Post Production Department Production Jobs

As a Post Coord you'll be responsible for distributing welcome documents to editor/producer teams; assisting with tech questions; overseeing transcription; completing release passes and communicating issues; creating blur /bleep/text lists; completing final deliverables.

Must have previous experience with deliverables.
Must be an organized employee with keen attention to detail.
Job is fully remote, so a self-starter who is able to work independently is also a must.

We are a NY based company and would expect you to work EST hours.

This job is permalance. You will work on various projects within the post department.

Seeking supervisor to oversee 2-3 series.

You will be responsible for:
-Overseeing assistant editors / project set up / ingest
-Calendar builds/tracking actuals
-Overseeing Legal/S&P/Rights and Clearances
-Final finish from scheduling w/ vendors, final review, QC,
-Overseeing completion of 'paper' deliverables.

**General tech and Avid workflow knowledge necessary.**

Must have strong communication and organizational skills.


Position is fully remote.
NYC based facility, hours are 10a-8p est.

We are looking for an editor to join a new home renovation series. Ideal candidate has experience taking a cut from stringouts to lock. We're looking for someone who is no stranger to notes and doesn't mind rolling up their sleeves with raw. A&E or similar experience is a huge plus. This is a remote position. Post runs on an EST schedule.

Looking for an Avid AE to start asap on a competition series. Job is remote. We are using JUMP to remote into the office computers.

In search of someone extremely seasoned with grouping multiple cameras. If you have worked on house reality, this will be very similar in regards to coverage.

8 hour days + lunch. Rate is $1750/wk. Position will wrap the top of December.

Looking for an AE to work on a feature filming starting ASAP and going through the middle of September. Only AE on the project, so must be able to work independently. Documentary film credits are ideal. Must be proficient on AVID with Macs.

QUEER FOR FEAR is a four part docu-series for a streaming service about the history of queer people in the thriller genre. From its literary origins with queer authors Mary Shelley, Bram Stoker, and Oscar Wilde to the pansy craze of the 1920s that greatly informed Universal Monsters and Hitchcock, through the “lavender scare” alien invasion films of the mid-20th century and the AIDS obsessed bloodletting of 80s vampire films, QUEER FOR FEAR explores the role of the LGBTQ+ community in front of and behind the camera making the movies that thrill us. Through this rainbow lens, we will re-examine genre stories not as violent, murderous narratives, but as tales of survival that resonate thematically with queer audiences everywhere.

The project is Executive Produced by Bryan Fuller (American Gods, Star Trek: Discovery, Hannibal, etc) and Steak House (The Mustang, Disney Launchpad).

We’re looking for a Los Angeles-based Editor with documentary experience. Candidate must be fluent in AVID and have a knack for making archival footage and talking-head interviews sing and sparkle. Having a solid knowledge of horror films and experience with archival footage is preferred. Position starts August 29th-ish and runs through late September. Rate is $600/day.

You would join our current team of editors and AEs to co-edit an episode. Rough cuts and scripts are already in-progress, so you would hop into the mix wherever needed. The release date for Episode 1 is September 30th, so we are working at a fast pace to complete the final episodes.

Looking for a YouTube editor for a new YouTube Channel. Videos are being produced by a seasoned Hollywood Unscripted Producer.

In need of someone who knows their way around sound, animation, color correcting and general editing tasks.

Looking for someone who has knowledge about YouTube, and has the ability to turn projects around quickly.

Sometimes will need to make short clips for TikTok and Instagram.

Please send your resume and reel to my email. If you do not have a reel, please send over any past projects that can show off your skills.

Rate available upon request and dependent on experience level.

New syndicated clip show hosted by a known anchor is seeking a post coordinator who can help bring episodes through the post process. Our project is in Premiere Productions ecosystem. Must be able to multi-task, be highly organized, collaborate well with others, work with editors, post sup, showrunner, and clearance depts. Candidate must work in-person in Canoga Park at the production office most days but some can be WFH. Rate DOE and to be negotiated by the line producer.

