California Production Jobs

Looking for a team player with a can-do attitude and flexible approach to the many challenges that productions reveal. Works well under pressure and is effective in staffing and production management. Must have at least 10 years of experience working as a Line Producer on unscripted tv series. Ideal candidate is well seasoned in Movie Magic budgeting, very seasoned in reviewing cost reports, payroll and vendor agreements. Position is hybrid remote and in-person in Los Angeles. The filming is mostly in and around Los Angeles, CA.

Looking to bring on (3) Production Assistants for a CBS Renovation series shoot in Palo Alto, CA. Must have a positive, can-do personality and be willing to wear multiple hats while working with a tight-knit production team. More details on the show premise and set needs will be discussed via phone.

Date(s):
(TBD) June 14th for additional pre-prep day
June 15th for prep day with production
June 16th for shoot day

Possibility to come on for more future dates as well in July.

Requirements:
- Rate is $275/12-hour day
- Work as a local
- Have a car & valid license for runs: meal/crafty/etc. (mileage reimbursed)
- Provide proof of COVID vaccination status

Looking for a Media Manager to come on board for a CBS Renovation Reality shoot in Palo Alto on Friday, June 16th.

Mixed media shoot:
- (2) Cameras [Sony A7siii x Sony PXW-FX9]
- GoPros
- Droning

Drives & media managing kit provided will be provided by production. You will need to do an at-home test the day prior to arrival, send results to CCO, and then will test in person with CCO the morning of the shoot (30 mins prior to call time).

Additional:
- Looking for someone who lives locally to location and must have a car for transportation.
- Reality show experience is a must.

Details on the rate and show format, and technicalities will be discussed via phone.

Looking to bring on a local Grip/Gaffer for a CBS Reality Renovation series, filming in Palo Alto, CA on Friday, June 16th. Thursday, June 15th would be a half day with pre-set lighting and meeting with EPs and crew on location to discuss shoot schedule for the following day.

Looking for someone who owns a grip van or has worked with local rental houses depending on gear needs - which will be discussed via phone. Indoor renovation with OTF setups and renovation â??scenesâ?? outside.

Details on the rate & show format will be discussed via phone.

Must be able to provide proof of COVID Vaccination and will be tested via self-test PCR, provided by production.

Need a PA for reality shoot in LA 6th and 7th June. Usual PA tasks like driving one of the mini vans, fetching crafty and meals, helping to load gear in and out of location.

Looking for a Sound Mixer for a 1-day shoot in Palo Alto for a CBS Renovation Series on Friday, June 16th. Thursday, June 15th would be a half day where crew meets at the filming location for production meeting.

Details:
- Looking for a Sound Mixer who can provide sound mixing kit (TBD) consisting of: Mixer, 4-6 lavs (dependent on creative needs), smart slate, 6 IFBs, and Boom.
- Ideally looking for an applicant who can work as a local (must have a car).
- Applicant must be able to provide proof of current COVID vaccination and be willing to take a COVID test prior to filming (production will cover).

Not required but a plus: Looking for someone who knows local rental companies or owns gear (lights, grip misc., etc) - please provide details in the submission.

Thanks!

Looking for experienced gaffer. One location is a huge church. Main goal is to achieve overcast soft continuous lighting.

Comedy drama genre.

Looking for a few good PA's to assist us with an online promo filming in the Los Angeles area.

WHO WE ARE
At Keyper Company, we are passionate about creating best-in-class viral videos for our ever-expanding global fanbase! Keyper Company was founded by brothers Collins and Devan Key, two of the world's largest digital media Creators. Collins and Devan have mastered the art of building a massive audience by creating content that people simply LOVE as evidenced by their 45+ Million Followers and over 7 Billion Views across platforms. Together with their award winning team, they are laser-focused on creating videos that set the internet on fire!

