Indiana Production Jobs

Looking for a PA to download self shot footage and upload them to our post team in NYC.

PA would be responsible for driving to our subject's home, receiving the footage (contactless), going back to your home to upload or backup all the files and then return the gear to our subject so they can continue filming themselves. This would all need to be done in 1 day so you need to live close enough to La Porte, IN for this to happen.

We plan to need someone who can do this a few times a month over the next few months. No exact dates at this time, but the dates can be somewhat flexible.

Must have access to your own car. This also requires you to have a mac computer and highspeed internet at your home. We are filming on consumer-level products so basic media management skills are required.

Shooter/Producer, one-man-band, interview(s), and b-roll needed for a documentary special filming in the Center Point area. Wildlife animals on set but no direct interaction.

Score Keeper:

Works to input scores and times into Floscorecard to populate the scoreboard graphics along with updating the livestream. Must watch the games/ events and use a laptop or phone to keep score, updating the scores to our live stream. Depending on the sport it may entail inputting score, timing or entering team names, team colors or team logos or all of the above. The event producer will train all scorekeepers on our scoring program before the event starts. Must have reliable transportation.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

JIB Operators are responsible for setting up and operating all cranes on film productions. This can involve working with a variety of equipment, ranging from a small jib arm, used to make slight camera movements up and down, to a massive 90 foot long crane for shooting huge crowd or action sequences.

JIB Operators check over all the equipment on the day before the crane is required. On shooting days they drive the vehicle carrying the crane to the studio or location. Working closely with the grip, they assemble the crane, and standby for any shots that require the camera to be elevated. This could involve a riding crane, which carries the camera operator and 1st assistant camera, or a pan-and-tilt head, which allows the camera to be operated by remote control and which can be elevated much higher. At the end of each working day, Crane Operators must make the crane safe for the next day, or if the crane is no longer required, de-rig it.

Operators will be supplied with the following:
JVC GY-HM600 ProHD Cameras
JVC Power Adaptor (Two Prong)
Zoom Controller
Extended LANC Cable - 30ft in length
Communication Devices (ClearComm or similar)

Jib operator is responsible for tear down and load-out of equipment after broadcast. Must have reliable transportation.

Replay operator cues and prepares video inserts into a program (New Tech 3 Play). They are also responsible for instant action replays and quick editing of highlights for live output. Should have a detailed eye for sports to create playlists and melts that a producer can use in a show. Must have reliable transportation.

Primary audio engineer, responsible for setting up and live mixing of microphones and direct feeds for FloMarching live streams. Must meet FloMarching guidelines on setup day to ensure the highest quality audio. Works with A2 (PA) on live day to ensure full coverage of audio systems from every organization. A1 needs to have experience with Allen & Heath SQ-5 mixer, wireless audio integration, and be familiar with FloCaster. Must have reliable transportation.

The TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles as instructed by the Director. Calls shots between cameras. Must have reliable transportation.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, valid driver’s license and good driving record are required. Must have reliable transportation.

Uses the camera as instructed by the Director.  They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place.  The camera operator also helps establish the theme and appearance of the show.  Must have reliable transportation.

Replay operator cues and prepares video inserts into a program (New Tech 3 Play).  They are also responsible for instant action replays and quick editing of highlights for live output.  Should have a detailed eye for sports to create playlists and melts that a producer can use in a show. Must have reliable transportation.

The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster. Must have reliable transportation.

The Director/TD’s job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics and titles while communicating to the camera operators which shots they will be putting on the air.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred.  Must be able to help with lifting and carrying heavy gear. Reliable transportation, valid driver’s license and good driving record are required.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred.  Must be able to help with lifting and carrying heavy gear. Reliable transportation, valid driver’s license and good driving record are required.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred.  Must be able to help with lifting and carrying heavy gear. Reliable transportation, valid driver’s license and good driving record are required.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred. Must be able to help with lifting and carrying heavy gear. A valid driver’s license and good driving record are required.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred. Must be able to help with lifting and carrying heavy gear. A valid driver’s license and good driving record are required.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred. Must be able to help with lifting and carrying heavy gear. A valid driver’s license and good driving record are required.

The Audio sound engineer’s job is to Mix and edit voices music and taped sound effects for live performances and for prerecorded events using sound mixing boards on FloSports live streams. Works with Producer to ensure the highest quality audio from sources including live onsite broadcasters, direct PA feeds, video assets and field microphones. May be required to manage comms systems for Production. A1 needs to have experience with QSC Touchmix, Mackie ProFX16, and Allen & Heath SQ-5 mixers, as well as an understanding of Clear-Com Intercom Systems and FloCaster.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show.