onsite editor for social media posts from live event content. simple packages but must be fast and handle ingestion, insert graphics packages and output. must have premiere and after effects experience.
Seeking an Editor who is up-to-date with all of Premiere's functionality on a contract basis. Must have experience editing unscripted digital content for 16x9, 1x1, and 9x16 deliverables as well as an understanding of the best practices for content published on Youtube, IGTV, Snap, Facebook and TikTok.
Please include a resume with your editing experience highlighted along with 3 links of your best work (nothing over 10 minutes please).
We have a feature film to color and am looking for a colorist to work in our facility in East Hollywood area. This would be part time at $35 per hour. Also would work on many future projects, must have feature experience and extensive Resolve knowledge. Bay is full 4K finishing bay with 40 Terabytes of Hi Speed storage and full panel set with graded monitors. Must work in our office and be local to Hollywood.
Seeking an AE for 2 days either Saturday & Sunday, Sunday & Monday, or Monday & Tuesday depending on your avail.
The job entails sourcing blu rays from Amoeba, ripping the footage (so you must have a blu ray reader, and software like MakeMKV and handbrake), logging the footage (in Adobe Premiere). There could be more days depending on how the project goes and your ability. Best if you are on the east side of the 405 as I am located near Larchmont / Paramount.
This is for rip reels / sizzle reels for scripted television development. The head of development needs many of these reels, so this could be ongoing work with her.
Rate is $300/day
In your application, please state your avail. Please list the tools/software you have for ripping blu rays. Please list the version of Adobe Premiere you work from. And please list where in the city you're located. Thank you!
Best,
Teah
Established NYC production company looking for an experienced Post PA. Candidates must be excellent communicators and have great organizational skills. We are looking for someone ready to move into coordinating.
Must be local to NYC.
Must have at least one credit in Post. Please do not apply if you have never worked in Post.
Looking for an editor for a digital project that is quick, detail oriented, organized, and has personality and creativity. Ideal candidate will be able to think outside of the box and offer creative and "weird" ways to use found footage. Please submit links to work examples.
Looking for someone to work Tue 10/22 - Thur 10/24, but this will most likely lead to additional freelance projects.
The Front is looking for Premiere editors, preferably music-driven for a new pop-culture series on Quibi.
MUST have experience and knowledge of the Premiere Pro workflow and takes creative direction well.
DO NOT APPLY IF YOU DO NOT HAVE LEGIT PREMIERE CREDENTIALS!
*Music video editing is a plus.
*Experience with gfx is a plus.
Commercial project looking for an Assistant Editor, working in Premiere Pro, to ingest footage, organize, and do a few string outs along the way to set up project. Then work will include assisting editor, bringing in and organizing graphic assets as they update, keeping track of different resolution of cuts, tracking graphic placements, etc. Finally, to turnover project to our post house, the project will need to be prepped for color correction/sound mix, create captions to spec, etc. We may choose to do final exports in house as well, so knowledge of delivery is a plus.
Commercial experience is a BIG plus.
Please send CV and links to any past work available.
New York City-based production company looking for experienced Post Production Supervisor to work on unscripted 10-episode series November through June. Will act as point person for Editors, AEs, Producers, Post APs and Post Facility. Must be smart, tech savvy, have great communication skills, able to problem solve on-the-fly and be extremely organized. Prior work on A&E Networks shows a plus.
Responsibilities include:
Work w/ Production management to maintain post/delivery schedule
Manage Assistant Editor duties and priorities
Oversee archival workflow and help track archival costs
Knowledge of Avid and low-res offline workflows
Communicate needs with graphics provider
Track and ensure implementation of Legal, S&P notes
Secure and attend color/mix sessions
Ensure final file and paper deliverables to Network and oversee QC
In search of a highly organized aspiring assistant editor for a reality fishing show. Scope of work includes metadata tagging, logging footage, transcription, and assembly edits.
If organization is your strong suit and your family and friends call you for computer help, please consider applying. This is an entry level position and pays accordingly. However, there is a lot of growth potential for the right candidate. A basic understanding of Davinci Resolve is preferred, but not required.
This position will require on site work with the flexibility to work remotely from your home or personal office. St. Louis locals only.
If you think you're the right candidate, please include answers to all of the following in your response:
- Do you have any experience with Davinci Resolve? If so, please describe.
- Please detail the computer(s) you own and use for video editing work.
- How motivated are you?
- Why is this position the right fit for you?
Looking for an onsite Editor/DIT superstar who can edit a minute-long video in around five (5) hours.
Filming will take place from 8:00am until 12:00pm and a finished video needs to be delivered to client by 5:00pm.
Requirements:
- Premiere editor only
- Needs a mobile workstation
- Must provide a reel in order to be considered
- Must be available on 10/30/19
Purpose:
Manage the day-to-day trafficking of assets for post-production product launches, social media, Network events and promotional materials including keeping schedules, updating post trackers, and attending weekly status update meetings.
Oversee product schedule timelines with key stakeholders to ensure deliverables are received on time and project needs are being met.
