Post Production Department Production Jobs

Looking for a post production assistant for a reality show. Starts Jan 2 for roughly 7 months with potential for more. You must be available during nights and weekends. You must have some post production experience.

We need an assistant editor for 3 days in Orlando, FL to help us out on a 2-day shoot. We will need help organizing, syncing footage and audio, sending out transcripts and making selects. Footage will be from 2 days of interviews (4 individual interviews) and a 2-hour long roundtable discussion. The assistant editor will start on the second day of production - organizing the first days footage, sending our transcript files, and making selects. The second day will be similar but will work closely with the producers and lead editor on this project. The third day will be assisting lead editor with selects and story edits.

It is preferable if the assistant editor has a mobile workstation to work remotely on the 3rd day with the editor (or have a location the editor can join).

Mustache is looking for an Post Coordinator for a new conversation based studio show. This first season will consist of (8) 22 min long episodes. The vibe of the show is best described as a combination of Mr. Roger's neighborhood with the comedic unpredictability of The Eric Andre Show, the surrealism of The Mighty Boosh and the punchy joy of Late Night with Conan O’Brien.

Candidate must be local to NYC for the duration of the project, available from early February through late May 2019. When applying, please include your availability.

Post Coordinator will work under the Post Sup to support the Story Producer, 3 editors, and 1 designer.

Responsibilities Include:

-Compiling GFX briefs for in-house and remote designers & animators
-QC episodes (including spelling) as they are sent out. This may cause some late nights on delivery days. A flexible schedule is required to work this job.
-Assist in complex broadcast deliveries, i.e release trackers, tracking stock & music.
-Some research will be asked: finding music, facts about guests, etc.
-Vendor and freelancer outreach
-A positive attitude is an absolute must, so curmudgeons need not apply.

Busy NYC production company seeks a Post Production Coordinator to assist with day to day workflows and delivery of 3 non-fiction TV shows for Travel Channel and Investigation Discovery.


DUTIES & RESPONSIBILITIES:
Assist Post Supervisor in managing schedules & workflows
Coordinate with Assistant Editors
Backup & transcode of new media
Maintenance of footage logs
Prep media management for shoots
Assist Associate Producers in finding / ingesting archival material
Assist with paper deliverables - music cue sheets, releases, etc.

QUALIFICATIONS:
Please have a minimum 1 year experience coordinating or in a similar role.
Proficiency in Avid necessary
Ideal applicant is hard working, industrious, and a team player
Flexibility in schedule (some split shifts, 2 - 10 pm, required).

Busy, NY production company is looking for a short-term online assistant to help deliver a few projects. This role will vary depending on the day and needs of each show, but will include the following responsibilities: uprezzing, blurring, title/GFX passes, exporting final digital masters, laying off to tape, addressing QC notes with a post supervisor.

The initial booking is for a few weeks but could grow into a longer-term position.

Position: Editor
Someone who can work quickly and creatively but does not have an ego and will do assistant editor duties if needed. We want someone who has experience working in advertising and/or music content. If they have anything on their reel of festival or concert recaps that would be a huge bonus. This edit has a quick turnaround so we will have people working around the clock.

Dates: 12/15 - 12/17
Times not locked in yet.

Rate: $700 for 12 hour days

Mustache is looking for an Assistant Editor for a new conversation based studio show. This first season will consist of (8) 22 min long episodes. The vibe of the show is best described as a combination of Mr. Roger's neighborhood with the comedic unpredictability of The Eric Andre Show, the surrealism of The Mighty Boosh and the punchy joy of Late Night with Conan O’Brien.

Candidate must be local to NYC for the duration of the project, available from mid-January through mid to late May 2019. When applying, please include your availability, resume, and reel with your application.

Job responsibilities include:
- Ingest & prep footage for edit
- Prep television episodes for color and sound mix
- Conform episodes for broadcast standards after color and sound is complete
- Follow detailed broadcast spec sheets and create Premiere sequences that meet those exact specs
- Export episodes in all appropriate formats
- Perform quality control on each episode to identify technical and editorial errors
- Facilitate the transfer of final episode deliverables to the broadcast network

Qualified applicants should be familiar with the following:
- Adobe Premiere, Adobe After Effects, and Adobe Media Encoder
- Exporting videos for broadcast specification
- Video file types and audio track layouts

The ideal Junior Editor / Motion Graphics Artist should have a solid background in video production, from pre- all the way to post, including filming, editing, color correction, and basic sound mixing. Must be well versed in Adobe Premiere and After Effects. Proficiency in C4D and all other Adobe Creative applications is a plus. Should also be able to work independently and collaboratively.

