Summary

Greg Pauley began his journey into video production and filmmaking via a winding path, with gaps in the road and potholes along the way. He has worked in many fields, from customer service to corporate security as he sought to find where he felt at home. He has travelled the country, and serendipity showed him where home truly was in the form of the US Army, when he became a Combat Cameraman. The denouement for belonging vanished as he took to the world of video, and his path unfolded. He began his video ed

Credits

3/16 – 6/17

Director (Sony A7s mkii) Daddy's Little Girl

Film (Short) — Thought and Memory Details
3/16 – 6/17

Directing actors, managing the film crew, working alongside Producers, collaborating with the lighting and camera department to achieve the desired look of the film. Overseeing everything from casting, set design, to lighting, to film editing.

9/16 – 9/16

Director Clot

Film (Short) — Thought and Memory Details
9/16 – 9/16

Directing actors, managing the film crew, working alongside Producers, collaborating with the lighting and camera department to achieve the desired look of the film. Overseeing everything from casting, set design, to lighting, to film editing.

6/16 – 7/16

Digital Imaging Technician (DIT) Painted

Film (Theatrical) — Painted, LLC Details
6/16 – 7/16

Digital Imaging Technician Color Correction, File Management, Security of Footage

4/16 – 4/16

Director of Photography (Sony A7s mkii) Swipe Right

Film (Short) — Matthew R. Harris Details
4/16 – 4/16

Create desired look through lighting, framing, camera movement. Collaborated closely with the Director, Gaffer, Production Designer, and camera department. Operation of the camera.

3/16 – 3/16

Director of Photography (Sony A7s mkii) Back to Oz

Film (Short) — Empty Theatre Productions Details
3/16 – 3/16

Create desired look through lighting, framing, camera movement. Collaborated closely with the Director, Gaffer, Production Designer, and camera department. Operation of the camera.

2/16 – 2/16

Director of Photography (Sony A7s mkii) Forever A Foster Kid

Animari — Music Video Details
2/16 – 2/16

Create desired look through lighting, framing, camera movement. Collaborated closely with the Director, Gaffer, Production Designer, and camera department. Operation of the camera.

9/15 – 9/15

Director of Photography (Canon C100) – TBX-FREE

Commercial/Ad Details
9/15 – 9/15

Create desired look through lighting, framing, camera movement. Collaborated closely with the Director, Gaffer, Production Designer, and camera department. Operation of the camera.

9/15 – 9/15

Director Murderface

Film (Short) — Pure Render Production Details
9/15 – 9/15

Directing actors, managing the film crew, working alongside Producers, collaborating with the lighting and camera department to achieve the desired look of the film. Overseeing everything from casting, set design, to lighting, to film editing.

Recommendations

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Garrey Dunn Jr
Multi-Camera Director
Greg and I started attending The Art Institute at Dallas during the same semester. Since we were the "old guys" we generally worked together on a lot of our school projects. This led to projects outside of class, as well. Greg is very professional. H ...MORE...

Education

Class of '17

The Art Institute of Dallas

BFA Digital Filmmaking and Video Production
Class of '11

Defense Information School

Combat Camera (Video Production/Photography)

My Gear

  • Aputure AL-M9
  • As-Arri 650 Light Kit
  • Cobra Crane T-Dolly
  • Grip Bag
  • Manfrotto 504hd
  • Phantom 3 Standard
  • Rokinon Cine Lenses
  • Sony A7S mkii
  • Sony XLR-K2M

Skills

  • After Effects
  • Assistant Camera
  • Avid Media Composer
  • Budgeting
  • Call Sheets
  • Camera Operation
  • Combat Camera
  • Directing Actors
  • Editing
  • Event Photography
  • Event Videography
  • Final Cut Pro
  • Multi-Camera
  • Premiere Pro
  • Producing
  • Script Writing