Develop procedures with internal teams and departments to meet deadlines to help manage schedules and workflow.
Facilitate communication and interaction between Product Development and Post Production to ensure that screenings, reviews and approvals occur within the scheduled timeframe.
Tasks & Activities
(1) Post/Product Development Project Management
-Work with Post/Product Development to gather information on upcoming projects
-Review post-production schedules and provide feedback/identify conflicts
-Schedule work and coordinate with the internal teams to establish review/communication system to meet launch dates.
-Work with Post to resolve master schedule timing issues, changes or delays.
-Keep records of all requests, notes and approvals
-Assist in scheduling talent and audio engineers in Audio Bay; supervise trafficking of assets to audio facilities as needed.
(2) QA Project Management
-Provide team with needed materials per project from Product Development, Post, or Beachbody On Demand to better facilitate QA reporting.
-Answer any questions from the team regarding project specifics or needs.
-Help to keep up report templates and implement changes when suggested/needed.
-All QA reporting vetted before sending final reports to Prod Development. Review the issues, investigate when needed, and submit after review.
(3) Support Post
-Gather post assets for mixing and language services as needed
-Check materials to ensure content is correct
-Supply approved titles and number of deliverable assets for each program per project
-Work closely with Post to request Wiredrives for product reviews
Required Skills
-Must have working knowledge of post-production/editorial workflow
-General knowledge of video/audio codecs
-Combines critical thinking, practical experience, and ability to reason in a holistic approach to problem solving.
-Ability to establish and meet deadlines, developing clear priorities quickly
-Strong ability to handle multiple projects simultaneously
-Excellent communication skills, including the ability to listen well and interact smoothly with creative personnel and company employees across all management levels.
-Quickly identifies defects/errors in project files.
-Works well in fast-paced, high stress environments.
-Maintains calm and solution-oriented focus.
-Self-motivated, highly independent
-Detailed and highly organized
-Proficient in Microsoft Suite
The Muse is looking for a Part-Time Freelance Video Editor to join our post-production team.
As a video editor, you’ll be working alongside our in-house Production team to create video and photo content to be featured on our Company Profiles.
Your responsibilities:
Ingesting raw video and audio filmed by The Muse’s shoot coordinators in cities around the country
Editing video according to The Muse style of interview ranging from standard talking-heads to more complex day-in-the-life video
Editing and uploading photos to company profiles on The Muse
Communicate thoroughly to the in-house Production team on progress, and/or any issues
Why we’ll love you:
You have experience in video editing, and fluency in editing software (Adobe Premiere)
You know how to carve out a good story from raw interviews and turn them into polished short-form video content
You have experience editing footage from DSLRs, C100/C300, and BlackMagic URSA.
You’re skilled in offline color correction; either grading in Adobe Premiere or DaVinci Resolve
You’re skilled in audio editing; specifically, noise reduction, sound design in Adobe Audition or Pro Tools
You’re skilled in photo editing using Photoshop, or Lightroom
Any experience Motion graphics using After Effects is a huge plus.
You’re comfortable with navigating content management systems, project management tools, S3, and other digital technologies
You have strong attention to detail and rarely let things fall through the cracks
Why you’ll love us:
We’re a tight-knit Production team that thrives on communication and gifs!
We’re always striving to push our creative style and provide the most unique content for our clients
Please submit your cover letter, resume, your reel, your rate, and availability. Also, include 2-3 links for work that speak to The Muse’s editorial style and a link to your favorite company on the Muse and tell us what you like about it. We look forward to talking with you!
Rota6 is a full service video production company based in Brooklyn that specializes in documentary storytelling. We're currently looking for a passionate and talented editor to work on our upcoming feature-length documentary.
Requirements:
Must be local to the NYC area 3+ years experience editing
Strong technical skills in Adobe Premiere
After Effects/Motion Graphics skill a plus
Extraordinary attention to detail
Ability to self-start and work well independently as well as collaborate favorably in a team environment
Interested applicants please send documentary editing samples.
*Please do not send a reel, work samples only*
Thanks!
Post Production Coordinator. We are looking for someone to help in post to coordinate several unscripted shows. They should have experience as a post production coordinator, be flexible, organized and have good people skills. The is a position that could turn into something more advanced and comprehensive based on your performance between now and the end of the year. If you have these skills and want to grow your career this could be a great opportunity for you.
We are a high profile award-winning documentary team currently in post-production on a music documentary. We are looking for an Assistant Editor to work directly with the Editor, Director and Post Production Supervisor.
***We are looking someone with historical, archive heavy documentary experience.***
The main responsibility of this position is to support all aspects of editorial.
Roles
- Management of all media
- Supervise technical transfers of archive materials
- Physical in-house Archive itinerary
- Data storage and tracking
- Digital and physical hard drives
- Cue Sheets (archive, vfx, music)
- Archival material (logs, movement, restoration)
- Review screeners and incoming research material and prioritize for editorial.
