Art FREEMAN

Shooting food related content

shooting content for Sheseido at CES 2024

Shooting content on behalf of Nikon during CES 2024

Shooting corporate interviews for listed companies of New York Stock Exchange during CES 2024.

Gaffer on set, providing all the G&E for the shoot as well

Shooting corporate interviews for Fountain

Shooting all the testimonials and interviews for the client and some b-roll

Getting aerial footage of their new installations

Doing an interview for one of the episodes

Shooting content for Hayu platform

Gaffing a commercial for the restaurant.

Taking care of the podcast. Client was happy

Interviews + BRoll

Producing and Shooting Corporate Interviews / Testimonials for the client. Including post-production

Shooting coverage for the boxing match, all the interviews etc

Providing event coverage for NetApp 2023, from talking heads to more formal sit down interviews

Shooting a promo for the brand new GhostBusters VR game for META

Producing a series of corporate content for Chargent that will go onto Youtube and other platforms

Producing and Shooting Season 1 of Pickleball Paddle Battle in Phoenix, AZ.

DP'ing a few shoots for iHeart w/ Audible Breakthrough Artist of the year Mitch Clark

Shooting conference content for the client

Gaffer for a series of corporate interviews and b-roll for Aristocrat

Shooting B-roll , getting aerial coverage for Boxable

Covering a number of events for the Player's Association, shooting interviews, putting together footage for stringouts and sizzle

Shooting an advertising video for World Gym including Interviews, B-roll, Drone Footage, etc

Shooting a music video for an artist on a dry lake bed outside of Las Vegas.

Specialty beauty cam at the shoot, getting all the sexy shots to be intercut during the regular coverage.

Filming an interview and some b-roll w/ Swish McKinney who played in the Eastern League in the 60's

Shooting BTS for the Music Video

Shooting a commercial for a client including aerial photography

Taking care of lighting on set Brand Manger : Saxx Booker Producer : Jimi Henderson

Shooting interviews, behind the scenes stuff

Shooting One Championship Fight Night 10 Event recap and lead up to it for Stagefront.VIP Event held in Denver on May 5 and was broadcast on Amazon Prime video.

Taking care of the host stage, 4th year in a row

Handling NAB Amplify Lounge interviews, taking care of the entire set. Shooting on 2x Sony FX6

Doing event recap , interviews for BizBash

Shooting a few corporate internal interviews

Providing aerial cinematography for the episode set in Moreno Valley. Pulling all the permitting w/ the FAA and gettin clearance from the Air Force Base.

Gaffer on the segment near Tucson AZ.

Shooting a reveal segment for an episode about a few police dogs who were very much loved in the community and very appreciated.

Shooting an episode in Vegas for a paranormal pilot tv show

Operating Robo Cams for the 2023 Vanity Fair Oscars Red Carpet Event. Operating Panasonic AW-RP150

Shooting a few spots for a law firm, going on TV

Taking care of lighting for an interview w/ President of Las Vegas Formula 1 Grand Prix.

Taking care of the whole productions of Slimetime for Nickelodeon During the Superbowl 2023.

Doing event coverage for the fundraiser, interviews, b-roll, etc

lighting for a 2 person interview and then some on the go lighting as well

Shooting a segment w/ Jackie Young for No Days Off show. Behind The Scenes look at the grind of professional WNBA player and what it takes to succeed.

Shooting a couple interviews, taking care of lighting, plus flying a drone

Providing Aerial Cinematography for #1 Aftermarket Automotive Light Brand in USA Spec AD for their new product line.

Putting together parts of the production, handling crew, shooting as well

Global unveiling of a few new model types at CES 2023.

Shooting corporate content for Equnix in Vegas 2023

Capturing a few presentations by VoICE at CES 2023

Running a story on a 7y.o. entrepreneur Justyn Boumah who is successfully running his NGO "Heroes and Hearts". Full on producing, directing, shooting.

B-Cam on the shoot

Gaffer on the interview w/ Holly Madison

Lighting a movie theater for an episode of Ghost Adventures

Shooting a segment for Luke Branquino show in Vegas in time for World Rodeo Finals.

Providing aerial coverage for our shoot

Shooting the lecture, nothing exciting

Shooting an interview and some b-roll w/ Eric Worthram.

Providing FPV coverage as our contestants make their way around a dirt track in badass trucks and doing jumps etc.

Working on aerial cinematography for the feature film.

