New York Production Jobs

Looking for two remote Avid editors for a comedy series starting in June. Must have comedy credits and experience working in TV, please do not apply if you don't have this experience.

Please include at least 3 samples of comedy shows you've edited and a link to your iMDB page.

- Contract Period: 5/20/24 to Early September
- Employment Type: Contract
- Location: Hybrid, but production is based in NY, so close proximity to NY is preferred
- Non-union feature film

Company Overview:
We are a major NYC-based media group with production companies. Currently, we are seeking a Contracted Line Producer to join our team for an upcoming feature film project.

Position Overview:
The Contracted Line Producer will play a vital role in the production process, ensuring the efficient execution of the project from pre-production to completion. While most work will be remote during the pre-production phase, some travel may be involved, with travel expenses covered by the production.

Responsibilities:
- Manage the production budget, including allocating funds for various departments and expenses.
- Create and maintain the production schedule, coordinating with cast and crew availability, location requirements, and logistical considerations.
- Collaborate with the director and creative team to ensure the vision of the film is realized within budgetary constraints.
- Negotiate and secure contracts with vendors, crew members, and other service providers.
- Oversee the hiring and management of production staff and crew, including assistant directors.
- Monitor production progress and address any issues or challenges that may arise during filming.
- Ensure compliance with all relevant industry regulations, safety protocols, and legal requirements.

Qualifications:
- 5+ years of experience as a Line Producer on feature film productions.
- Strong budgeting and scheduling skills, with the ability to manage large-scale projects efficiently and effectively.
- Excellent communication and interpersonal skills, with the ability to collaborate effectively with a diverse team of professionals.
- Solid understanding of the filmmaking process, including production workflows, equipment requirements, and industry best practices.
- Familiarity with industry-standard software and tools, such as Showbiz Budgeting.
- Prior experience working on independent films or non-union productions is a plus.
- Experience with New York film tax credit requirements is a must.
- Flexibility and adaptability to work in a fast-paced and dynamic production environment.

Digital series is looking for a Production Assistant to assist on set, as well as drive production van in and around New York City.

Dates are May 17, 18, and 24th. Please only apply if you are available for all individual days, have a DL, and experience driving production vans.

Thank you!

Junior Video Editor / Technical Operations
Quite Frankly Productions – Shaping Stories, Showcasing Brands

We're on the hunt for a Junior Video Editor with a knack for storytelling and a keen eye for detail to join our energetic team at Quite Frankly Productions. In our fast-paced environment, you'll collaborate on a variety of projects, bringing creativity and technical expertise to deliver content that makes an impact.

Key Responsibilities:
Work with your QF Producer to craft compelling video content, ensuring alignment with the narrative vision and pacing.

Utilize advanced video editing tools, including Adobe After Effects, Premiere Pro, Audition, and Photoshop.

Manage multiple editing projects simultaneously, maintaining organization and adhering to deadlines.

Work with your QF Producer to interpret client briefs and feedback with precision, ensuring their vision is realized through your edits.

Proactively troubleshoot and resolve technical issues during the editing process.

Continuously update and refine editing skills, staying current with industry trends and software updates.

Act as a collaborative and flexible team member, ready to assist across a range of tasks.

Qualifications:

1-3 years of experience in video editing.

Strong portfolio showcasing a range of editing styles and techniques.

Proficiency with Adobe Creative Suite and comfort working on both Mac and Windows platforms.

Excellent communication skills and the ability to work well both independently and as part of a team.


Our Promise:
Work with a diverse range of content, from social media snippets to corporate communications.
Be part of a team that values creativity and technical proficiency equally.
Opportunity for professional growth in a supportive and dynamic workplace.


Position Details:

An initial 3-month trial contract, with potential to move to full-time employment.
Competitive salary range.


Apply Now:
Interested candidates should send a resume and portfolio to [Please reply using Staff Me Up].

Quite Frankly Productions is your stage to create, refine, and share stories through the art of video editing.

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

Scenes will be shot inside and outside in Harlem and the Bronx. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 5 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of June 5 may be changed...

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

All scenes will be shot inside. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 2 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of May 15 may be changed...

