Post Production Department Production Jobs

A half-hour documentary series is seeking a free-lance colorist. It's an unsupervised color correct and we're budgeted and scheduled for one day of color per episode. First episode will be ready early next week, so only those with immediate availability will be considered.

Seeking a freelance Editor with extensive knowledge of Premier. Must be detail oriented, meticulous, and have an eye for the creative while working on tight timelines. The ideal candidate will have experience working in Non-Scripted Programming and Promo.

This is not a remote position and you must be local with the ability to work from our office.

Essential Functions:
• Adobe Premier
• Adobe After Effects
• Long form editorial & Creative Story telling
• Promo/Commercial

Other Duties & Responsibilities:
• Solid interpersonal and communication skills to effectively interface with staff, executives, and departments in a collaborative and tactful manner.
• Demonstrate reliability and diligence in executing daily tasks and a sense of urgency to accomplish set goals.
• Capable of positively handling verbal, written, and social interactions with others on a regular basis, and positively accepting regular feedback, criticism or changing preferences regarding the work product related to a particular show or series.
• Exhibit professional composure and competency when regularly interacting with high-level executives.

Qualifications:
• At least 4 years experience working as an editor in Post-Production.
• Must be proficient in Premier.
• Must have working knowledge in Microsoft Office (Excel, PowerPoint, Word) and Microsoft Teams.
• Network experience a plus but not required
• Reel Required during submission

Seeking a freelance Assistant Editor with extensive knowledge of media management. Must be detail oriented, meticulous, and have an eye for detail working on tight timelines. The ideal candidate will have experience working in Non-Scripted Programming and Promo. This position supports the editorial staff and works with the Editors to set up and maintain edit projects.

This is not a remote position and you must be local with the ability to work from our office.

Essential Functions:
• Data management
• Edit prep
• Detailed logging
• Minor editing
• Ingesting/transcoding/organizing footage
• Grouping multi-cam footage
• Syncing
• Exporting, converting, and posting cuts for network

Other Duties & Responsibilities:
• Solid interpersonal and communication skills to effectively interface with staff, executives, and departments in a collaborative and tactful manner.
• Demonstrate reliability and diligence in executing daily tasks and a sense of urgency to accomplish set goals.
• Capable of positively handling verbal, written, and social interactions with others on a regular basis, and positively accepting regular feedback, criticism or changing preferences regarding the work product related to a particular show or series.
• Exhibit professional composure and competency when regularly interacting with high-level executives.

Qualifications:
• At least 1 year experience working as an assistant editor in Post-Production.
• Must be proficient in Premier.
• Must have working knowledge in Microsoft Office (Excel, PowerPoint, Word) and Microsoft Teams.
• Network experience a plus but not required

We are looking for an experienced creative video editor that has worked on a daily show or a talk show. Works with grace under pressure, the ability to work on deadlines and a tight schedule. We need someone who is great with collaborating, taking direction and working with a team!

REQUIREMENTS:

Must proficient in Adobe Premiere
Must be organized, and understand dropbox and other server file structure systems.
Must have at least three years of solid video editing experience.

We are looking for an experienced creative video editor fluent in German who can skillfully cut footage recorded in German. We need someone who is great with collaborating with clients and working with a team. Possibility of more projects if the first one is well -received. Work duration is about a week.

We are looking for an experienced creative video editor fluent in German who can skillfully cut footage recorded in German. We need someone who is great with collaborating with clients and working with a team. Possibility of more projects if the first one is well -received. Work duration is about a week.

We are looking for an experienced creative video editor fluent in Japanese who can skillfully cut footage recorded in Japanese. We need someone who is great with collaborating with clients and working with a team. Possibility of more projects if the first one is well -received. Work duration is about a week.

We are looking for an experienced creative video editor fluent in Japanese who can skillfully cut footage recorded in Japanese. We need someone who is great with collaborating with clients and working with a team. Possibility of more projects if the first one is well -received. Work duration is about a week.

