Support the First Assistant Director in running the set, smoothly and efficiently. Motivating the crew and cast to work as fast and safely as possible.
Summary
I'm a passionate filmmaker, looking for a company I can produce content for that I can grow with. With my expertise in production, I know where the budget can be cut, provide creative solutions, & create a positive flow of communication to cast and crew.
Credits
11/20 – 12/20
Second Second Assistant Director – Death Saved My Life
Lifetime — Film (Feature-length) — Red Hippo Productions Details
11/20 – 12/20
11/19 – 12/19
Second Assistant Director – Ali & ratu ratu queens
Tinygiant — Film (Feature-length) — tinygiant Details
11/19 – 12/19
In cooperation with the 1st AD, readjusting call sheets, daily & weekly schedules, and one-liners and keeping the entire cast and crew up to date of any changes. Along with coordinating talent pickups and supervising that they go through the works efficiently and are comfortable when not working. Point person to email or print out signage, contracts, deliverables, documents, scripts and productions reports. First on set and last one out, making sure production assistants are going above and beyond their duties, and all departments are up to speed with daily changes.
10/19 – 11/19
Producer (Recreation segments) – When Sharks Attack (Season 6)
National Geographic — TV — Optomen Productions
10/19 – 11/19
2/19 – 4/19
First Assistant Director – Homicide City (Season 2)
Investigation Discovery — TV — Blackfin TV Details
2/19 – 4/19
Schedule and execute the shooting schedule for each episode. Making sure work flow is efficient, on pace to make the day, keeping cast and crew safe and informed, and keeping a positive work environment for all personnel involved. Generate call sheets, daily & weekly schedules, and one-liners to keep the entire cast and crew up to date of any changes.
8/16 – 4/19
First Assistant Director – Evil Lives Here
Investigation Discovery — TV — Red Marble Media Details
8/16 – 4/19
Schedule and execute the shooting schedule for each episode. Making sure work flow is efficient, on pace to make the day, keeping cast and crew safe and informed, and keeping a positive work environment for all personnel involved.
3/15 – 3/19
Camera Operator – 311 - Enlarged to Show Detail 3
Theatr — Live/Special Event — Trafalgar Releasing Details
3/15 – 3/19
Shooting live concert footage over 3 years at many concerts; 311 Caribbean Cruise 4 and 5, 311 Day New Orleans 2016.
5/15 – 6/18
Producer – Ballyhoo! Live in NYC
YouTube — Live/Special Event — Freelance - self Details
5/15 – 6/18
Funding the production myself, developed the concept with the band, producing the shoot, and editing the concert film. Finding distribution for the film was found through their Pledgemusic Campaign and in discussions right now about streaming it online.
7/17 – 7/17
Second Second Assistant Director (Pre taped for the Video Music Awards) – James Arthur - Say You Won't Let Go
MTV — Music Video — New Creative Mix Inc. Details
7/17 – 7/17
Responsible for getting over 200 background audience members through the works. Excite the crowd and create an enjoyable taping experience, as well as passing director and 1st AD notes. The piece won a Telly Award for our work.
Media
Recos
Education
Class of '09
New York Film Academy
One Year Producing Certification
Class of '08
Utica College
Bachelor's in Business Marketing
My Gear
Skills
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