Post Production Department Production Jobs

Award-winning production company behind such films as DIG! and WE LIVE IN PUBLIC, BRAND: A SECOND COMING, and JUNGLETOWN is seeking qualified candidates for a Junior Assistant Editor Position.

This job will cover a variety of tasks, including assisting with a confidential new documentary shooting now, digitizing multi-formats to create an extended version of one of our hit documentaries, website maintenance and media archive organization.

Job tasks include:

⁃Working with AVID to Ingest footage, transcode, sync/multi-cam string-outs & selects
⁃Digitizing from different tape formats
⁃Organizing online press kits
⁃Updating Squarespace website
⁃Project Management
⁃Exporting sequences
⁃Handle other miscellaneous duties and projects assigned

Skills/ Requirements:

⁃Must be proficient in Avid, Premiere, Photoshop, squarespace and Google Drive
⁃A clear sense of time management and ability to complete tasks accurately and efficiently
⁃Excellent communication skills - both verbal and written
⁃Ability to be proactive, resourceful, flexible and exhibit confidence under pressure
⁃Savviness in all forms of social media is a plus
⁃Maintain standards of strict confidentiality, with respect to all matters both professional and personal
⁃Team player with a positive & easy-going manner to handle varied personalities, responsibilities and assignments

Qualifications:

⁃Bachelor’s degree in Film/Media, Communications, Business or related field
⁃Previous entertainment industry experience is preferred but not required

Looking for an experienced NIGHT AE for a long running VH1 series. Candidate must be knowledgeable in online prep, uprez, AAF, EDL, final delivery, etc.

This position will assist lead & swing AE's with prepping footage, handling editor/producer requests, keeping backups running weekly, and handling network exports with full QC. You will also assist in onlining episodes for air.

THIS IS A NIGHT POSITION - DO NOT APPLY IF YOU CANNOT WORK NIGHTS.

Looking for someone to start ASAP!

People’s Television is a creative video and branded content production boutique with offices in NYC, LA, and DC. Our clients range from Fortune 100 companies to grassroots nonprofits. We produce character-driven documentaries, business video case studies, social video, and commercials for some of the most exciting brands and impactful organizations in the world including TED, Facebook, Black Lives Matter, and Greenpeace.

We are seeking a smart and dedicated New York City-based junior video editor to work full-time with our post-production team on a contractual basis (starting at 6 months with the possibility of extension). This will be a mostly remote position, with the eventual possibility of working from our New York office. The junior editor will be involved in editing mostly internal videos and podcasts for marketing purposes, and assisting with client projects. We are looking for someone who seeks creative solutions, and comes to each project with enthusiasm and curiosity!

A typical day may include:
- Reporting to the Supervising Producer and Senior Editors
- Editing BTS videos and podcasts for internal marketing use
- Ingesting footage, logging, and making drive copies
- Prepping project files and footage for freelance or internal editors
- Applying color grading or sound mixing to edits
- Exporting and posting videos to Vimeo
- Wrapping projects and properly archiving footage and files

Required:
- Strong understanding of Adobe Creative Suite, especially Adobe Premiere
- Working knowledge of Adobe After Effects
- Prior experience working as a freelance video editor, or casual video editing experience
- The ability to handle multiple projects per week
- Must be exceptionally organized and have great attention to detail.
- Must have impeccable communication skills in a remote setting.
- Is not only a team player, but is self-sufficient and self-motivated.
- Able to work with timeline-focused deadlines
- Experience with Slack, Google Suite (specifically gmail and google drive), and Dropbox
- Bonus: Expertise or working knowledge of the full Adobe Suite, Pro Tools, or DaVinci
- Bonus: Experience or working knowledge of Airtable

We request that candidates include a resume or CV, a cover letter, and 3x short form work samples.

We look forward to hearing from you!

Activision Blizzard Esports Post Production is looking for a seasonal Assistant Editor for features and broadcast support for the Overwatch League. Hired candidate will work closely with Producers, Lead AE and Post-Production Supervisor to, translate and subtitle Korean content, make b-roll pulls from broadcast streams for editors, and support the broadcast overall.