Looking for an experienced New York-based post supervisor for a 3 part docu-series.
You will oversee all elements of post production not limited to creating and managing the post schedule, day-to-day, producer and network communication, cut distribution, and overseeing all post deliverables.
Must have strong organization and communication skills to interface between editors, coordinators, crew in the field, and company + network execs.
Experience with episodic television and archival workflow is needed.
The position needs to be exclusive
Non-Union, Avid Workflow, 4k

SAG Low Budget Agreement film seeking SAG Stunt Coordinator for 1wk of stunt work (1 prep day, 4 stunt days). Please note that the schedule is still being worked out so these days may change.

Previous feature film experience is a big plus.

Looking for an experienced Video Graphics Designer for between $350 - $550 day for a few days work. Rate based on experience.

We're looking for a mature, professional, friendly, and outgoing person to help us load in/out, set up, and sell T-shirts and CDs at our concert in Troy on April 19th.

The compensation is $20 per hour, and it's approximately five hours of work.

One day in person shoot to help launch a skincare brand

We will need video and photography for the following

1) Photography for before and after shots
2) Video of product demonstrations and real time results tracking
3) UGC segments/Interview segments with talent
4) Interview segments with the product creator and founder's story

Looking for an experienced Field AP and Story AP. Ideal candidate will have previous experience in this role on location in NYC and/or on an ensemble docu-series.

If interested in the Story AP position, please share experience with writing Hot Sheets / Field Notes and detailed logs.

Pre-production for this role may starts mid/late May.

Please share at least 3 references when submitting for this position.

Assist our LEAD AV Tech to load in/set-up

Hard worker, physically able to handle load-ins/outs, positive attitude and professional attire, corporate casual and non-offensive language a must.

If you provide your W-9 in advance, you will be paid in full at the end of the job on Tuesday evening if you can provide us an invoice for $500 all in, this includes parking, meals, and travel rolled into the $250 short day rate.
You will be helping unload a mini van of AV gear with our Lead AV tech. You will help open cases, and deploy speakers, projector, screen and tv monitors per our tech's instructions. Need to be a hard worker, positive attitude and not always checking your phone. Laying cables, taping down cables and sound checking is expected.
We'll pay you in full with company check at the end of the second day assuming you provide us a W9 and invoice for $500.

Each day is 5 hours maximum. Your travel, parking, meals and mileage must be included in this deal please.

I am looking for a 1st AC for a small documentary shoot in Albany, NY shooting on May 9. We will be filming 3-4 interviews and likely one person will be on camera for each interview. This will take place in various spots within the same location. This is the very last day of filming for this documentary so we have a streamlined process. It should be a relatively easy going day.

We are filming on the Red Komodo and Red Raptor. If you own one of those cameras, that is a huge plus. Rate negotiable for camera package. There is also a possible prep day on May 8 if needed.

Must be local to Albany, NY or willing to work as a local. We cannot accommodate any travel, hotels, per diem, mileage, etc.

Rate is $450/10 + negotiable camera package if applicable

Thanks!

I am looking for a camera operator for a small documentary shoot in Albany, NY shooting on May 9. We will be filming 3-4 interviews and likely one person will be on camera for each interview. This will take place in various spots within the same location. This is the very last day of filming for this documentary so we have a streamlined process. It should be a relatively easy going day.

We are filming on the Red Komodo and Red Raptor. If you own one of those cameras, that is a huge plus. Rate negotiable for camera package

Must be local to Albany, NY or willing to work as a local. We cannot accommodate any travel, hotels, per diem, mileage, etc.

Rate is $600/10 + negotiable camera package if applicable

Thanks!

I am looking for a gaffer for a small documentary shoot in Albany, NY shooting on May 9. We will be filming 3-4 interviews and likely one person will be on camera for each interview. This will take place in various spots within the same location. This is the very last day of filming for this documentary so we have a streamlined process. It should be a relatively easy going day.

Would prefer for the gaffer to come with their own gear and with a recommendation for a key grip/swing. Gear rate negotiable.

Must be local to Albany, NY or willing to work as a local. We cannot accommodate any travel, hotels, per diem, mileage, etc.

Rate is $600/10 + negotiable kit rental.

Thanks!

Jupiter Entertainment seeks an experienced Sound Mixer as a local in Albany, NY to join us on a true crime series from 5/16 - 5/19. Gear will be provided (a full list will be sent upon hire/request).

This shoot will consist of single on-camera talent with one camera for sit-down interviews (taking place indoors) and b-roll. True crime experience is strongly preferred.