- QC and Delivery of physical elements
- Conforms as needed
- Assist BTS/Publicity selects
- Assist with vfx and restoration as able
Looking for a NIGHT Assistant Editor to add to our great team at an Avid based facility. The position begins on Monday and goes for two weeks. With that said this position could lead to longer-term work on one of our other series.
Tasks would include outputting cuts for reviews, creating Quicktime reference movies, transcoding, syncing, grouping, creating AAFs for sound mixing, Importing graphics, technical problem solving, transferring and archiving media. Etc.
Looking for a Post Production Coordinator with solid reality deliverables experience for long running and new series. Discovery deliverables preferred. Soundmouse experience a plus. May lead to a longer stay.
Office location is in Hollywood.
NY Based Production company looking for Assistant Editors to work on a variety of upcoming new series and pilots. Genres include but are not limited to: Reality, Docu-series, Home Makeover, Lifestyle, Food and Travel programming.
Ideal candidate will have the following:
Availability to work Mon-Fri with flexibility to work weekends as needed
Extensive knowledge of AVID Isis/Nexis and AVID Media Composer post production workflows used on Mac
The ability to learn new software quickly
and follow written instructions
Strong organizational skills
and ability to multitask, communicate and relay progress and tech issues to upper management and Post Producers
Knowledgeable in Microsoft Office
and Google Docs / G-Suite
Responsibilities
o Main responsibility is to assist Post Production team in prepping material for edit and assist editorial team. Will also work closely with Editors to make editing efficient and organized for entire Editorial team.
o Responsibilities include, but are not limited to:
o Loading / offloading media, importing media and GFX
o Syncing, Grouping
o Make cutdowns and scene selects
o Handle Music selects and organization within the project
o Maintain Project organization (ie: space allocation, project cleanup)
o Prepping episodes for online
o Prepping and delivering Promo selects to network
o Prepping RC, FC, Pic Lock exports for network and Online vendors
o Organizing deliverables and exports for Transcribers as needed
o Advanced AE duties may include:
o Cutting scene or web content
o Stringing out opens/teases
o Rescoring music
o Other duties as assigned
Please send references upon applying for this position.
Looking for a video editor to join a fast-moving digital fitness startup. Editor will create advertising assets, interstitials, social content, gifs and various campaigns. Must be a self-starter and have some experience in advertising/branded content.
First Media is a millennial-focused media company and one of the top 10 publishers on Facebook, with 1.6 billion monthly views. We are seeking a hard-working, eager-to-learn and creative Motion Graphics Editor to join our Direct Response team. This is a great opportunity to advance your marketing and advertising experience at growing media startup in lifestyle verticals including cooking, DIY, home décor, baby & parenting, and beauty. You’ll be part of a fast-paced, fun and creative company.
Responsibilities
Work with producers to create direct response videos for a wide range of campaigns
Identify and communicate effectively all GFX, spelling, audio, text, timing, and/or screen glitch errors needing immediate attention
Understand watchability best practices and execute accordingly
Help structure asset organization on server
Help formulate visual refreshes on new content
Work closely with editorial and direct response teams to generate evergreen assets
Demonstrate learnings from creative decisions in editing that lead to strong behavior responses
Working autonomously, taking initiative to pitch and ideate own iterations/refreshes on existing work
Contribute directly to First Media’s growth by developing creative systems to help manage future editing teams
Qualifications
2+ years of experience in Broadcast Design and/or Title/Typography Design
Advanced knowledge of After Effects and Adobe Premiere Pro
Experience in Direct Response advertising and workflow is a plus
Can write in multiple brand voices across demographics
Experience in proofreading, copy-editing, and/or video quality assurance
A proven track record of revenue increasing performance
First Media is an Equal Opportunity Employer. All qualified applicants will receive consideration for employment without regard to race, color, age, religion, sex, sexual orientation, gender identity / expression, national origin, disability, protected veteran status, or any other characteristic protected under federal, state or local law, where applicable, and those with criminal histories will be considered in a manner consistent with applicable state and local laws.
Major network seeking a Junior Avid Editor.
Various projects starting later this year and in the new year.
Fast-paced environment.
Familiarity with network deliverables preferred.
Please provide resume and rate info.
Junior Avid Editors
Premiere too is a plus
On-air promo edit - Episodics, billboards
On-air Delivery experience
Please attach resume and send rate info
We are looking for an experienced Assistant Editor to join our team for a new series.
The ideal candidate has multiple AE credits.
This is a 12 week gig with the possibility of extension.
We are looking to hire an editor to work at our location in Southlake Texas on a consistent basis. Editing systems and software will be provided for the employment period. Please have knowledge in the adobe creative suite (Premiere, After Effects, Photoshop) and it is a plus if you have an understanding of Davinci Resolve.
You will be batting a thousand if you have a background in graphic design and or 3D animation.
Please respond to this listing with some sort of resume or information about yourself and your background but most importantly please provide some link to the content you have created or helped to create. Please make sure the said material has post-process elements.
The material that we construct is commercial advertising based and primarily destined for the web.
