Grip and Electric Department Production Jobs

This is a 10 day film shoot. While the strike is going on we decided to do our passion project with our own money.

I am looking for a Best Boy for a shoot from the 22nd to the 3oth of June in Los Angeles. This is a low-budget production so please apply only if the rate is acceptable for you. The rate is a flat fee of $1400.

Looking for an applicant who can function as a Gaffer and grip hybrid. General G&E duties will include assisting DP, Working on Light plots with DP in Prep, general setup and tear down, Must be able to work quickly and efficiently.

If you have your own kit, please let us know and give a break down of tools, and we may be able to add a kit fee for you.

This team works tight, and the director doesn't require large light set ups.

Looking for someone who can work outside the box and is hyper creative. Will be joining a small team, and will be asked to pitch in with a variety of duties. Looking for someone with some experience, but perhaps wanting to get more Gaffer credit.

Production may travel to NYC and Warsaw Poland. Please advise if you are available for travel.

I am looking for a Gaffer for a shoot from the 22nd to the 3oth of June in Los Angeles. This is a low-budget production so please apply only if the rate is acceptable for you. The rate is a flat fee of $1600.

I am looking for a Key Grip for a shoot from the 22nd to the 3oth of June in Los Angeles. This is a low-budget production so please apply only if the rate is acceptable for you. The rate is a flat fee of $1600.

Hi San Fran film community!

My name is Connor P., and I am producing a short-form doc shoot for The Department of Veterans affairs! We are looking for a Gaffer to assist with our Prep (July 12) and Wrap (July 16) days. Setup is a fairly simple talking-head interview, interior. Shoot is non-union, $400-$450 for the 12 hour day, with standard 8hr 4 OT hr breakdown. Guaranteed 12 for pay.

I’m looking for a Grip for a 2day shoot in Dallas for a documentary. Interviews and Broll with a small crew of 7. Someone with their own gear preferably kit fee negotiable.

I’m in need of a Gaffer for 2 shoot days in Dallas 6/16 and 6/17. It’s a documentary with interviews and Broll with small crew of 7. Would prefer someone with their own gear. Kit rental negotiable

Hi San Fran film community!

My name is Connor Panse, and I am producing a short-form doc shoot for The Department of Veterans affairs! We are looking for a Key Grip for 1 Pre-Light and 4 shoot days. Setup is a fairly simple interior talking-head interview, with portable B-Roll segments around SF. Shoot is non-union, $400-$450 for the 12 hour day, with standard 8 hr 4 OT hr breakdown. Guaranteed 12 for pay.
Also let me know if you have your own gear / van.
Send over a resume. I look forward to hearing from you!

Hi! Looking for a gaffer to join a small team on an interview shoot for a documentary series. Should be very simple but have multiple setups so need someone who can jump in and work with our dp to get setup for the day.

Need a Gaffer with a Grip and Lighting package for some interviews in Asheville, NC on 6/15. We will be shooting interviews on location with a local small business. Straightforward sit down interview setups and b-roll. The Gaffer will need to work with the DP to light and grip the interview including controlling natural light in the space.

Please include your rate with equipment and/or package options. Looking for professionals with good attitudes and a collaborative approach.

Looking for local St. Louis Grip / PA for a shoot in Wentzville, Missouri.

Will need you to assist us on a corporate shoot with small crew and small footprint. Job will mainly consist of moving and staging needed lights and equipment throughout a large facility. It will be an 8hr day but may also require you to return some grip equipment (C-stands & dirt) to St. Louis right after the shoot.

If you have C-stands or sandbags please say so in your response. We will rent them from you. Same goes for an AC cart. This is a BIG plus if you have your own AC cart or just a good cart for moving pelicans around on.

Hi! Looking for a GAFFER for a mobile content shoot.

Philadelphia - June 15
Long Island (JFK area) - June 16

For the gaffer position: Client wants to enhance natural light in a home situation, hoping to work mostly with flags, rags and bounces. Aperture 600 and 300 package is available if needed.

Ideally looking for the same person on both shoots. 4-5 hour days starting around 11am. Rate is $750 per day. Applicants need to have their own car for transportation.

Thank you

Seeking Gaffer for “Beach House,” the first short horror film by Sad Bastard Productions. Based on the short story by Jenni Milton, this film centers a young woman still grappling with crippling guilt about her daughter nearly drowning the summer prior. Shoot dates will be July 9th through July 11th (with a possible pickup day on the 12th) in Philadelphia and Ocean City, MD.

Low budget film with negotiable $300/day rate

Seeking Key Grip for “Beach House,” the first short horror film by Sad Bastard Productions. Based on the short story by Jenni Milton, this film centers a young woman still grappling with crippling guilt about her daughter nearly drowning the summer prior. Shoot dates will be July 9th through July 11th (with a possible pickup day on the 12th) in Philadelphia and Ocean City, MD.

Low budget film with negotiable $300/day rate.

Looking for an experienced Gaffer local to Greenville NC for a mental health-related short film on June 30th.

Job Details
- 8-hour shoot day on June 30th from 8:00am-4:15pm
-Must have your own equipment
- Must be quick and easy to work with we are a small crew
-Must be professional, we will be dealing with serious subject matters such as suicide, depression etc.

This is a crew position on a 3 crew shoot.

