Ohio Production Jobs

Looking for a great editor to cut a 2-2:30 trailer to help raise financing for a feature film. We shot 3 days of footage/scenes to be used in the trailer. It's an indie drama/character study shot on Alexa mini. The trailer needs to have both grit and heart. If you're a fan of A24 films think Good Time, First Reformed, Moonlight. Must be a wiz with music/sound design. The story also includes archive footage.

Rate is comparable to cable series or promo spots. Job would need to be remote. Can work on Avid, Premiere, Resolve, Final Cut. Trying to start the week of May 17th but there is some flexibility. Please include credits or website info.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, a valid driver’s license, and a good driving record are required.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

Works to input scores and times into Floscorecard to populate the scoreboard graphics along with updating the livestream. Must watch the games/ events and use a laptop or phone to keep score, updating the scores to our live stream. Depending on the sport it may entail inputting score, timing or entering team names, team colors or team logos or all of the above. The event producer will train all scorekeepers on our scoring program before the event starts. Must have reliable transportation.

Looking for production assistant to work with seven person crew. Verite crew shooting at a couple locations per day. PA needed to make runs and help on-set coordinator as needed on set.

$15/hr, May 14 - 17

All COVID precautions taken on set, production will cover COVID tests.

Hi, I am looking for a camera operator to help with a wedding on the 8th of May. I need help with mainly the ceremony and the reception. I am shooting with a GH5 and would like to find someone with a GH5 or GH4. Also looking for a gimble as well if possible. More weddings to come this year as well in the area and looking for a solid second shooter.

FloMarching is looking for experienced live camera operators to fill one of the following positions:

Top Camera – Main Camera for Broadcast, utilized for framing performances plus occasional cutaway shots

Slash Camera – Utilized for medium and close-up shots depending on performance run of show

On-Field Wireless – Provides on-field coverage of bands before, during, and after performances.

Not all positions are needed depending on event. Past experience working in live broadcast environments and taking direction preferred. Must have reliable transportation

FloSports is looking for a Production Assistant who can assist the Audio Lead (A1) with the audio layout on setup day including cable runs, microphone setup, and testing. On Live Day you will be the primary on-field liaison between FloMarching A1 and audio personnel for bands on-field during the event, may be required to relocate spot microphones and connect audio channels with upcoming bands as needed. Other duties included assisting the Lead Producer when A1 needs are met. Must have reliable transportation.

Primary audio engineer, responsible for setting up and mixing multiple microphones/feeds for live marching band performances. Works with Lead Producer to follow all FloMarching and partner guidelines for setup day. Works with Audio Assistant (PA) on live day to test all equipment and ensure coverage is set for all performances for live day. A1 needs to have experience with Allen & Heath SQ-5 mixer or similar equipment, Live Audio Mixing (Marching Band Preferred), and be able to take cues in a Live Broadcasting Environment.

FloMarching is looking for experienced live camera operators to fill one of the following positions:

Top Camera – Main Camera for Broadcast, utilized for framing performances plus occasional cutaway shots

Slash Camera – Utilized for medium and close-up shots depending on performance run of show

On-Field Wireless – Provides on-field coverage of bands before, during, and after performances.

Not all positions are needed depending on event. Past experience working in live broadcast environments and taking direction preferred. Must have reliable transportation

FloSports is looking for a Production Assistant who can assist the Audio Lead (A1) with the audio layout on setup day including cable runs, microphone setup, and testing. On Live Day you will be the primary on-field liaison between FloMarching A1 and audio personnel for bands on-field during the event, may be required to relocate spot microphones and connect audio channels with upcoming bands as needed. Other duties included assisting the Lead Producer when A1 needs are met. Must have reliable transportation.

Primary audio engineer, responsible for setting up and mixing multiple microphones/feeds for live marching band performances. Works with Lead Producer to follow all FloMarching and partner guidelines for setup day. Works with Audio Assistant (PA) on live day to test all equipment and ensure coverage is set for all performances for live day. A1 needs to have experience with Allen & Heath SQ-5 mixer or similar equipment, Live Audio Mixing (Marching Band Preferred), and be able to take cues in a Live Broadcasting Environment.