Qualified Candidate should:
1) Have 2-3 years minimum experience in Adobe Premiere (PC preferred but Mac is ok)
2) Have their own PC (or Mac) editing system that can handle H.264 editing (Intel-i9 non F CPU, Nvidia GFX preferred).
3) Have experience working within the guidelines of established workflows, with provided project templates and export presets-adherence to naming schemes is critical for this role.
4) Have a positive, constructive, and collaborative attitude.
5) MAM/DAM experience is a huge plus!
6) Knowledge of Overwatch and the Overwatch League a huge plus!

We are looking for freelance editors to cut branded content for social media platforms. Must truly love social media and understand what works and why, especially TikTok. We want really creative people who can come up with fresh ideas and implement them quickly. Experience working with stock footage a plus. Remote only.

Hello! We are a small but growing digital media company looking for a full-time AE/Media Manager. The ideal candidate is highly technical, organized, and an expert in Premiere Pro. The position requires a team player who can wear many hats and has extreme attention to detail. As our studio grows we need someone to grow with it—and help in the complete management, functionality, and future of all media. We shoot multiple YouTube series a week and are growing by the day. We need someone to be the keeper of all things media and help us ensure all content is organized and backed up properly. In addition to building project files for editors, the position will also entail editing short social media clips. The office is located in Los Angeles. The position is freelance to start (60-day trial) and then will turn into a full-time salary employee (with benefits) it's a good fit. The ideal candidate would like to see the process through from production through a post on some of our digital content. Please submit a resume and a cover letter explaining why you believe you would make a great fit for the team, where you would like to be in 5 years. Thanks!

Tony Award-winning production company, Apples and Oranges (https://nycoc.com/), seeks a highly motivated Post-Production Supervisor to join our National High School Musical Theatre Awards virtual production team.

Better known as The Jimmy Awards (https://www.jimmyawards.com/), The National High School Musical Theatre Awards are a national celebration of outstanding student achievement, recognizing individual artistry in vocal, dance, and acting performance and elevating the importance of theatre arts education in schools, presented by The Broadway League. While the awards, and affiliated educational programming, are typically held in-person, in New York City, this year’s event will be conducted virtually.

Apples and Oranges will produce all video coverage of the 10-day program where 72 nominees from around the country work with top musical theatre talent, guests and coaches to learn a full length show that will be presented to a panel of industry judges and the general public. While the program is largely educational in nature, the nominees are competing for college scholarships and a chance to join the many successful Jimmy Awards alumni in the professional performing arts.

The Post-Production Supervisor will work closely with the Producers and other key stakeholders to design an effective post-production workflow, source vendors, hire remote editors and sound crew, consult on post budgets and schedule and manage post-production staff. Successful candidates should have experience working with distributed teams and be used to delivering content quickly, problem solving autonomously to meet deadlines. Flexibility and the desire to apply your experience to create something new is essential.

MINIMUM QUALIFICATIONS
• Detail-oriented, strong written and verbal communication skills, works well independently, comfortable with high-volume multi-tasking, professional demeanor, great interpersonal skills, demonstrated ability to closely manage a work plan
• Experience in docu-reality style television post-production or similar fast-moving, multi-cam post-production environment
• Experience managing distributed post-production teams
• Strong knowledge of current post-production workflows and software
• Experience scheduling post-production from ingestion through delivery
• Experience hiring editorial and sound teams, post-production crew
• Familiarity with modern project management practices and software
• Ability to track and manage cuts between editorial, producers and other stakeholders to meet delivery deadlines

PREFERRED QUALIFICATIONS
• Passion for musical theater and the performing arts
• Experience working in the musical theater industry or on related projects
• Familiarity with QC testing and delivery protocols for digital programs
• Experience with FCPX
• Based in New York City area (not required)

Submit resume, letter of interest and rate for consideration.

Looking for Assistant Editor with feature documentary experience. Must be confident and able to work with little supervision and work directly with editors, and producers. Avid based, non-union, local to LA, although job is currently remote, AE may need to come into the office to ingest footage.

