Directed live switching of the Amplify: Sound of Detroit Competition
Summary
I started out working at Cinetik post production house in Michigan doing editorial, VFX and color correction work. Since then I have branched out to DIT and 2nd AC work.
Credits
3/23 – 3/23
Technical Director – Amplify: The Sound of Detroit
YouTube — Live/Special Event Details
3/23 – 3/23
6/21 – 6/21
DIT (Digital Imaging Technician) – Summoning Sylvia
Film (Feature-length) — Book of Spells, LLC Details
6/21 – 6/21
Backup footage and create daily shot reports as as provided color corrected stills to production.
5/21 – 5/21
DIT (Digital Imaging Technician) – Ford CMD
Corporate — Gramercy Park Studios - New York, NY Details
5/21 – 5/21
Backup and verify footage from multiple cameras. Creat proxy files with LUT applied.
4/21 – 4/21
DIT (Digital Imaging Technician) (Ford Ready To Run) – We The People
Ford — Advertising — Quiana Group Inc. Details
4/21 – 4/21
Back up and verify data. Create transcodea for post.
4/21 – 4/21
DIT (Digital Imaging Technician) (My Why) – Radish Creative
Michigan Department of Health and Human Services — Advertising — Radish Creative Group Details
4/21 – 4/21
Verify and backup footage. Create transcoded files with LUT applied.
1/18 – 4/18
Assistant Camera (AC) – The Henry Ford Innovation Nation with Mo Rocca (Season 4)
CBS — TV — The Henry Ford
1/18 – 4/18
5/17 – 8/17
Editor (Adobe Premiere Pro) – Mimesis 2
Film (Feature-length) — Ciner G Details
5/17 – 8/17
Creating a story with footage provided. Sending scene reviews to director and producers.
7/17 – 7/17
DIT (Digital Imaging Technician)
Advertising — The Corner Shop Details
7/17 – 7/17
Backup data from cameras. Create shot reports at the end of each day. Transcode footage for editorial. Pull stills for director.
Media
Recos
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Education
Class of '13
Motion Picture Institute
My Gear
Skills
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