Duties:

Be responsible for media asset management and archiving
Edit a wide range of videos such as branded content, daily social videos, mini-features, etc.
Extensive knowledge of video codecs, frame rates (H.264, ProRes, etc.)
Ability to work in high pressure, fast-paced production environment with quick turnarounds
Ability to troubleshoot and find solutions
Working knowledge of Google Sheets & Docs
High level of attention to detail a must
Excellent organizational skills a must
Familiar with all social platforms
**Please include links to your work**

Submit cover letter, resume, and salary requirements.

Cutting edge reality TV studio is looking for an experienced Post Production Coordinator who understands and executes the episodic and seasonal deliverables (Credits, Timing Sheet, GFX Cue Sheet, Music Cue Sheet, Blur List, R&C Licensed Materials Tracker, Final Edit Report) for multiple shows and completes them according to the Network specifications.

Responsibilities:
-Assist Post Production Supervisor.
-Maintaining communication with our network POC regarding deliverable deadlines and status/progress.
-Overseeing the assist team's execution of certain deliverables to ensure they are delivered correctly and on time.
-Maintaining the cuts schedule. Communicating with producers regarding the status of cuts and updating it accordingly.
-Prepping cuts for delivery, i.e. providing assist with templates and distro lists appropriate for each cut.
-Communicating with the field about any issues we have in post, such as camera settings, slates, etc.
-Tracking footage shipments in order to keep post informed about when certain content will be available for stringing/cutting.
-Tracking editors' daily assignments.
-Tracking equipment/software rentals/purchases.

Requirements:

• Minimum 2 years related experience.
• Proficiency with MS Office, Excel, Google Docs, Google Sheets, Google Calendars and Avid.
• Familiar with Nexus and great with media management.
• Know the difference between file codecs and media.
• Can independently troubleshoot and solve a wide variety of technical issues.
• Thrives in a fast-paced, fast-growing, collaborative environment.
• Meticulous attention to detail.
• Understanding of how to prioritize and respond accordingly.
• Ability to respond after hours for important, timely or urgent matters.
• Available to work weekends and/or nights on short notice when needed.

Job Type: Freelance

Marketing creative content agency seeking experienced transcriptionist. Looking for someone with resources for quick turnarounds to meet client deadlines. Bilingual a plus.

Looking for a Premiere Editor, Spanish language a must, for a short documentary (+/- 15 min) about Argentinian-Patagonian Gauchos. Work to take place at the beginning of the year.

Title: Post Production Coordinator

Compensation: $3,500 - $4,500 monthly DOE

3 Corners Studios is seeking a Post Coordinator to work under our Director of Post Production in coordinating the post-production process. A strong candidate is very organized, works well with deadlines, and has excellent communication skills. The ideal candidate will have had some background in post-production with knowledge of editing programs.

Requirements:

-Tasked with overseeing multiple shows at once
-High pressure environment with quick turn-arounds
-Manage footage delivery with Production Coordinator
-Responsible for maintaining Post Calendars, Google Drive documents
-Manage Offline all the way through the Online process
-QC final masters
-Basic knowledge of Premiere and Avid
-High volume of daily emails
-Team player
-Support the Director of Post when requested

Title: Lead Editor - Specialization in Animation/Graphics

Compensation: $5,000 - $6,000 monthly DOE

3 Corners Studios is seeking a Lead Editor to edit engaging lifestyle television. A strong candidate is very organized, extremely detail-oriented, and acute to high-quality editing. The ideal candidate will have significant experience in professional editing and a portfolio proving one’s skill and talent.


Requirements:

Minimum of 2 years of experience in professional editing
Proficient understanding of television production
Advance understanding of editing systems (Adobe Suite, Avid)
Creative capabilities into high-quality editing
Able to take notes and give creative direction
Manage a post-production team under production deadlines
Strong aptitude for new technology
Experience in graphics

Title: Assistant Editor - Looking to hire ASAP

Compensation: $45,000 yearly

3 Corner Studios is seeking an Assistant Editor to assist our team. A strong candidate is very organized, extremely detail-oriented, and is proficient in editing procedures. The ideal candidate will have experience working professionally in post-production and is adaptable to the high-pace TV editing timeline.

Requirements:

Oversees 2 shows
Working knowledge of Adobe Premiere
Media Manager
Tasked with maintaining status of incoming footage
Managing footage delivery
Shipping and receiving drives to DP’s and offsite Editors
Prepping project files for Editors
Familiar with the post-production process (frame rates, codecs, grouping, syncing, ect.)
Team Player

VICELAND is looking for an experienced post coordinator for a nightly live television show. This position will report to the show’s post supervisor and will assist coordinating versioning of episodes for international markets and deliverables for internal departments. Candidate must be organized, ability to work well in a fast paced environment and a team-player. Experience working in broadcast television, network deliverables and final quality control process of all masters. Knowledge of Adobe Premiere Pro, video codecs and file exports is a must. This position is for an overnight shift Monday-Thursday.