Looking for an assistant editor to help with multiple ongoing projects. Must be FCP X proficient and have your own editing setup. Must be willing to meet in the riverside area when needed. Must be able to composite simple interview green screens as well.

Looking for an experienced sizzle reel editor to edit together some footage on established talent from their pre-existing music videos, social media videos, Skype interview reels and YouTube videos for pitches to cable networks and streamers.

Due to COVID, we cannot shoot it in person and are looking for an editor who is savvy and can save the day.

Please include specific experience editing sizzle reels, your editing reel(s), references, rate and anything else you’d like to share.

Looking forward to hearing from and potentially working with you. This has the potential to expand to a lot of upcoming work in the future for the right candidate.

We are looking for an experienced creative video editor fluent in Chinese who can skillfully cut footage recorded in Chinese. We need someone who is great with collaborating with clients and working with a team. Possibility of more projects if the first one is well -received. Work duration is about a week.

We are looking for an experienced creative video editor fluent in Portuguese who can skillfully cut footage recorded in Portuguese. We need someone who is great with collaborating with clients and working with a team. Possibility of more projects if the first one is well -received. Work duration is about a week.

- Chyron Operator, able to perform at a high level during a live sporting event
-Using Chyron Hyper X3 two channel graphics system with Lyric Pro 8.8 & versions down to 5.25, Adobe Photoshop & Office.
-Must be willing to comply with ALL State, Venue & Production Company COVID 19 Compliance policies and regulations.
-10 hour days with meals included.

Osmosis Films is seeking an Assistant Editor with experience across short- and long-form video content. Ideal candidates possess superb media management skills, experience with Editshare servers and software, storytelling ability, and exceptional organizational ability.

Responsibilities
- Edit assemblies and rough cuts in Adobe Premiere
- Address producer notes to finalize fine cuts
- Editshare and Ark management
- Communicate and solve problems with producers, other staff and clients to efficiently create high-quality content and meet tight deadlines
- Complete color correction, initial sound design, and basic graphics (i.e. lower thirds)
- Ensure quality, consistency, with great attention to detail
- Handle media management and other organizational tasks as needed in the office

Experience, Knowledge & Skills
- At least three years of relevant experience, including experience with integrating video and visual effects/motion graphics
- Great attention to detail and ability to troubleshoot on your own
- Standouts will also have experience with Adobe After Effects, Photoshop and Illustrator
- Understanding of codecs, raw video file formats, exporting, transcoding and compression techniques are a must
- Proficient in project setup, archiving video, delivery, and managing digital media assets
- Able to assist a team of on-site and off-site editors and other freelancers

Application Requirements
- Include a link to your reel, work samples, and references
- Both a cover letter and resume are required for your application to be considered

Job Type: Full-time

Editor position on a docu-soap series. Strong story skills required. Avid media composer.

Fire Tribe, inc. a Colorado-based production company is looking to form new partnerships with creative video editors who have experience in modern documentary styles of editing.

We are looking for editors who can work fast and deliver a high quality, tight edit. We have various projects, but our most common are projects where we will ask our editors to perform what we call a "finish edit". They are handed the interview pre-edited into a 3-4min story in premiere pro (what we call a content edit).

From there finish editors are needed to:

- Pace the edit and musically score
- Scene build with b-roll
- Color grade in premiere pro cc
- Add sound design
- Audio mix
- Add lower 3rd gfx from After Effects templates
- Add fx (film flashes, overlays, and other relevant fx)

Each edit takes our experienced editors on average 2-3 days to complete the first draft. Then add about an additional day's time to do client revisions.

Most of the clients we serve are Christian ministry-based clients. These are powerful cinematic stories, not cheesy. But editors need to be okay with working on this kind of material.

Those are the specs. We'd love for you to apply. Please only apply though if you are an experienced premiere pro editor and can demonstrate that with a portfolio online. Thanks!