Setting up all the lighting for 8 News Now 2023 Countdown in Palms , in Vegas

Providing aerial cinematography for the show. Flying Inspire 2

Shooting, Directing, and conducting interview w/ David Daniels, son of legendary American Film / TV Director Marc Daniels.

Shooting AMD Product Launch - AMD Radeon™ RX 7900 XTX

Gaffering a Spot for CLEAR [ Company name]

Lighting, Directing and shooting a spot for Sprouts w/ 2022 WNBA MVP

Shooting for NETAPP as is part of their AWS presence.

Shooting boxing tryouts, sparring, interviews, and b-roll for the Las Vegas Hustle portion of the league.

Filming for S1 of new PIcklebawl series

shooting and producing a segment under NDA for Animal Foundation

Providing coverage of the event for Shaq's Foundation

Shooting an interview that is part of the Don King Boxing Documentary

Shooting an interview that is part of the Crypto Docu Series

Doing event recap for McDonalds Corporate, interview heavy,

Shooting on a long lens the stage A w/ My Chemical Romance as the main act

pick up shots for one of the episodes of the season

Handling the host stage, doing interviews and recaps. 3 camera setup

Filming a portion of the documentary taking place in Tonopah, NV Filming Clown Motel and the Cemetery and a few interviews. DP: Rex Short Producer : Jim Haniacek

Filming the finals at the Shemar Moore's House.

Filming for the client Endless Pools, pool installation, interviews, b-roll, etc

Shooting a few episodes for HopeScope [ 2m subscribers on YouTube] on behalf of JellySmack

Shooting interviews for Team Toyota w/ Olympic and Paralympic Team USA.

In this episode Whitestone gets invited to look at a gallery space in Dana Point, CA. He has an important decision to make.

Doing a magic sequence. Doing the shoot

Shooting a segment w/ Maverick McNealy for Bloomberg. Kind of like a player profile. 2 Cameras. Interview + B-roll

Shooting news panel + interviews

Shooting a branded segment for H5 about a mountain bike adventure. Shot on Sony FX6 Rob Sholty - AC

Documenting the journey of Whitestone the artist, a glow artist.

Shooting event coverage for NBPA, player interviews, etc, shooting on a pair of Sony FX6's

Capturing city and locations aerial B-Roll /footage for the episode

Shooting and producing content for 3 cases. B-Roll + Interviews . Shooting 5-7 interviews /day

B-Cam on an episode 8 of Ballroom.

Shooting the MAU 2022 conference in Las Vegas.

Doing a documentary about Jeff Grubert aka Whitestone, the artist.

Shooting an interview w/ legendary Kenny Loggins.

Providing Aerial Cinematography for a spec ad, flying Mavic 3

Responsible for event highlights, interviews, etc. Running a 2 cam operation.

Running a 3 cam setup for a video podcast pilot w/ Carlos Hurtado and guests.

Getting coverage of the show, interviews, etc

Getting artist coverage, rehearsal and live performance. Shooting on ARRI Alexa Mini

A Cam for Host Stage. Setting up 3 shots and doing everything else

Providing Birdseye view of the action. Flying in accordance w/ FAA rules and regulations under Part 107.

Camera AC

Shooting corporate promos, onboarding interviews, w/ Freshworks VP.

Shooting a docu interview w/ Roger Steffen about his interaction w/ and stories about Bob Marley.

Shooting product testimonials at the Industrial Show in Las Vegas

Shooting a few segments for the NonVerbal Group CEO.

Shooting NFLPA interviews during the NFL Draft 2022

Shooting and Producing a Documentary about an artist (Whitestone) out in Prescott, AZ Interviews, painting process, b-roll, etc

Drone Pilot on set. Responsible to capturing sequences, getting b-roll, establishing shots of locations, etc. Operating Inspire 2 / Mavic 2S

DIT and Media Managing on the show

B-Cam for the Fila Golf Commercial. Shooting on Sony FX6, complimenting the ARRI Alexa A- Cam.

Aerial coverage during the shoot. Operating Mavic Air 2S

Shooting a couple of medical testimonials (eyesight)

Shooting an interview and then getting some B-Roll

Producing Aerial Coverage for the political campaign.

Specialty camera. Operating Sony FX6 on an Easyrig during the award show. Doing all the walkouts during the show of the winners.

