QUALIFICATIONS

• Ability to capture video without script or direction from producer
• Ability to work under strict deadlines

SHOW DESCRIPTION

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.

RESPONSIBILITIES

• Capture video on location using company provided equipment (we film on Canon 5D Mark IVs)
• Coordinate with producers regarding content

REQUIREMENTS/QUALIFICATIONS

• Ability to capture video without script or direction from producer
• Ability to work under strict deadlines

***PLEASE READ THE DESCRIPTION***


We are currently seeking a skilled assistant camera with knowledge in DSLR cameras for a project in Willmar, MN Sony A7s III, Canon 5D Mark IV.

The shoot will take place on Friday, May 17th (Full Day) and Saturday, May 18th (Full Day).

The purpose of the shoot is to capture marketing and testimonial videos for a dental practice, both within the office and some exterior shots.

Assistant Camera Responsibilities:

Responsible for operating the camera and should have a strong understanding of the Sony A7s III.
Video Production will be 8-10 hours long per film day
Contractors are responsible for the provided photography shot list
Will be provided camera settings for photos and do's and dont's for photos
Contractors are responsible for monitoring the camera during filming for audio and focus
Contractors are to assist with the production wrap

Watching and maintaining composition and monitoring audio as well along with color balance for interview cameras, and keeping everything in sharp focus throughout each interview.

Assist moving lights and cameras if based on set changes and lighting preferences.

Have good knowledge of the Sony full frame DSLRs,

Be efficient and organized during video shoots, and pay close attention to the needs of the director.

Have a strong understanding of the typical video production workflow.

You will be working alongside a Progressive Dental Videographer who will be flying in from Florida. Prior to the shoot, we will contact you with detailed information regarding shoot location, filming times and director contact information.

Progressive Dental will reimburse up to $20.00 each film day for lunch plus tip if not provided by the client.
Progressive Dental does not reimburse for alcohol or tips over 20%.
In order to be reimbursed for lunch, an itemized receipt along with tip receipt must be provided.
Progressive Dental reimburses for mileage.
*Mileage is reimbursable outside of 25 miles from the shoot production.
Based on the most up to date rate from the IRS. Please add mileage amount to your invoice and submit a screenshot of the distance via Google Maps or GPS application you use.

NO equipment required
MUST live within an hour of location (mileage will be reimbursed at GSA standard rate)
Medical or dental shooting experience is considered a plus

If you meet the criteria mentioned above and are available for the specified date(s), we would love to consider you for this project.

Please let us know your interest and availability at your earliest convenience.

$325 per day rate plus Mileage

week long shoot, still locking final days but 5-7 days, week of May 27th

Sony Venice + anamorphics