Ohio Production Jobs

Hello,

I am looking for a CCO in the Cincinnati, OH area.

Rate: $400/12 + $50 Kit - PPE, KN95 Masks, Forehead Thermometer, Cleaning Supplies, etc.
Mileage reimbursed - If incurred
PCR test within 72 hours of work required - CCO must test on their own, cost can be be reimbursed if incurred
Antigen test administered by Vital Check virtual system before shoot - production will mail rapid tests prior to shoot day.

6/10 - Full Day Shoot
6/11 - Full Day Shoot

Hello,

I am looking for a Sound Mixer in the Cincinnati, OH area.

Rate: $500/12 + $300 Kit
Mileage reimbursed - If incurred
PCR COVID test within 72 hours of work required - Sound Mixer must test on their own, cost can be be reimbursed if incurred
Rapid Antigen COVID test administered by Vital Check virtual system before shoot - production will mail rapid tests prior to shoot day.

6/10 - Full Day Shoot
6/11 - Full Day Shoot

Hello,

I am looking for a PA in the Cincinnati, OH area.

Drivers license required, personal vehicle availability a plus

Rate: $225/12
Mileage reimbursed - If incurred
PCR COVID test within 72 hours of work required - PA must test on their own, cost can be be reimbursed if incurred
Antigen COVID test monitored by Vital Check virtual system before shoot - production will mail rapid tests prior to shoot day.

6/9 - Full Day Pickups
6/10 - Full Day Shoot
6/11 - Full Day Shoot
6/12 - Full Day Returns

We're looking for a Still Photographer to shoot BTS on a shoot in Cincinnati OH sometime between the dates of 6/1 - 6/10.

We plan to film for 9 days in total (about 10 hours per day) and would like to have you on set for 2 or 3 of those days. This series profiles local entrepreneurs who use GoDaddy products and services. We'll spend each day with a different entrepreneur, or our series host, filming a sit-down interview and b roll to create a 5-minute short film about them.

Ideal candidate is able to operate as a 1-man band (bringing your own camera, lights, etc.) so that the filming crew can focus on their schedule for the day separately. Rate is $800 per day plus an additional kit fee.

We're looking for a Sound Recordist to help on a 2-week shoot in Cincinnati OH from 6/1 - 6/10.

We plan to film for 9 days in total with a 1-day break in the middle. This series profiles local entrepreneurs who use GoDaddy products and services. We'll spend each day with a different entrepreneur, or our series host, filming a sit-down interview and b roll to create a 5-minute short film about them.

Booking rate is between $600 - $800 per day (plus additional kit fee), as some days may only require you to be on set for the interview. Happy to discuss this further to make sure we land on something that makes sense for all parties involved!

We're looking for a Production Assistant to help on a 2-week shoot in Cincinnati OH from 5/31 - 6/11. Rate is $250/day.

We plan to film for 9 days in total (about 10 hours per day) with 1 day each for pre & post production, and a 1-day break in the middle. This series profiles local entrepreneurs who use GoDaddy products and services. We'll spend each day with a different entrepreneur, or our series host, filming a sit-down interview and b roll to create a 5-minute short film about them.

Ideal candidate is equally helpful to crew and producers, as we will be working as a crew of 5 people including yourself.

JIB Operators are responsible for setting up and operating all cranes on film productions. This can involve working with a variety of equipment, ranging from a small jib arm, used to make slight camera movements up and down, to a massive 90 foot long crane for shooting huge crowd or action sequences.

JIB Operators check over all the equipment on the day before the crane is required. On shooting days they drive the vehicle carrying the crane to the studio or location. Working closely with the grip, they assemble the crane, and standby for any shots that require the camera to be elevated. This could involve a riding crane, which carries the camera operator and 1st assistant camera, or a pan-and-tilt head, which allows the camera to be operated by remote control and which can be elevated much higher. At the end of each working day, Crane Operators must make the crane safe for the next day, or if the crane is no longer required, de-rig it.

Operators will be supplied with the following:
JVC GY-HM600 ProHD Cameras
JVC Power Adaptor (Two Prong)
Zoom Controller
Extended LANC Cable - 30ft in length
Communication Devices (ClearComm or similar)

Jib operator is responsible for tear down and load-out of equipment after broadcast. Must have reliable transportation.

FloSports is looking to hire a Jib Operator for the following event. You will be required to provide your own jib and equipment. FloSports will outfit the operator with a camera and required accessories (power adaptor, zoom control adaptors, etc.) Specific Production details will be provided based on Producer and Show needs

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid drivers license, and a good driving record are required.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid drivers license, and a good driving record are required.

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

Primary audio engineer, responsible for setting up and mixing multiple microphones/feeds for live performance. Works with Lead Producer to follow all partner guidelines for setup day.

The Director/TD's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics, and titles while communicating to the camera operators which shots they will be putting on the air.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid drivers license, and a good driving record are required.

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

Primary audio engineer, responsible for setting up and mixing multiple microphones/feeds for live performance. Works with Lead Producer to follow all partner guidelines for setup day.

The Director/TD's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics, and titles while communicating to the camera operators which shots they will be putting on the air.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Director/TD's job is to switch video sources, perform live digital effects and transitions, and insert pre-recorded material, graphics, and titles while communicating to the camera operators which shots they will be putting on the air.

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production is also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid drivers license, and a good driving record are required.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

Primary audio engineer, responsible for setting up and mixing multiple microphones/feeds for live performance. Works with Lead Producer to follow all partner guidelines for setup day.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.