Livestreaming an event for 4 days. Blackmagic Studio / PTZ cameras

Shooting an interviews and some b-roll w/ Shofu (Youtube)

Filming an interview w/ Danny Koker on Burt Reynolds custom built truck @ Count's Customs. + B-roll

Providing coverage for the event in Las Vegas on 2.11.22-2.12.22 Doing interviews, bts...

Filming a live stream and editing a live stream for the ministry of Children of Israel Nation w/ Minister Donald Underwood

Work as a DP / Producer. Filming interviews, creating sequences, working on the story, producing and directing, working w/ talent. tossing in the drone every now and then.

Shooting a few interviews w/ CEO of Vinfast and shooting B-Roll for Bloomberg

Filming a Quantum Computing workshop as presented by Ciprian Jichici, leading expert on the subject matter at Microsoft

Shooting behind the scenes for the Las Vegas leg of the Googoosh World Concert Tour 2021

B- Camera Operator for the Winslow, AZ segment of the show.

Shooting portion of the documentary in Las Vegas. Running segment on Lake Mead, water levels, doing a few interviews w SNWD and their ppl and so on.

Shooting behind the scenes footage for the music video

Doing an episode of a show

Producing an episode of Haunted Hotspots ( Old Washoe Club in Virginia City, NV) on behalf of Discovery Network. From Pre-production to Principal Photography to Final Cut of the Episode.

Producing and shooting an interview w/ a 6x Grammy Winner Bonzai Caruso

cranking out quick edits of DJ sets for our insomniac client - RoBlox

Getting some b-roll shots for 90 Day Fiance

shooting an interview w/ Randy Couture

Running a background segment on David Lipsky for PGA TOUR Ent

Producing content for Korber on behalf of Comberry Studios during Pack Expo 2021 in Las Vegas, NV. From Pre-production to Production. Full Suite.

Lighting for an interview. Skypanel, couple of Nanlights, etc

FOH Camera Operator, Working w/ host and providing coverage of announcer and games w/ audience, running interviews, etc

One of 6 CamOps, providing coverage of the game and players, doing interviews, etc

CamOp, operating car cam as well. Getting sizzle shots, etc

Shooting sizzle shots for TIDL Sport right before the McGregor fight

Producer + Aerial Cinematographer, 3,000 mile cross country journey of a US Marine relocating his family from Tampa to LA to start a new life and leave the problems in the past

Producing and Shooting an Interview of Tom Mesereau for VladTV

Producing and Shooting McKinley Lee Interview for VladTV

Filming and directing an episode of Word's Greatest Cemeteries for PBS w host Roberto Mighty.

DPing a shoot for Living Waters YouTube channel - a ministry channel Interviews and B-Roll mostly, working w 2 other camops

Staging, lighting, running audio and camera + producing the interview

Taking care of lighting for a commercial- Petron Rev X

Gettin sick aerial shots for a music video

Producer + Drone Pilot , producing a music video for Venezuelan artists, 7 songs, live recorded

Filming the interview w/ TK Kirkland

Filming and Streaming the Wedding for Greg and Rebecca Miller out on Catalina Island, CA

Getting pick up shots for Hilton of Santa Monica, 3rd Street Promenade and Hilton to beach and a few more shots, getting clearances etc

Setting up 3 Sony FS7 II for the live taping and operating one of the cameras

Running a story on a local Record store, doing interview, running bts and doing a bunch of walk through shots, etc

As a Drone Pilot - taking care of all the aerial footage for the show for the season. Getting beauty and sizzle shots, providing amazing angles and shooting awesome sequences. Drone - DJI Mavic Air 2S As a Producer - conducting and filming all the in-depth interviews w our contestants, going in deep and making them feel comfortable enough for them to tell their amazing stories.

Shooting background stories on an All-American football player James Himen. Running interviews, b-roll, providing aerial coverage...

Doing the whole thing, staging, lighting, running audio, and running a 2 camera setup. Interview via FaceTime

Staging, lighting, running audio, and running the cameras

Putting together sizzle reel shots from the photo shoot, 12 different looks inside a day. Shooting while steaming the shots for the client. over zoom to make suggestions on what they would like to see.

Shooting interviews for the shows

Shooting a couple of interviews w/ Piff the Magic Dragon, his assistant and his Technical Director. Picking up behind the scenes footage as well.

Handling Aerial Photography. Including time-lapses, hyper lapses, etc. Shooting flat.