Hi! We're looking for an editor to help us with our promotional material. The job is freelance project to project but will have steady work coming in.

KNOXVILLE-BASED STREETCAR ENTERTAINMENT SEEKS OFFLINE EDITORS TO WORK ACROSS 12 FEATURE-LENGTH DOCUMENTARIES. FEATURES WILL INCLUDE RE-CREATION PRODUCTION AND HEAVY ARCHIVES.

KNOXVILLE-BASED STREETCAR ENTERTAINMENT SEEKS OFFLINE EDITORS TO WORK ACROSS 12 FEATURE-LENGTH DOCUMENTARIES. FEATURES WILL INCLUDE RE-CREATION PRODUCTION AND HEAVY ARCHIVES.

Looking for an Avid assistant to work on-site in Stamford, CT. Covid protocols in place.

Looking for an editor to handle full edits of a 22 min Saltwater Fishing show that airs on Discovery Channel. Applicants should have experience in editing, basic color grading, sound finishing, and delivery to network. Experience in outdoors-related or fishing programming is highly recommended. Examples of finished work are required.

Editor must have their own editing system and be able to handle 4K footage from (2) Canon C200s, 8K Red Underwater Footage, and DJI Drone footage. Editor must be able to turn around a complete show in (2) weeks including (2) passes of revisions. Revisions and feedback are handled through Frame.io software. Experience with Frame.io is recommended but not required.

$5000 / complete edit flat rate.

RESPONSIBILITIES
Editing: Video editing in Adobe Suite, to include: narrative, mechanical, technical editing, graphics, basic sound mixing and color timing, and other professional editorial needs per industry standards.
Working as a collaborative member of the content team, assisting as needed both within the content department and working with other departments. To include: creative brainstorming and ideating, broadcast support, content pre-produciton and production support, DIT and Assistant Editing tasks, in addition to comprehensive post-production support.
Be singularly accountable for several tasks/projects at a time, ensuring tasks are completed on time, within scope, and to client.
Thrive and take charge in ambiguity, while being able to juggle and shift tasks (and even projects) to meet the ever-changing ad hoc nature of production and post production
Take direction/notes and implement them
Meet strict edit deadlines
Work through small problems without managerial support
Conduct research around the game/project, its community, player base, fan base, professional scene, and all relevant aspects
Act as quality assurance/post-production supervising, by reviewing all show graphics, `music, audio, and media elements prior to the show going live/delivery to client
Constantly work to learn and expand your abilities, take on new responsibilities
Interface with the client as assigned around the creative elements of the project
Commission, accept and provide creative feedback on all aspects of an edit, to include: graphics, opens, narrative, b-roll use, and all media elements in conjunction with the creative team
Communicate and escalate issues to relevant project leads, knowing when to ask for help and when to figure out solutions on your own
Reasonable Accommodations Statement: To perform this job successfully, an individual must be able to perform each essential duty satisfactorily. Reasonable Accommodations may be made to enable qualified individuals with disabilities to perform essential functions.

Post-production company in Los Angeles looking for a freelance Premiere editor.

$300/day

Please send the following:

1. Demo Reel
2. 5-10 links to videos you've edited (mostly looking for commercial, branded content, promos, work with graphics you've made is a huge plus).
3. Your availability in May 2021

Looking for an EXPERIENCED Post Production Coordinator to work alongside a Post Supervisor to help with management and delivery of 2 projects. Position will be required to help manage edit team, paper deliverables, and delivery of masters among other duties. Position is remote. Knowledge of Avid and Premiere are required.

Looking to start on Monday 5/10. Job will most likely run through the end of July but possibly longer.

Requirements:
5+ Years experience with Avid Media Composer/PC
Strong knowledge in working with Multi-Cam footage/content (6+ Multi-Cam)
Strong knowledge in all aspects of Project setup, Media Management, Ingest, Syncing, Grouping, Organizing, Transcoding, Consolidating, File Conversion and Export
Knowledge of NTSC, PAL formats and all other Video Codecs
Knowledge of Adobe CC, ASPERA, Media Shuttle
Well organized and attentive
Work closely with a team of 2 Post Producers and 5 Editors
Willing to be flexible regarding schedule
Start Date: 6/18/2021 – 8/27/2021
Facility location: Midtown Manhattan

Overtime, the leading voice is sports for Gen Z and beyond is hiring Editors for their longform content team! In short, this is an excellent opportunity for a visionary editor who craves the autonomy to tell strong stories. While there will be support from the team, our Executive Producers strive to create an environment where editors are not bogged down with notes and frivolous requests. Instead we want to keep the ball rolling and publish content our creators believe will resonate with our audience.