Looking for an editor who is comfortable with episodic/reality-style edits. It would be in the style of HGTV/TLC room makeover type of shows. Also, needs to be familiar with 15sec and 30sec promos and commercials. Motion graphics knowledge is a plus!

**Must be able to edit in DaVinci Resolve. This is an in-office position.

Small Scripted Cable Series looking for a Junior Editor to take on as much as they can handle. Build cuts, do a music pass, screen with Producers, etc..

Action editing experience a plus.

Show is on Premiere.

Rota6 Films is a full service video production company based in Brooklyn that specializes in compelling documentary storytelling.

We are in need of a talented Assistant Editor to come in and pull selects from a series of zoom interviews. There will be about 16 hour long interviews to go through, so we're looking for someone efficient and experienced in combing through large collections of interview footage for standout sound bites.

Interested applicants should have strong storytelling instincts, should excel at working with interview and vérité footage, and should have experience in quickly going through large selections of footage in order to pull the best selects. Efficiency and attention to detail are key.

Requirements:
Must be local to the NYC area with 2+ years experience editing / assistant editing
Strong technical skills in Adobe Premiere
Experience in pulling selects from hours of footage
Extraordinary attention to detail
Ability to self-start and work well independently as well as collaborate favorably in a team environment

Interested applicants, please send your resume along with any documentary editing samples you have.

Thank you!

Latchkey Films is looking for two AE's to come onboard to help with a two different projects.

Premiere AE can be a remote position. It would start middle to late Sept and run for approximately 4 weeks.

Avid AE would work remotely, but needs to be NYC based. We work off of drives for this project. It would start ASAP and run until mid-Nov with the possibility of extending until the end of the year.

Both projects are true crime docs, so someone with that experience is preferred.

Please specify which position you are applying for. I look forward to hearing from you!

Elkhorn Media and Entertainment are a group of passionate media professionals who are dedicated to creating the best content possible. We believe in hard work, creativity, and collaboration.

We also have a team of talented writers, producers, and directors who work tirelessly to create the best possible content for our audience.

Elkhorn Media and Entertainment is committed to producing quality content that informs, entertains, and inspires our audience. We are dedicated to our craft and we will continue to strive for excellence in all that we do.

We are looking for a select group of freelance editors who are great with telling a story and finding those little moments that can drive emotion in a scene while moving the format forward organically.

Stylistically we're looking for editors who are great with integrating music that works with the mood while also building scenes with NAT sound.

Editors will be responsible for multiple program segments working with a dedicated story producer on the day to day as well as the series EP.

The ideal candidate is a team player who can work quickly and is skilled at bringing their own story telling ability to the project.

We're really looking forward to connecting with you and sharing more about this project we're all so passionate about.

Roughly 6 Months and longer term relationship are available.

Looking for an experienced AVID editor preferably with Food and Food Competition experience to work on a 1st season food competition show for A&E. Must be a self-starter and a team-player.

Upcoming docu-series, looking for highly qualified editors with queer, docu-follow, verite show experience on Avid.

Position is a day shift, Remote to Start. At some point there will be an expectation to be in an office setting, in 2022. You must be willing to commute to Stamford, CT.

Ideal candidate will have the following:
* High proficiency with Avid Media Composer.
* Cutting scenes and full episodes for reality TV docu-series.
* Must be able to work independently and collaborate with Producers.
* Must be good with music and scoring.
* Attention to detail and highly organized.
* Clear and concise communication skills.
* Experience working with G-suite apps a plus.

Looking for a Jr. Post Coordinator or a seasoned Post PA ready to make the jump to Coordinator. You will be helping the Post Supervisor across two projects. The position will start end of this month and wrap in early March. This is a great opportunity for someone who wants to build Post Coordinator credits.

Duties Include:
Updating grids/trackers
Assisting the Post Supervisor
Credit building
Tracking releases
Setting up new staff
Final Paper Deliverables

Job is remote. Rate is $1150/wk.

Please include two references for Post Supervisors / Managers you've worked with in the past.