2 person interview, 4 hours long, 3 camera setup, lights, and 4 channels of audio

Shooting a few segments for STM e-sports

2 Camera Setup, 3Pt Lighting, 2 Channels of Audio. Shot at a music studio

Shooting Behind The Scenes on a Larger Product Shoot in the Valley of Fire, NV. Shooting on Sony A7SIII in 4k/30FPS mostly, 4:2:2 10 bit.

Filming Lacrosse Games over the course of a few days

Producing and Shooting the interview

Filming a football combine in Las Vegas

First AC /DIT on an Episode about Aliens Conspiracies

As a Field Producer: - produce 2 stories per shooting day - collect enough sound bites to tell stories [+ cliffhangers] - run the morning / evening interviews - chase relevant stories - take and submit daily notes to other producers as a Challenge Producer: - make sure the contestant knows the rules of the challenge - run the clock - relay any questions the contestant has to the supervising producer for answers as a Shooter - adhere to the network shooting standards - make sure the footage is television worthy - film relevant stories and bites - collect timelapses as well as slo-mo moments of the forge - try not to overshoot

Shot and Produced the Interview

General Utility Stuff

Producing and filming the interview, running a 3 camera setup, lights, 4 channels of audio

Staging, Lighting, Running audio and doing a 2 camera setup for this interview.

Producing, Shooting, Directing and Editing the commercial for MDRN company (doors)

Producing, lighting, running audio, staging and filming the interview

shooting B-roll, taking care of the lighting on set

Staging, lighting, running audio, and shooting the interview in it's entirety

Staging, lighting, running audio, and shooting the interview in it's entirety

Running a story on a blind cat Tommy and the home sanctuary for cats that Tommy lives in

Take care of staging, lighting, running audio, setting up cameras and shooting the interview.

Take care of staging, lighting, running audio, setting up cameras and shooting the interview. 2h and 45min interview

Taking care of the whole shoot, from staging to lighting to audio to shooting.

Shooting interviews over at Huntington Beach. Rocking the Tilta Shoulder Rig.

Shooting B-roll of the event

Operating the camera at the Finish Line (Cam1)

Shoot and produce the entire interview. Staging, Lighting, Audio, Camera and monitoring of all of the processes of the shoot in their entirety.

Shooting an interview with race car drivers Ted and Austin Barnes for Optima Batteries, shooting B-roll as well

Shooting night Las Vegas Strip in 4k, general b-roll, sizzle reel + TimeLapses

Shooting cars, driving simulators and tracks for Jeep and Dodge Sony A7SII, DJI Osmo, GoPro Hero 8

Shooting 5 Pro Rugby MLR games at Sam Boyd Stadium in Las Vegas. I was camera 1. Wide Shot, penalties, kick offs and such. Shooting on Glass Valley LDX-86N

Shooting booth B-Roll for General Motors booth at NADA 2020 Camera -Sony A7SII

On-Site Editor. Putting together a 3.5min sizzle reel recap of few days worth of events following the precise instructions/requests from the client. Editing in Premiere Pro. Sizzle reel submitted on time and the client was happy.

Shooting a segment with Chef Antonio Nunez, Las Vegas about the usage of New Leaf Maple Syrup in his recipes, both food and drink. Staging, lighting, shooting.

Clients: Amazon + Lamborghini shooting B-roll and collecting Interviews https://youtu.be/GlA3oH2-imw

Running a cable camera and shooting DIPLO and Suicide Girls performance on a blackmagic 6k

from running fiber to wrangling cable during the live show, in the pit to striking, there was a lot to do

Spanning 3 days, this was a great tournament, ... I was running the lead cam , doing interviews, doing hero shots...etc

Capturing exterior signage shots, interior signage, rooms, some sizzle shots of the rebranded what used to be Hooters casino in Las Vegas.

Camera Utility during the 3 day race event in Las Vegas

Shooting BTS on Canon C300 MK2

Film the event on Sony XDCam PXW-Z150, make sure shots are steady, well framed, and contain relevant movement

On Stage Cam getting the comedians, shooting handheld while in backstage in the talent room, shooting BTS and getting sizzle shots

Capturing BTS of the event, interviewing guests, doing fighter walkouts and fight recaps

Shooting BTS on Sony A7SII for music videos, getting talent and director interviews. Compostela Films & Arts, Director: Nuno Gomez, DP:Reinaldo Ortiz

Shooting B-Roll and Lighting the set

Shooting for Mtn. Dew, booth , attendees, interviews, b-roll, sizzle shots, etc also shooting general b-roll of the event.