DUTIES & RESPONSIBILITIES:
Creating conforms of nightly master for international version and deliverables.
Coordinating assistant editors nightly assignments.
Quality control of all deliverables.
Creating network paper deliverables, including cue sheets, archival sheets and clearance documents.
Help assistant editors with technology issues, troubleshooting to resolve.

QUALIFICATIONS:
2-3+ years experience as post coordinator for broadcast television.
Proficient in Adobe Premiere Pro Suite.
Experience working in a fast paced environment within tight deadlines a must.
Experience with network deliverables, quality control process, video codecs and file exports.
Must have professional and positive attitude, close attention to detail, ability to prioritize and problem solve, with ability to work independently and multi-task.
Previous experience working on studio or live television series a plus.
Familiar with broadcast delivery standards.
Must be available to work overnight shift Monday-Thursday.

Busy New York City production company is looking for an EXPERIENCED Post Production Coordinator to work alongside a Post Supervisor to help with delivery of 3-4 projects. This position will work closely with the post supervisor and is responsible for an array of duties to ensure successful delivery including helping to manage offline editorial team and delivering all tape/digital masters. No paper deliverables would be the responsibility of this role.

This is not a technical position, but in-depth knowledge of Avid and post-production technology is a huge plus. Positive, hard-working attitude a must. Long-term position at the company is a possibility.

New York City production company specializing in reality, documentary, and scripted series is seeking an EXPERIENCED POST SUPERVISOR to supervise post on a weekly series for Showtime. This position is responsible for an array of duties, including managing final outputs in both tape and tapeless formats, delivering to network, managing picture and mix reviews, and more. This series would require non-standard hours and weekend work.

This is not a technical position, but in-depth knowledge of Avid and post-production technology is a huge plus. Positive, hard working attitude a must. Long term, staff position at the company is a possibility.

Mustache TV is looking for an experienced Senior-Level Editor for Season 1 of an unscripted broadcast series - a conversation based studio show like you've never seen it before - hosted by a famous rap artist.

The vibe of the show is best described as a combination of Mr. Roger's neighborhood with the comedic unpredictability of The Eric Andre Show, the surrealism of The Mighty Boosh, and the punchy joy of Late Night with Conan O’Brien.

We’re looking for an editor/collaborator who will bring a new approach to conversational programming, finding the chemistry and interest that arises naturally, and capitalizing on the moment to curate some interesting unscripted content.

The ideal candidate must be proficient in Adobe Premiere and have experience in editing for television, with a strong comedic background. Our Lead Editor will work very closely with our Show Runner, Creative Director, Assistant Editors & Segment Editors.

Candidate must be local to NYC for the duration of the project, available from the week of January 21st 2019 through mid to late May.

Qualified candidates must have/be :
3+ years experience in editing for TV and experience collaborating with a team of both senior and junior level teammates
A wacky but intelligent sense of humor
Strong storytelling skills
Comfortable bringing his/her own creativity to the table but also receptive to feedback
Experience with studio show editing (3+ camera setups) AND remote packages
Experience keying & masking in After Effects or Premier
Have a proven ability to work well under pressure and within tight deadlines

Seeking a seasoned assistant editor fluent in Adobe Premiere CC, with credits as a story producer, to work on a character-driven documentary feature about the Chelsea Hotel. It has been filmed over a period of 5 years in New York City. It will include some archival footage and animation, but it’s mostly a direct cinema type of documentary in which around 70-80% of the film is verite footage captured over the years with one camera. This documentary has been conceived upon the notion that nonfiction filmmaking is an art form, and it relies on the power of editing to give shape, structure, and meaning to the material recorded.

As an Assistant Editor/Story Producer, your primary responsibilities will be:

- Ingesting and organizing all footage and media.
- Grouping & syncing.
- Trim/condense footage.
- Finding and examining all of the raw footage.
- Cutting stringouts.
- Make basic edits to the raw footage, cutting it down and streamlining it as much as possible before it goes to the editor.

About the ideal candidate:

- is able to take a giant bag of broken glass, and make a mosaic. (The editor will play the lead role in crafting the story, but YOU are able to take so many pieces and turning it into something recognizable).
- has a profound understanding and has extensively worked under the idea that stories from documentaries are often made in the edit room.
- has a strong sense of shot selection and composition.
- has both solid computer and storytelling skills with strong narrative sensibilities.
- is proficient in Adobe Premiere CC.
- has a strong attention to detail and is meticulously organized.
- takes direction well and is a proactive problem-solver

PLEASE NOTE:
Applicants MUST provide:
- Brief cover letter explaining your experience in documentary films.
- Resume or a list with your assistant editor/story producer credits.
- Availability and Rates.