Reality TV production company is looking for a Lead AE on AVID for the day shift.

Main tasks will be:
Outputs
Online
Transcoding / Importing
Syncing / Grouping

Previous experience with AMA workflow and strong communication skills are required.

Position starts on August 22, 2022 for at least 4 months.
This is non union WFH position, salary is DOE.

Looking for an editor to work on seven-part docuseries entitled SafeSets: Keeping Healthy and Sane in the Motion Picture Industry. The ideal candidate will be able to work in person with the director at our production office in Waltham, Massachusetts. Job will likely be five days per week, 7 hours per day in person.

About the Project:
With over thirty interviews featuring entertainment industry leaders (ranging from A-list actors such as Jon Hamm and John Malkovich to union leaders, producers, editors and everyone in between), Safe Sets explores both the unsung successes of on-set safety procedures and publicly lambasted failures such as the tragic deaths of Halyna Hutchins on Rust and Jai Harris on Deadpool 2. The series also lifts the hood on little known but far more pervasive issues such as sleep deprivation, chronic stress, physical strains, mental health issues, substance abuse, toxic exposures and much more.

With COVID protocols increasing health and safety awareness on set, the recent IATSE strike, the Me Too movement, lengthening work days, and more, we feel the time is ripe for change in the industry and perhaps you do too.

Looking for an experienced editor for a micro low-budget 70s trailer (think Cleopatra Jones, Afro Sheen, Stand by Me vibes). 3 black teenagers do everything they can to get to an Earth Wind and Fire concert. No permission from parents, or money!

This is a proof of concept trailer.

Flat - $1500

Please send reel and resume.

Post production special effects needed for a short film including a title sequence and a few screen replacements. Quick turn-around approximately 2-3 days. $800 budget for the project. Must have experience in VFX and send reel with previous work. Remote job.

TMZ is seeking a Logger to receive, ingest, digitize and organize incoming video into our Dalet system for the Post Production team. This is an onsite position based out of Los Angeles, CA.

Responsibilities:
• Digitize incoming field materials and log raw field clips
• Transcribe descriptions of logged footage
• Daily data importing and tape organization for storage in Filemaker Pro
• Work with closed caption editing systems
• Other duties, as assigned

Requirements:
• Must currently live in the Los Angeles area
• Basic understanding of video formats and equipment is required
• Must be technically savvy and able to troubleshoot basic IT issues
• Basic Adobe Premiere, Adobe Prelude, Adobe Media Encoder and Filemaker Pro skills are strongly preferred
• Prior experience working with the Dalet digital media system is a plus
• Strong organizational skills, as well as the ability to work independently and manage time effectively, are required
• Must possess excellent writing, grammar, and spelling skills


About TMZ
TMZ goes where stars work, live, and play and takes its audience into a world where the reality is even more fascinating than the hype. TMZ breaks the biggest stories in entertainment as only it can with accuracy, irreverent humor and youthful energy. TMZ connects with the public across its broadcast and digital platforms by providing a fresh, unvarnished, and honest take on celebrities and their real lives. The TMZ brand is the most trusted, the most talked about, and the highest quality entertainment news outlet in the world.


TMZ is a workplace that requires the COVID-19 vaccination as a condition of employment. Requested accommodations/exceptions will be evaluated on a case-by-case basis in accordance with law.

TMZ is an Equal Opportunity Employer.

Part2 Pictures is looking for an experienced Post Production Supervisor for a Hulu series. Ideal candidate should have 3+ years of managing non scripted series, editor and AE teams. Knowledge of 4k delivery is a must.

One of New York City's largest production companies is seeking a NIGHT Lead AVID Assistant Editor to work on a high profile project.

We are looking for a Lead AE who is extremely organized and well-versed in:
- Transcoding
- Syncing multicam footage
- Multigrouping
- Creating AAFs and EDLs
- Uprezzing
- Exporting, converting & posting cuts for network

Applicants must have in-depth knowledge of Avid and ideally 2+ years of experience working on the platform. After Effects knowledge is a plus but is not required.

This is a hybrid position.