Shooting 1st round of PRCA Pro Rodeo in San Dimas as the Lead CamOp. Shooting on a Sony XDCAM

Working with 300D and 150D Apurture Fresnel Light, running power, etc

Mostly Capturing B-Roll and interviews at the event

Shooting B-Roll as well as Breakout sessions at InsureTech 2019

Shooting B-Roll and Break Out Sessions

Just helping out on set

From doing lighting on set to Driving a Cargo Van to Holding a Bounce to Helping out on Set DP: Mike Reid

Helping out on set

Shooting on A7SII, 28 interviews all in one day

Filming the event + Score Keeping

Capture B-Roll footage and stills of NikeTown, Forum Shops

Shooting on a Sony XDCam, Camera 3, Field Goal Cam Picking up close ups, shooting field goals, crowd shots, etc.

Mostly doing lighting on set -300D

Shooting on C300 w Movi Pro, troubleshooting the camera, interior/exterior shots

Filming a round of live auditions in Los Angeles

Camera Utility / Lighting Tech w JDub Media

Filming on Sony A7S2, B-roll and interviews, sizzle reel, G-Master Lenses, setting up shots, Ronin-S, shoulder rig, atomos monitor

Shooting on A7SII w Ronin S Booth Interview, B-Roll

Shooting B-Roll for the client, interview, pick up shots Shot on A7SII with Ronin S

From running all the cables for cameras to breaking 5 camera operators, plus a jib, setup/breakdown

Setting up 6 projectors, running power L6 and L14, running Cat5 , building out a 50x20 screen, w visqueen, building Cat5 from scratch, running fiber links, setting up monitors, and doing a complete strike as well. PM: Kristin Laurene

Setting up lighting for the interview, this time using Astras in an interior war room type setting DP: Evan Weidenkeller

From Driving to assisting camera, plus being a nice guy)

Driving a 15 pass van, coordinating everything with the team, getting everyone settled , picking up and dropping off the vehicles

Setting up a few video walls for the client and making sure everything is done timely and in order

Setting up lighting on set, working with the DP Steve Weiss and Key Grip / Gaffer Steven LT. Smith

Setting up lights for the table games shoot, working with 3 1k and 1 650 Arri Tungsten lights, tossing in a few led light panels, and some lights w soft boxes into the mix as a fill

Wrangling cables of different run and different purpose from 250ft to 2000ft Person in Charge: Aarow

Shooting a bodybuilding training video (theory and practice). Working actually as Swing G&E, lighting the set w 2 Arri S60-C + 2 Astras, running power and so on. Working Directly with DP Jeremy Hughes

Gaffer, Lighting the Aerosmith Van and Lighting an interview for 5 band members. DP: John Chiappardi

Helping out art department and other departments as needed, general PA duties

Loading/unloading G&E trailer, setting up C-Stands, Easy-Ups, Lights (Boxers x2), settting up combos, running power, working with genny, making sure everyone has what they need, working with camera dept as well, and assisting on set

Working with Gaffer to light the 5 interviews, making sure everything is done quickly and efficiently . DP: Troy Campione

Assisting Camera, wrangling cable at the Starting Line, Working as a team and making sure that everything goes smooth, there is no interruptions in the broadcast and that the camop is safe, swapping bricks, and floating for the camop when needed.

Framing shots, shooting B-roll on C300

Just helping out at the booth, collecting emails, and promoting the brand

Doing stage teardown and working with other crews on getting stuff done

Lighting DJ Tiesto for an interview in a dimly lit space.

General PA duties including driving a van, and assisting on set DP: Matthew Novello and CamOp: John Laudicina

Assisting on set, load in/out, running B Cam : Blackmagic Pro 4.6K ;DP: Grant Reinero, Director: Bessie Wink

Badass team once again. Everyone representing. All the gear provided by BlackWood. Pleasure working with those guys. #TeamWork

A SWAT team transporting a vicious crime syndicate boss find themselves trapped inside a county detention center during a catastrophic alien invasion. Starring: Tara Reid, Richard Grieco, Robert LaSardo

Camera Utility for the walk out camera. 18 fights, very intensive schedule

General PA duties including driving a Van DP: Liam Hughes

From doing the blocking to positioning the lights (Kino, Gemeni, 1x1, and others), slider... Starring: Diane Robin, Davide Reali, Robert Lesser, Director: Bob Burgos, DP: Steve Smith, 1st AD: Marco Bargellini, Gaffer: Mikey Moreno

Load in /Load out, small team, everyone helps out DP: Rick Guille, Producer: Megan Collier, AC: Tristan Harris,

DP: Tal Unreich , Producer: Kari Hollend,

Filming B-Roll on Sony A7S2

From furniture assembly and breakdown to carpet installation and tear down.