We are in need of editor in Mountain View area for ongoing project. Please reply if you live near Mountain View because this may become ongoing thing, and it requires onsite edit at my clients' office.

Candidate must be efficient in
all adobe software
editing documentaries and corporate videos
motion graphics

Please apply with 3 samples (reel for editing, motion graphics, and a documentary.)

Best,
Yuki

I am searching for a veteran and consummate film editor to cut a character-driven documentary feature about the Chelsea Hotel. It has been filmed over a period of 5 years in New York City. It will include some archival footage and animation, but it’s mostly a direct cinema type of documentary in which around 70-80% of the film is verite footage captured over the years with one camera.

This documentary has been conceived upon the notion that nonfiction filmmaking is an art form, and it relies on the power of editing to give shape, structure, and meaning to the material recorded.

The ideal candidate should be able to demonstrate the following bullet points:

- He/she has a substantial knowledge of techniques for creating and developing a character out of a real person in documentaries.

- He/she has a profound understanding and has extensively worked under the idea that stories from documentaries are often made in the edit room.

- He/she is able to implement editorial choices that propel the plot and sustain a compelling narrative structure.

- He/she is an ambitious storyteller willing to take the lead and adding to the creative process by bringing ideas and a unique viewpoint.

- He/she is comfortable with the idea of forming a creative tandem with the director.

- He/she is capable of seamlessly integrating archival footage and animation sequences into the main storyline.

- He/she has worked as the lead editor in documentary films that have been accepted into major film festivals with industry presence such as Cannes, Toronto, Sundance, Berlin, Rotterdam, Venice, Tribeca, SXSW, etc.

I can provide further details in private. Please send me a message if you honestly think that you are qualified.

Please include in your response:
- Brief cover letter explaining your experience in documentary films.
- Resume or a list with your editor credits.
- Availability and Rates.

Looking for reliable, strong, detail-oriented assistant editor help with day-to-day operations at my home studio.

DUTIES & RESPONSIBILITIES:
Ingest and organize B-roll
Ingest and edit sound bites while being meticulous to spelling/slates/etc
Perform quality control for all outgoing deliverables.
Assist editor with string outs and storytelling

QUALIFICATIONS:
Proficient in FCPX a must
Experience working in a fast paced environment within tight deadlines a must.
Must have professional and positive attitude, close attention to detail, ability to prioritize and problem solve, with ability to work independently and multi-task.
Have 2-3 references
Must be available to work Monday-Friday.
Knowledge with After Effects (Adobe Suite) a big plus
Must live in Austin, TX

Great opportunity to expand your experience with someone who's been in the business for nearly 2 decades. Laid back and relaxed atmosphere.

Positive, all-for-one attitude, as well as a solid work ethic are musts.

Look forward to speaking with you!

JOB TITLE: Assistant Editor, TV - Night Shift

VICELAND is looking for a strong, detail-oriented assistant editor for night shift to conform a nightly live show for international delivery. Ideal candidate will be proficient in Adobe Premiere and technically savvy. Candidate must be organized, ability to work well in a fast paced environment, and a team-player. This position is for overnight shift Monday-Thursday.

DUTIES & RESPONSIBILITIES:
Creating conforms of nightly master for international version and deliverables.
Creating and delivering scene lifts and other assets to internal cross departments.
Complete censorship and legal edits (blurs, bleeps, etc) to international masters.
Perform quality control for all outgoing deliverables.
Troubleshooting tech issues (NLE, server, exports, codecs, etc.)

QUALIFICATIONS:
2-3+ years experience as assistant editor for broadcast television.
Proficient in Adobe Premiere Pro Suite a must.
Experience working in a fast paced environment within tight deadlines a must.
Experience with multi-cam editing a must
Must have professional and positive attitude, close attention to detail, ability to prioritize and problem solve, with ability to work independently and multi-task.
Previous experience working on studio or live television series a plus.
Familiar with broadcast delivery standards.
Must be available to work overnight shift Monday-Thursday.

Location
Los Angeles, CA, US

Position
Online Editor (Avid)

Job Description
Looking for Experienced Avid Online Symphony Editor to work on a reenactment Television show. Online editor must have experience with color correction and digital delivery.

The position starts 12/10/18 and will run for four weeks. This is a great opportunity for someone to begin a relationship with a well established company.