Summary

My passion is in writing and producing documentary and news, but I enjoy all aspect of film and television production. With a strong education in journalism and a background in various production roles I am an asset on any shoot or in any office.

Credits

4/19 – 2/20

Post Production Supervisor LANCE (2019)

ESPN — Film (Feature-length) — DLP Media Group Details
4/19 – 2/20

Post production supervisory and online editor

8/18 – 4/19

Assistant Editor (Avid / Resolve / After Effects)

Staff Position — Matador Content Details
8/18 – 4/19

Everything Avid for a 10-part docu-series. Grouping, selects, trouble shooting, scripting, etc. Also, setup transcode workflow in Resolve when we needed quick turnaround, and provided coloring for the dailies in some instances when needed. Did minor graphics work in After Effects. Also, upgraded and tested all edit bays connected to an ISIS so the project could use script sync.

9/15 – 2/19

Post Production Supervisor ((Assistant Editor / DI Conform) ) Raise Hell: The Lif & Times of Molly Ivins

Film (Feature-length) — Two Rivers Details
9/15 – 2/19

Started as an AE on a documentary project, and as it neared completion finished as the Post Production supervisor. Did the DI conform for coloring in Resolve.

3/18 – 4/18

Assistant Editor (Online Editor - AVID / Resolve) The Unafraid

Film (Feature-length) — Presente Films Details
3/18 – 4/18

Did the online work for the picture to go to color and mix. Handled frame rate conversions for archival, photo moves, and blurs. Did final exports for Full Frame film festival. Overcut trailer with final colored shots, and did minor color work on the trailer.

12/16 – 4/18

Post Production Supervisor (Assistant Editor - AVID / Resolve) Above & Beyond: NASA's Journey To Tomorrow

Discovery — TV — Moxie Firecracker Films Details
12/16 – 4/18

Supervised assistant editors, graphics, and music. Assisted with archival research. Setup and managed edit projects. Setup and managed edit stations. Purchased editing equipment, and media drives. Media managed archival and original footage. Online work to prep for color.

7/17 – 9/17

Assistant Editor (DI Conform - Premiere / Resolve) WITHOUT A NET: The Digital Divide In America

National Geographic — TV — Moxie Firecracker Films (RORY KENNEDY) Details
7/17 – 9/17

Assisted and prepped full feature length film project for television cutdown. Conformed the online Resolve project once the editing was finished. Did all outputs for color and mix. Archived project. Project was edited in Premiere.

3/17 – 4/17

Assistant Editor (DI Conform - Premiere / Resolve) WITHOUT A NET: The Digital Divide In America

Film (Feature-length) — Moxie Firecracker Films (RORY KENNEDY) Details
3/17 – 4/17

Assistant and online editor. Prepped for color correction and mix. Basic graphics work.

10/15 – 1/17

Post Production Supervisor (Assistant Editor - AVID, Resolve) Take Every Wave: The Life of Laird Hamilton

Film (Feature-length) — Moxie Firecracker Films Details
10/15 – 1/17

Post Production Supervisor - hired and coordinated assistant editors, lead assistant editor on project, archival research, coordinated and oversaw online for film, coordinated graphics, coordinated all media assets, managed all outputs and media deliverables, managed archiving, acquiring and capturing all archival media.

Recos

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Education

Class of '10

New York University

M.A. Journalism: News and Documentary
Class of '07

Santa Monica College

A,A, Journalism
Class of '01

University of California Los Angeles

B.A. English Literature

Skills

  • AVID Media Composer
  • Adobe Creative Suite
  • DaVinci Resolve
  • Assistant Camera
  • 2nd Camera
  • Basic lighting
  • Avid Media Composer Editing System