Andrew Stahelin

Built overheads with the DP for numerous locations. Programmed Astera tubes with motion and color transitions and rigged other numerous lighting overhead. Dealt with difficult on location shooting and still executed high key lighting set ups, delegating tasks to crew and coordinating with production on what crew and time is needed.

Built lighting overheads, set-up the lighting, cables, generators, etc., and was a general lighting help to the DP

Set up wireless dimmers system with numerous Arri Skypanels, rigged lighting and electrical layouts and built numerous lighting set ups as well as organized the gear.

Music video: Faucet Failure by Ski Mask the Slump God Set up and rigged lighting and shaped it to a set that was made for a robo cam arm going back and forth in a one take set up.

Supervised/responsible for ensuring that all required lighting equipment and appropriate personnel are on set for each shot. Assisted the gaffer in ordering expendables, arranging for gear rentals, and hiring electricians. https://www.imdb.com/title/tt9070798/?ref_=nv_sr_1

Rigged numerous lighting and electrical plans, programmed Astera Tubes with color and motion through the Astera program and was a general help for the Gaffer. https://youtu.be/oSfYJc7h6sU

On set electrician, set up lighting and electrical runs, organized equipment and built lighting preemptively to be ahead of the Gaffer. https://www.imdb.com/title/tt4858674/?ref_=nv_sr_1

Set up, shaped, and bounced lighting, built car mounts, and assisted the camera department. https://youtu.be/4aoQeOnZX1g

Handle the equipment rental, hiring crew, locking down locations, and behind the scenes photography..

Co-produced/ Dp'd multiple architecture videos for a multimillion-dollar Architecture Firm. Focused on the Aesthetics of the architecture and the house is itself to promote their business and a cinematic way.

With the Rigging electric department setting up large scale electrical and lighting designs. Worked with the Shooting Electric department as well with lighting set ups and working with the core shoot crew on the lighting set ups for the production.

Day Played with the shooting electric crew on, "Bull". Built lighting set ups and supplied power to the set with the rest of the core crew.

Worked with the Shooting Electric crew of L&O:SVU with lighting set ups, electrical set ups and the tear down of those set ups.

Day Played with the shooting electric crew on The Blacklist. Built lighting set ups and supplied power to the set with the rest of the core crew.

Helped design the lighting for a very, guerrilla style shoot and worked on an extremely tight schedule.

Assisted in setting up power and lighting rigs for multiple sets and the picking up and dropping off of equipment packages.

I set up lighting desings and established power for the set of 2 commercials for the application Mercari

Rigged electrical layouts for different sets, operated, rigged and placed condors, and set up lighting.

Was an additional electrician for the first unit electric team. I set up lights, operated condors, and was a runner.

Set up the electricity and lights for a New Mexico shot music for Brother Ali's new album: https://www.youtube.com/watch?v=lQyypr9cp8I

Tier 2 feature film that I primarily was working as the staging guy, I had the lights ready to be flown into set, kept all the carts organized and clean.

I was either in a condor lamp operating or on first unit working with the rest of the electric department

Camera Production Assistant for the New Mexico part of the Johnnie Walker "Keep Walking" campaign, I helped run gear for the AC, organize and clean the truck and gear and be a general helping hand to the Camera Department: https://www.youtube.com/watch?v=xlrtPtxIB5k

I helped the Director of Photography on choosing and then executing the lighting design for every interview and event that we went to document.

Was the head of the Grip Department, I did everything I could to sculpt the light, get the lights rigged or set as safely as possible, I was also the dolly grip.

I was the Chief Lighting Technician, I handled the lighting set ups for each scenes, problem solved lighting issues with the DP and help create strong, well lit scenes.

I was the right hand man to the Gaffer. I pre-lit scenes, handled the electrical distribution of the set, handled the electrical equipment and the up keep of them.

I was actually the 2nd 2nd Unit DP but this site doesn't recognize that but I also operated the camera for the Police Head Quarters scenes of a student independent feature

Gaffer for independent TV Pilot that is still currently in post production

1.5 million budget indie feature. Assisted the Key Grip in trying to be 2 steps ahead as much as we could with a smaller crew. I handled the day to day maintenance of the grip equipment, kept the grip truck neat, orderly, and on count, handled the paper work that must be done and overall made sure that our set ups were safe and ready to move onto the next scene.

I was 2nd unit gaffer and then became Best Boy Electric when we moved into 1st unit.

I was a day player on Outlaws and Angels, I ran cables, set up lights and was a general help for the electrical department

Gaffer for a student music video, heavy over head rigging involved with this music video in particular due to the set.

Gaffer for this independent web-series: https://www.youtube.com/watch?v=tpkpphguWhE

Gaffer for a student music video for a local artist in the Santa Fe, New Mexico

Chief Lighting Technician for multiple faux commercials that were being shot to be put into the installation of Meow Wolf's latest project, "The House of Eternal Return"

Lighting department head for an ambitious short film that is still to this day on of the largest films to come from Santa Fe University of Art and Design.

Gaffed all of the studio days of the music video including setting up multiple lights and distribution of power.

Was a day player in the Rigging Electric department where I learned the basics of setting up a clean, safe, and efficient electrical rig.