JOB DESCRIPTION:
The mission for this role is to create viral, best-in-class TikTok videos that are the highlight of a 16-24 year olds day!
Every week, deliver 3 TikToks that receive 4M+ views each
Ensure the majority of views on each TikTok video come from within our target demo (16-24 year olds living in the US)
Receive overwhelming positive sentiment for the Collins Key and Devan Key brands across TikTok
Receive a 90% approval rate on completed TikToks from the Creative Director
Design and execute branded campaigns that meet or exceed the expectations of our clients
Increase follower count
Oversee the leanest possible team of A Players to achieve the above outcomes
Complete the training program successfully within 30 days of starting

JOB COMPETENCIES / EXPERIENCE NEEDED
Deep audience understanding
The ability to deeply understand (and align with) the needs, preferences and taste of a target demographic/psychographic
Extremely creative
The ability to come up with mind-blowingly creative content ideas
The ability to quickly come up with extremely creative solutions to production problems
End-to-end production of content
This role is responsible for the entire production process, from concept to delivery (and everything in between)
A strong and highly aligned creative vision
The ability to deeply understand and align with CK & DKs brand/content vision
The ability to vividly see a vision in their mind, and then bring that vision to life (in a way that achieves the outcomes above)
Results driven creative
The ability to produce best-in-class creative content that ALSO strategically moves the needle by achieving the outcomes listed above
This also includes the ability to analyze contents performance, then quickly iterate to achieve the desired outcome
A strong method for hiring A Players, team building and management

This project has the potential to be longer than 3 months.

Looking for an experienced PA for small video production project. Not a union gig tho.

PA will support two camera operators at a series of locations in and around the downtown SF area. Likely lots of walking involved.

Must be experienced with helping camera operators, friendly, anticipate needs, be professional and proactive, and have a great attitude.

First and last days are likely short days, days 2-3 are full days.

Please provide your day rate, a list of PA experience, and confirm you are indeed available for those days. We pay promptly, which you will be able to confirm when you chat with the camera operators before the gig begins, should you get hired. THANK YOU!!

Looking for videographers to capture seminars at an event. We have 3 separate theatres and would like to have 2 cameras and one operator in each. One camera should be a static wide shot, and the other can be tighter in and operated. We will also be capturing audio from the soundboard. Please confirm if you have any of the following:

2x (or 1x) cameras (please specify what kind)
2x (or 1x) tripods
Audio recorder with an XLR input
Lenses
Variable ND filter for lenses
SD cards

Looking for an experienced Post Coordinator to help manage day-to-day in offline on a reality competition show.

Duties include:

- Overseeing media transfer from field and keeping media tracker/log up-to-date
- Assist in managing AE team
- Liaise with other internal departments on various administrative matters
- Assist in creating deliverables documents for final delivery

Job would start either 6/5 or 6/12.

Our Edit and Story teams will be working remotely; there is an option to work a hybrid schedule 3 days a week in office, but not required. However, willingness to go into office occasionally for specific scenarios that may arise a plus.

Ideally looking for someone with at least a few years experience and is interested in becoming a Post Supervisor.

Thanks!

Our Production Company’s policy is to provide equal employment opportunities to all applicants and employees without regard to race, color, religion, creed, gender, gender identity or expression, age, national origin or ancestry, citizenship, disability, sexual orientation, marital status, pregnancy, veteran status, membership in the uniformed services, genetic information, or any other basis protected by applicable law. We will consider for employment all qualified Applicants, including those with Criminal Histories, in a manner consistent with the requirements of applicable state and local laws, including the City of Los Angeles' Fair Chance Initiative for Hiring Ordinance.

We have a 3 day commercial shoot in the Walnut Creek and surrounding area for a celebrity beverage brand and are looking for a couple production assistants to bring onto the project. Applicant must be work well in a fast paced environment and be willing to roll with any changes/tasks that come throughout the day.

We have a 3 day single cam commercial shoot in the Walnut Creek and surrounding area for a celebrity beverage brand and are looking for a swing to bring onto the project. Most of the project will be shot in various locations(1-2 locations per day) and there may be some content outdoors as well.

We have a 3 day single cam commercial shoot in the Walnut Creek and surrounding area for a celebrity beverage brand and are looking for a grip to bring onto the project. Most of the project will be shot in various locations(1-2 locations per day) and there may be some content outdoors as well.

We need a First AC for a 3 day single cam shoot in the Walnut Creek and surrounding for a celebrity beverage brand. Applicant needs to have experience operating RED/Arri(most likely shoot on RED) cameras and has worked with various accessories around the camera. Most importantly, the applicant must be proficient in pulling focus.

We are a production company looking for a new team member to support our Founder/CEO as an Executive Assistant. This person will help organize daily calendars, set meetings, field development emails, and phone calls as well as attend to some personal tasks as the need arises.