About Overtime
Overtime is sports for the next generation of fans. As both a publisher and an influencer, we've built the inclusive world of sports we all wish was the norm by giving a platform to our community to be seen AND heard. We produce original content across YouTube, Snapchat and IGTV, as well as highly engaging short form content on Instagram and TikTok. In just four years, we've amassed over 40 million fans and followers and drive an average of over 1.5 billion video views each month. Based in NYC, Overtime is funded by top VC firms, industry leaders, and athletes, including Spark Capital, Andreessen Horowitz, Greycroft Ventures, Blue Pool Capital, Kevin Durant and Carmelo Anthony.

About Overtime Elite
OTE is a transformative global sports league built to serve, educate, and empower the most talented basketball players on their path from proficiency to pro. The next generation of basketball superstars do not have a league to call their own - here is where OTE comes in. We are creating a catered solution FOR these athletes to be EMPOWERED.

Overtime has been able to fill the gaps and needs within the market and it’s given us exposure to those unserved in the ecosystem. We’re untethered to any past norms so we can aggressively service. Where other leagues failed to develop storylines behind unknown players, Overtime is internationally known for discovering the next generation of basketball superstars. There is an opportunity to serve the underserved elite athlete and challenge the ecosystem.

What you’ll do
-Be a member of Overtime’s content team, based out of Atlanta
-Create and edit original mid-from and long-form video feature stories for Ovetime’s YouTube pages and social platforms, using creative storytelling and editing to produce the best possible video
-Work closely with the Overtime social media content team and the other video production teams to ensure -we're creating the best video content up to Overtime standards

Who you are
-Credits working in longform doc/reality programming.We are considering candidates with a variety of experience for a host of different projects. We encourage people with a range of one year of experience all the way up the ladder to apply.
-A strong desire to incorporate the latest visual effects into their work (After Effects knowledge a big plus.)
-An understanding of the digital content atmosphere, meaning content needs to be fast, smart and attention-grabbing at all times.
-Have a track record of inheriting hundreds of hours of footage and editing it into an engaging storyline.

TV EDITOR / MEDIA PROFESSIONAL

Broadcast media company looking for a multi-faceted media professional to join the TV team. This position requires a strong visual eye, technical execution and the ability to work at broadcast speed.

Primary role would be editing video: commercial segments, long-format TV shows and marketing content. Candidate should have broadcast experience, both in execution and level of work. We are an Adobe shop, so Pr proficiency is a must. Must be able to manipulate GFX in AE to suit project as well.

Ideal candidate could/would also perform in the following area: MoGFX work (opens, bumps, titles, etc)

Huge plus if the candidate also has general or specialized production knowledge: helping out on set, camera work, audio production, on-location shooting.

The “unicorn” would possess all of these skills: editing, shooting, production.

We are looking to hire someone full-time, but during the trial period, expect to work freelance to ensure proficiency and fit. If hired full-time, benefits are available. Some travel if the candidate is a skilled shooter as well. Candidate should have their own editing equipment suitable for work during trial period. We are also open to freelance talent in between shows/gigs/productions looking to fill their work calendars.

All candidates must have professional experience.

I'm looking for a Post Coordinator for a new show I'm Supervising. It's for the Oxygen Network, so I'm hoping to find someone who has experience with Oxygen or Bravo shows, since the deliverables are very similar. Although the job is currently remote I'm hoping to find someone in the Los Angeles area in case things change. The job starts in the next two weeks. It's an exciting and fast paced new show.

We're looking for a experienced, fantastic editor with house show experience.

WFH Post Supervisor position for a reality show running through the end of the year.