We are looking for an experienced assistant editor who is organized, efficient and confident. Tasks will include backing up media, transcoding, syncing, grouping, exports and online prep. This job will require work in the office as well as some remote work. Must be proficient with Avid on Macs, knowledge of Photoshop and After Effects would be a huge plus but not required. This is a 12 week gig that can easily turn into a more long term job for the right person.

Post-Production Coordinator

Leading Non-Scripted Television Production company is currently seeking an experienced Post-Production Coordinator to work in our in-house Post Production Department. The ideal candidate will have 2 to 3 years of Post Coordinator experience and the measured ability to lead a team. We are looking for a candidate with superb organizational skills and an eye for detail.

Job Duties
- Assists the Post-Production Supervisor in all day-to-day aspects of series production.
- Responsible for the workings of their assigned show from the pre-preparation stages all the way through to final delivery.
- Day-to-day aspects of series production include but are not limited too; Processing shot footage, Ordering and Quality Control checks of Graphical Elements, Distribution of Cuts, and Coordination of Final Episode Masters through Online.
- Tracks calendars and ensures that all assigned productions keep to their determined schedules and adjusts deadlines as necessary.
- Supports the Post-Productions Supervisors and deals with any necessary overflow.
- Coordinates with the Assistant Editors to ensure that all shot footage is processed, and finished episodes are sent to the Online department as scheduled.
- Coordinates with the Online department to ensure that deadlines are met.
- Serves as a secondary point of contact for the Post Department on their assigned productions.
- Works with the VP, Post-Production and other Post-Production personnel in order to solve problems and address production issues as they arise.

Job Requirements
- The position requires an individual comfortable with working independently and in a team environment.
- This position requires project managerial skills.
- The Post-Production Coordinator must have great people skills and possess the ability to problem-solve.
- This position requires the ability to multi-task and prioritize.
- This position requires heavy email and phone correspondence.
- The Post-Production Coordinator must be a forward-thinker and able to organize a variety of projects simultaneously.
- Must be incredibly detail-oriented.
- This position requires interaction with high-level executives.
- The Post-Production Coordinator works a standard 9-hour shift with the possibility of overtime.

Please send resume and cover letter

The company is an equal opportunity employer. We evaluate qualified applicants without regard to race, color, religion, sex, national origin, disability, veteran status, age, or other protected characteristics, and will consider for employment qualified applicants with criminal histories, when and as required by law.

Leading Non-Scripted Television Production company is currently seeking an experienced and proficient Lead Assistant Editor. The ideal candidate will have experience working in Non-Scripted Programming. This position supports the editorial staff and works with the Editors to set up and maintain edit projects. The AE will be responsible for labeling, syncing, and grouping footage, exporting deliverables and outputting cuts to the network and lock for online. We are looking for a candidate with strong grouping skills, superb organizational skills, and an eye for detail who can accommodate quick turnaround.

Essential Functions:
• Sets up and organizes edit projects according to the specific needs of the production.
• Responsible for leading other assistant editors and prioritizing tasks.
• Accountable for all media including proper ingest, media location etc.
• Orchestrate proper labeling, syncing and grouping techniques required by each production's needs.
• Prepare the show offline sequences for delivery to online facility.
• Able to visually distinguish fine details and edits in order to maintain uniformity and consistency across various show elements, including all fonts, colors and graphics.
• Able to learn and master archiving protocols for shows and company media for future retrieval.
• Able to appropriately handle stress, respond to time-sensitive deadlines, and maintain overall composure.
• Adapt to changed situations or changing demands and adjust priorities quickly as circumstances dictate (including emergencies).

Other Duties & Responsibilities:
• Solid interpersonal and communication skills to effectively interface with staff, executives, and departments in a collaborative and tactful manner.
• Demonstrate reliability and diligence in setting and executing daily tasks and share a sense of urgency and determination to accomplish set goals.
• Capable of positively handling verbal, written, and social interactions with others on a regular basis, and positively accepting regular feedback, criticism or changing preferences regarding the work product related to a particular show or series.
• Exhibit professional composure and competency when regularly interacting with high-level executives.