You will be joined by a DP and remote field producer.

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application. Thank you!

We're looking for a story AP to join our team on an established, unscripted, observational series. AP will need to be proficient with Avid and willing to go through raw footage to help create and support story goals. Also responsible for clearances and post deliverables. Position is fully remote but post generally operates on ET. We are looking for someone who is thorough, detail-oriented and excited about building story. It's a complex project with a lot of footage to deal with, but also a long running series with a great team. If you have an interest in the field there are opportunities to be part of shoots, but not required.

SAG Low Budget Agreement film seeking SAG Stunt Coordinator for 1wk of stunt work (1 prep day, 4 stunt days). Please note that the schedule is still being worked out so these days may change.

Previous feature film experience is a big plus.

SAG Low Budget Agreement film seeking SAG Stunt Coordinator for 1wk of stunt work (1 prep day, 4 stunt days). Please note that the schedule is still being worked out so these days may change.

Previous feature film experience is a big plus.

THIS IS A POST POSITION - AVID MEDIA COMPOSER

Looking to staff several Post Story Producers with experience in competition/process-driven content to prep story string outs for editors on Avid for a longstanding hour long competition show.

Need to be able to track and weave story, pull great interview bites, and be able to sort through hours of raw material and make decisions on the timeline to give the editors thoughtful and tight string outs.

Communication and organizational skills are key - multiple producers/editors will be working on the same episode, so need to work with a team in a remote setting.

NY-based production company, but can work from anywhere.

Looking for a Post Production Supervisor for an established competition series - Avid, 9 cameras, digital and remote workflow, 10x60min for Streamer.

Key Responsibilities

Project Management:
• Collaborate with the Producer team to align on post-production deliverables and deadlines.
• Lias with Executives and Network to execute post-production schedule and resource allocation plan
• Coordinate with various departments to ensure seamless workflow and timely delivery of project components.
• Monitor project progress, identify potential issues or delays, and implement solutions to keep projects on track.

Team Management:
• Supervise AEs and overall project maintenance/delivery schedule
• Assign tasks, set priorities, and provide guidance to team members to ensure efficient and high-quality work.
• Foster a positive and collaborative work environment, promoting effective communication and teamwork among the post-production team.
• Coordinate with external vendors through post and online

Quality Control:
• Ensure the technical and creative quality of all post-production deliverables, including video/audio quality, color, visual effects, and overall aesthetic consistency.
• Review and provide feedback on graphics, visual effects, and other elements to ensure alignment with project goals.
• Implement quality control processes that confirm video quality prior to being sent to client for review.

Communication and Collaboration:
• Serve as a primary point of contact for all post-production-related inquiries and updates.
• Communicate project status, progress, and any potential issues to executives, prod co and network in a clear and timely manner.

Position can be performed remotely

I am looking for a PA for a small documentary shoot in Albany, NY shooting on May 9. We will be filming 3-4 interviews and likely one person will be on camera for each interview. This will take place in various spots within the same location. This is the very last day of filming for this documentary so we have a streamlined process. It should be a relatively easy going day.

There might be a prep day on May 8 which would possibly involve picking up gear and going on a crafty run. Mileage will provided for any on the clock runs

On set, we may have you help keep the producers on time. Periodic reminders that they have 30 minutes left until lunch, etc, is really all that would be needed. They are pretty on top of the schedule and self sufficient.

Must be local to Albany, NY or willing to work as a local. We cannot accommodate any travel, hotels, per diem, etc.

Rate is $250/10 + any mileage accrued for on the clock runs. Rate is non negotiable.

Thanks!

I am looking for a sound mixer for a small documentary shoot in Albany, NY shooting on May 9. We will be filming 3-4 interviews and likely one person will be on camera for each interview. This will take place in various spots within the same location. This is the very last day of filming for this documentary so we have a streamlined process. It should be a relatively easy going day.

Must have your own gear. We are looking for 1-2 lavs, 3-4 IFBs, boom mic, smart slate.

Must be local to Albany, NY or willing to work as a local. We cannot accommodate any travel, hotels, per diem, mileage, etc.

Rate is $500/10 + $400 kit rental. Rate is non negotiable.

Thanks!

Hook up computer to projector, hook up audio, bring up speaker via zoom, babysit meeting.