Primarily in-office role. Rate Based on Experience

Need a very creative, think outside the box challenge producer for a competitive dating show. Must have experience as a challenge producer on a competition series and be able to put your thoughts into a creative document. Must be a good storyteller as well. This is a short time job at first and could become a longer run. Looking to start 6/12 but could push or move up a week.

Rate based on experience.

Looking for an audio op for a live sports event that we are broadcasting. Standard ENG kit.

I am looking for a gaffer with own lighting gear for a low budget web-series June 6-9 and maybe a few more days after. The pay is 250/day.

Please only submit if you have lighting equipment you can bring for the rate above.

Thank you

The 2nd Assistant Editor will support Kin’s Post Production department in all aspects media management, including preparing media after production for our editors, sourcing media for projects as needed from our library of hard drives, and QCing masters before archiving them to our new asset library management system. The 2nd AE will play a critical role in supporting the 1st (Lead) Assistant Editor and our stable of freelance editors as we move through a robust production slate for 2023. We have recently transitioned from Final Cut Pro to Adobe Premiere, so knowledge of both platforms is required. This role requires extreme attention to detail, proficiency in organization, adherence to deadlines and a great level of proactivity. This is a freelance full-time position.

This is a remote position, but it will be required to go into our LA-based office for training and potentially one day a week.

What You’ll Do:
- Collect drives from production teams, offload/upload media and assets and ensuring all footage is accounted for, verify data backups, and stored in the proper locations in a timely manner
- Review media, catch and flag any production errors, issues, or inconsistencies to all stakeholders
- Import and prepare all project assets into Adobe Premiere working with the Lead Assistant Editor to maintain Kin’s workflow standards
- Build multicam clips from source material according to project specs
- Diligently organize, connect, and synchronize media in sequences for external editorial teams
- Annotate and label all media based on project notes, as well as using your own intuition and understanding of the shoot to organize media in the project in a concise manner to set up the editorial team for success
- Maintain logs and enter project metadata as needed
- Ensure correct project templates are being utilized and distributed to creative teams
- Recall old projects and media from archives when required
- QC episode masters to ready for distribution

What You Have:
- 1-2 years of post-production experience, including work as an AE, preferably with digital content
- Advanced experience with Adobe Creative Suite / Final Cut Pro and other post-production software
- Advanced knowledge of video and audio codecs for digital media and broadcast distribution
- Working knowledge on how to navigate networks, servers and remote software such as Jump Desktop
- Strong commitment to detail and an aptitude for organizing and labeling media content
- Proficiency with Google Suite
- Ability to work independently and with teams, able to decipher problems and create solutions; able to complete tasks with minimal guidance if necessary
- Adept at determining priorities and able to hit deadlines under pressure; ability to adapt quickly to changing priorities in a deadline-driven environment
- Communicate well and be flexible with other departments

Who We Are:
Kin is an energetic, focused, and start-up minded company. We believe the best work comes from a happy environment. Kin makes shows for diverse women's audiences. Our shows super-serve this audience with meaningful and entertaining programming they can relate to in categories that include home, style, family and food.

Looking for PAs for an sepcial event in Los Angeles. No experience is needed. Qualities required are friendliness and a positive attitude. Experience in customer service or service industry is a plus.

Looking for Media Manager in Huntington Beach/Long Beach area to help our DIT load footage during our event. Duties include transferring footage to hard drive and/or cloud. Also looking for someone to help with wrangling data, cards, etc. Let us know what laptop/programs you have in the application.

Looking for a Clearance Coordinator who is very familiar with History Channel deliverables.

Main responsibilities include:

- Finding, acquiring and licensing 3rd party material for producers and editors
- confirming we have all of our releases and upload them to Debut
- create and upload shot sheets
- creating music cue sheets in Soundmouse
- creating blur lists

$20.00 - $21.00 hourly (depending on experience), with a 12 hr/day guarantee.

Work week is Monday - Friday, if any weekend work is needed, 6th day pay is given.

This is a remote work from home position, but ideally local to Los Angeles area.

Approximately 7-8 weeks, with a start date of 6/12/23.

Thank you

PA needed for two day shoot in Monterey, CA on June 1-2. Hotel can be be provided on Thursday night. $650/day + mileage and meals.