Qualifications:
• High School Diploma.
• At least 1 year experience working as an assistant editor in Post-Production.
• Must be proficient in Avid Media composer.
• Must have working knowledge in Microsoft Office (Excel, PowerPoint, Word) and Google Docs.

Physical Demands:
• This position requires occasional lifting of no more than 5 to 10lbs unassisted.
• Must be able to remain in a sedentary position for long time periods in order to watch footage, sit and type at a monitor during assigned shifts.

Work Environment:
• This position requires no travel.
• This position does not require the use of a company or personal vehicle for work related tasks.
• Very quiet and sometimes dark and solitary environment.
• This position does require moderate email and phone correspondence.
• This position is hourly with potential for overtime.
• The Assistant Editor works a night shift.

Additional Information:
This company is an equal opportunity employer. We evaluate qualified applicants without regard to race, color, religion, sex, national origin, disability, veteran status, age, or other protected characteristics, and will consider for employment qualified applicants with criminal histories, when and as required by law.

The company is an equal opportunity employer. We evaluate qualified applicants without regard to race, color, religion, sex, national origin, disability, veteran status, age, or other protected characteristics, and will consider for employment qualified applicants with criminal histories, when and as required by law.

Busy New York City production company is looking for an AVID Assistant Editor to work on a new series. The ideal candidate must have strong digital media experience and the ability to independently troubleshoot and problem solve any issues that may arise. Knowledge of media management is essential.

Applicants must be extremely organized and very good with ingesting/transcoding/organizing tapeless footage as well as grouping multi-cam footage, syncing, creating AAFs, exporting, converting, and posting cuts for networks.

Looking for Assistant Editors for multiple upcoming projects. Must know Avid and Premiere. Experience with Facilis preferred. This will be at least 12 weeks and has room for advancement.

Looking for a seasoned lead editor for a pilot that combines elements of build, comedy, and competition.

Philly production company looking for a motivated, talented, experienced AVID Editor to joins its team. This person will be responsible for covering segments, producing creative transitions, and assembling acts / entire episodes. Avid experience and efficiency are both a must.

The position requires that you edit while understanding and considering the story being told. We’re looking for someone that tells stories visually and will take the time to find the best coverage. In other words, we’re looking for an editor that’s also a thoughtful decision maker.

Additionally, you must be highly organized, creative, and be able to work autonomously for periods of time while maintaining productivity. The ability to receive feedback and apply it to your work is essential.

General Responsibilities:

Cover segments in AVID
Conceive of and produce transitions without the guidance of Story Producers
Ability to address notes on your work and the work of others
Capable of editing at various stages of post-production (Rough Cut, Fine Cut, Notes, etc.)
Work with EPs and other story producers in constructing act breakdowns and narrative arcs
Maintain the team’s organizational workflow within AVID and cloud-based documents
Make creative decisions that contribute to the success of the final production

Preferred Qualifications:

5+ years of AVID experience
5+ years Reality TV / Follow-Doc TV experience preferred

Requirements:

Must have your own computer, Internet access, and ability to work remotely (you do NOT need to own AVID software). That said, a willingness to work from a clean and safe edit environment in our offices will be considered.
Flexibility with your hours (you may be asked to work 4pm – 1am or 7am – 4pm)
Strong sense of how music and sound design work together to assist in creating a compelling story
Understanding of and experience with post-production workflows
Meticulous attention to detail and time management
Sharp analytical abilities and proven problem-solving skills
Ability to pivot, change plans, think outside the box, and roll with the ever-changing world of production
Exceptional communication skills
Insists on the highest standards from self and others
Great sense of humor, enjoys the creative process, and works well within a team

Looking for a Post Supervisor for a Netflix series. Responsibilities are, but not limited to, setting up the work flow for in house and remote editors, overseeing online, color correction, mix, QC and delivery. Previous experience in delivering a 4K/UHD Netflix series is required.