We will be filming 2 short commercials, estimated film days are 5-6 hours in length. The rate is negotiable for individuals with varying experience.

You will be working with a director, camera operator, and the team of the company developing the commercial. Your primary role will be to support the director by working with the camera operator to ensure that lighting is cinematic and/or appropriate for the shot and monitoring secondary audio feeds to enable the director to focus on her job instead of manning lighting and audio.

Occasionally you may need to run a stationary camera (I. E., frame the shot on a tripod and speed it when called for).

Prior audio experience preferred but not required: our director can make it simple and give instructions where necessary.
Promptness is a requirement.
Equipment is not a requirement, we have a small lighting kit.

$250 day rate for 3 days filming.
Must have own gear of at least 2 LED lights and reflector.
One host interviewing one or two guests.
Indoor: museum/restaurant.
Outdoor: fishing/parks.
Two locations per day (nearby).
About 8 hours per day.

We're looking for someone who is comfortable working by themselves to set up gear in all departments: camera, audio, grip, electric for a single person interview. There will be no operating of equipment, we just need help setting it up.

We're looking for an applicant that is:
- Knowledgable in camera, grip and lighting gear
- Easy to work with
- Respectful and professional with clients and talent
- Detail oriented and follows instructions closely
- Comfortable working alone and being directed by remote producers

If you have an interest in playing with new technology then this is a good opportunity. Studiobox is on the cutting edge of new tech.

In addition to your resume or LinkedIn profile, please tell us a little bit about yourself.

Grip/Swing needed for a Non Union Documentary shooting in eastern Oregon. Experience in other departments is very helpful. Small crew that jumps in where. needed. Shooting in small towns & ranches, moving location every few days. A "road trip" type of shoot.

RUN Studios has a part-time opportunity for a technically savvy, solution-oriented individual. We are seeking a driven Light System Tech to assist our client, a leader in the video production industry located in the Redmond area.

Video production is an integral part of our clients marketing and communication strategy, and you will be front and center in supporting those productions. Working with the larger production team you will working with Lighting Director or Gaffer to assist the GrandMA Op to address lights. You will also review current power set-up and map out any power additions to make sure current load can maintain new request load.

The work will be on an as-needed basis, hours will fluctuate based on project needs. Must be available to work on site in Redmond, WA.

As a Light System Tech, You Will

Keep safety priority number one
Monitor power additions and subtractions to make sure production crew is safe while working with preset distro power supply
Support production rigging needs
Operate necessary lighting and staging equipment
Take direction from LD Gaffe, or GrandMA Operator
Utilize manual or computer controlled lighting system
Keep lighting equipment in good shape
Work with facility support or accessing lighting fixtures and gak

As an Applicant, You Bring

Basic knowledge of distro power set-ups
Knowledge of power load calculations and how to manage
Knowledge of DMX configuration and set-up
Ability to adapt to sudden change
Knowledge of video production and gaff and grip workflow and gak

Bonus if You Have

Scissor and or Boom lift experience
Experience with both live studio and cine production
Experience as a Master Electrician
At RUN Studios we recognize our ultimate success depends on our talented and dedicated workforce. We understand, value, and are grateful for the invaluable contributions made by each employee. Our goal is to provide a comprehensive program of evolving competitive benefits specifically designed to support the needs of our employees and their dependents.

Compensation

Pay Range: $30.00 - 40.00 (Hourly)

The successful candidate’s starting pay within this range will be based on various factors such as individual qualifications and work location.

Benefits:

Benefits and perks may vary depending on location and nature of the work, but eligible employees have access to medical, dental, vision, life, and AD&D benefits, health savings and flexible spending accounts, other telehealth and wellness benefits, a minimum of seven paid holidays per year, accrual of at least 6.5 days of paid time off per year, a 401k plan with company match, discretionary bonuses dependent on company, team or individual performance, and referral bonuses for eligible hired referrals.

As an equal opportunity employer, RUN Studios is committed to the principle of pay equity and does not discriminate on the basis of race, religion, national origin, gender, gender identity or expression, sexual orientation, genetic information, protected veteran status, disability, age, or other legally protected status

We are looking for a Utility/Swing who is local to the New Orleans area for 2 days.

Days: 6/14/23 - 6/15/23
Rate: $650/12
Locations: New Orleans, LA and Chauvin, LA

Must be able to self-drive.

Looking to bring on a local Grip/Gaffer for a CBS Reality Renovation series, filming in Palo Alto, CA on Friday, June 16th. Thursday, June 15th would be a half day with pre-set lighting and meeting with EPs and crew on location to discuss shoot schedule for the following day.

Looking for someone who owns a grip van or has worked with local rental houses depending on gear needs - which will be discussed via phone. Indoor renovation with OTF setups and renovation â??scenesâ?? outside.

Details on the rate & show format will be discussed via phone.

Must be able to provide proof of COVID Vaccination and will be tested via self-test PCR, provided by production.

Looking for experienced gaffer. One location is a huge church. Main goal is to achieve overcast soft continuous lighting.

Comedy drama genre.

Hi. We are shooting for two days in NYC to wrap up a feature film shooting in other states. We are a SAG ultra low budget drama.

We need a gaffer - hopefully an owner/op with a 2 ton(ish) package.

Checks written at wrap on second day.

LOCALS ONLY - please do not reply 'yes' to the local question if you are not local.