Indiana Production Jobs

Job dates are 6/1 - 6/4

6/1 - Pick up cargo van and gear
6/2 - shoot day
6/3 - shoot day
6/4 - return gear and van

We are looking for an experienced AC/DIT for our new show for Docu-Series for A&E. FS7 / AS7 / GOPROS

We will be filming an Interview on 5/31/22 through 6/1 and filming on 2x FS7s and possible AS7. Along with AC duties, we are also asking to act as DIT as well (Laptop is required as part of a separate kit rental).

PPE will be provided and PCR-Covid Testing is required (and reimbursed).

We require all crew members to be vaccinated.

Must be Local or Willing to Work as Local.

We are looking for an experienced AC/DIT for our new show for Docu-Series for A&E. We will be filming an Interview on 6/3/22 and filming on 2x FS7s and possible AS7. Along with AC duties, we are also asking to act as DIT as well (Laptop is required as a kit rental).

PPE will be provided and PCR-Covid Testing is required (and reimbursed).

We require all crew members to be vaccinated.

Looking for an experienced and reliable PA with a car for a documentary shoot in Plainfield, Indiana on June 3rd and 4th.

Looking for someone proactive and gear-savvy who has extensive on-set experience. Vehicle and valid driver's license required. Must be comfortable lifting heavy gear.

Professional attire is required. Masks will be required at all times.

Please send description of your experience.

The Director/TD's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics, and titles while communicating to the camera operators which shots they will be putting on the air.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

Primary audio engineer, responsible for setting up and mixing multiple microphones/feeds for live performance. Works with Lead Producer to follow all partner guidelines for setup day.

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid drivers license, and a good driving record are required.

The Director/TD's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics, and titles while communicating to the camera operators which shots they will be putting on the air.

Primary audio engineer, responsible for setting up and mixing multiple microphones/feeds for live performance. Works with Lead Producer to follow all partner guidelines for setup day.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid drivers license, and a good driving record are required.

JIB Operators are responsible for setting up and operating all cranes on film productions. This can involve working with a variety of equipment, ranging from a small jib arm, used to make slight camera movements up and down, to a massive 90 foot long crane for shooting huge crowd or action sequences.

JIB Operators check over all the equipment on the day before the crane is required. On shooting days they drive the vehicle carrying the crane to the studio or location. Working closely with the grip, they assemble the crane, and standby for any shots that require the camera to be elevated. This could involve a riding crane, which carries the camera operator and 1st assistant camera, or a pan-and-tilt head, which allows the camera to be operated by remote control and which can be elevated much higher. At the end of each working day, Crane Operators must make the crane safe for the next day, or if the crane is no longer required, de-rig it.

Operators will be supplied with the following:
JVC GY-HM600 ProHD Cameras
JVC Power Adaptor (Two Prong)
Zoom Controller
Extended LANC Cable - 30ft in length
Communication Devices (ClearComm or similar)

Jib operator is responsible for tear down and load-out of equipment after broadcast. Must have reliable transportation.

Rate: $1500/12

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

Replay operator cues and prepares video inserts into a program (Vmix). They are also responsible for instant action replays and quick editing of highlights for live output. Should have a detailed eye for sports to create playlists and melts that a producer can use in a show. Must have reliable transportation.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid drivers license, and a good driving record are required.

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

Primary audio engineer, responsible for setting up and mixing multiple microphones/feeds for live performance. Works with Lead Producer to follow all partner guidelines for setup day.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Director/TD's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics, and titles while communicating to the camera operators which shots they will be putting on the air.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid drivers license, and a good driving record are required.

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

Primary audio engineer, responsible for setting up and mixing multiple microphones/feeds for live performance. Works with Lead Producer to follow all partner guidelines for setup day.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Director/TD's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics, and titles while communicating to the camera operators which shots they will be putting on the air.