FloMarching is looking for experienced live camera operators to fill one of the following positions:

Top Camera – Main Camera for Broadcast, utilized for framing performances plus occasional cutaway shots

Slash Camera – Utilized for medium and close-up shots depending on performance run of show

On-Field Wireless – Provides on-field coverage of bands before, during, and after performances.

Not all positions are needed depending on event. Past experience working in live broadcast environments and taking direction preferred. Must have reliable transportation

FloSports is looking for a Production Assistant who can assist the Audio Lead (A1) with the audio layout on setup day including cable runs, microphone setup, and testing. On Live Day you will be the primary on-field liaison between FloMarching A1 and audio personnel for bands on-field during the event, may be required to relocate spot microphones and connect audio channels with upcoming bands as needed. Other duties included assisting the Lead Producer when A1 needs are met. Must have reliable transportation.

Primary audio engineer, responsible for setting up and mixing multiple microphones/feeds for live marching band performances. Works with Lead Producer to follow all FloMarching and partner guidelines for setup day. Works with Audio Assistant (PA) on live day to test all equipment and ensure coverage is set for all performances for live day. A1 needs to have experience with Allen & Heath SQ-5 mixer or similar equipment, Live Audio Mixing (Marching Band Preferred), and be able to take cues in a Live Broadcasting Environment.

Looking to hire 1 or 2 Production Assistants for a documentary we are beginning to film around the Youngstown, OH area.

Our first round of shoot dates are TBD, but most likely in the next few weeks.

We will be shooting in the area for the next 6 months or so. Ideally, we find PAs who are able to join us each time we return to film.

Looking for talented crew to work on a corporate video highlighting race and equity issues in the workplace.


GRD1

Looking for talented crew to work on a corporate video highlighting race and equity issues in the workplace.

Must own and provide their own gear (Kit fee is okay!)


GRD1

A unique and exciting event (obstacle course mud run) is coming to your area and we invite you to apply to be part of making it happen! We are looking for hard-working, fast-moving, and self-motivated individuals to be part of a team executing event-related set-up and teardown tasks.

Responsibilities include unloading and loading, lifting, pushing, pulling, and moving equipment and material up to 25 pounds.

Event staff need to constantly be on their feet requiring physical stamina and high energy levels.

Attire for this role includes a solid colored, unbranded, and appropriate top, long pants are preferred and closed-toed shoes are required. Steel-toed shoes are suggested but not required. Clothing should not be torn, have holes, or be transparent. Expect that your clothing will get dirty, muddy, and wet.

Bring your own work gloves, sunscreen, sunglasses, and a hat for sun protection. We will be working outdoors in a variety of weather conditions.

Bring your own snacks, energy drinks, lunch, and water. A 30-minute unpaid lunch will be provided.
No smoking.

Bring your own face covering. All employees will be required to wear a face covering and physical distance.
Employees will be required to screen themselves for COVID-19 symptoms before coming to work.

6/8/21 (8a-5p)
$16.00/hour

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, valid driver’s license and good driving record are required.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

Score Captain will be in charge of managing 4 courts. This includes physical setup of streaming equipment overseeing the streams to make sure there are no technical issues. Escalating any issues to the Key PA, learning how the scoring software works and being able to teach someone else. Working with each team to identify the athlete who will keep score. Showing the designated scorekeeper for each team how to keep score. Must have reliable transportation.

Works to input scores and times into Floscorecard to populate the scoreboard graphics along with updating the livestream. Must watch the games/ events and use a laptop or phone to keep score, updating the scores to our live stream. Depending on the sport it may entail inputting score, timing or entering team names, team colors or team logos or all of the above. The event producer will train all scorekeepers on our scoring program before the event starts. Must have reliable transportation.

Crafty Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks. Craft PA provides production crew with snacks, drinks and other assistance. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred. Must be able to help with lifting and carrying heavy gear. A valid driver’s license, good driving record, and reliable transportation are required.