Setting up a video network, TV's

AV Tech, builld up and break down of all TV's and Meter Boards and other functions

Operating the camera for floor routines

Working with Gaffer to set up the lighting on set and prep everything, being efficient, clearly communicating with other departments and assisting when necessary. Director: Frankie Nasso DP: Alex Lamburini

Handling transportation, going on runs, assisting on set, DP: John DeTarsio

Lead Camera Operator for the live show. I needed to make sure everything would work fine, there would be no hiccups, literally the entire future of our production with Tuff N Uff depended on it. The networks were breathing down our necks and we had everything to lose. The live steam went great. Networks and Tuff N Uff were very pleased. It was a huge success.

Handling transpo, going on runs, assisting camera Photographer: NADINE IJEWERE

From doing releases to going on runs to assisting gaffer with lighting, running power, handling grip package... Producer: Bret Watkins, DP: Matt Gulley, CamOp: Adam Sherer

As a PA, I was doing all of the lighting, 2 Cineos, a couple of 400 Divas, a few astras, a power generator, running all the power, duties of a gaffer, DP: Matthew Davis

Location Scouting, downtown and the strip

Special Event: Randy Couture Foundation Running all the cables, audio, video, and shading, looming the cable for the walking camera, being a camera utility during the live event

Breaking the world record with Anthony Anderson for the swing with the world's longest usable golf club. (37ft) Director: Scott Brown, EP: Mo Darwiche , Scott Brown

Building a few domes for the event, then doing a lot of AV, as well as the complete tear down as well

I had only about 8 hour to pull everything together: find a few location for filming, book models, find a poker table, get a picture vehicle, book a helicopter, find an animal on the budget (settled on a chameleon), and make sure that everything will be done in time, on budget, and everyone will stick to the schedule. Executive Producers: Nicolas Ewert & Maximilian Somogyi , DP: Johannes Heine

Running one of the 3 cameras (Sony), but also working as key grip on that set, helping out with setting up lighting, tearing everything down as well.

From driving the crew van to doing releases to finding the best suitable talent on camera to showcase and talk about the selected dishes. Helping set up lighting and working with camera to get the best shots. Producer: Anthony McCarthy, DP: Paul Niccolls

Building out trusses, running a small crew, rigging cameras, running power, setting up all the lights, dialing everything is in, and making sure everything is done in time for the main event, tearing everything down as well

Taking care of all the G&E equipment, working hand in hand with gaffer and DP to properly light up the set, stage everything , run power, run PA's , and work as a team, during the scene filming act as Cam Assist. Director:Alex Grybauskas 1st AD: Robert Shearer DP: Jessica Ramos

Taking care of all of camera gear, shooting B roll and some BTS, Agency: Attention Seekers Producer: Davin DeHaven Clients: Hooligan, Hot Wheels, Ford, Toyo Tires DP: Michael Gaskell

From setting up 12x12 screens to running power, to setting up lights, striking everything down, big team, big commercial, crucial that everyone gets along, a lot of hustle, and everyone had to bring their A game Director: Eric Olson, DP: Steve Speers, Key Grip : Ruddy Chevys, Gaffer: Marty Rogers

Completely transforming the hotel hallway to look like the school's hallway, setting up the lights (quasars), running power... Director: Rick The Director Camera: Scott Baker

Building and breaking down trusses, hanging lights, running power and working with the camera Director: Rick The Director, DP: Scott Baket

Running cables, making sure we have enough run for the camera movements in and around the ring. For cam 1 we run 3 cables (video, com, and shadows), all that has to be loomed to make sure it doesn't get all tangled up and during the event itself the utility follows the camera wherever it goes, making sure noone gets tangled up in the slack, , also making sure the feed doesnt get cut off due to unforseer reasons. so it's basically that and a few more things, like swapping batteries, making sure everything is straight and everyone is happy (Camop was Brett Ineck)

Received approved Media Credentials from the White House, then got approved by Trump's office, assisting camera while at the McCarran airport filming Air Force 1 land, running errands and driving production vehicles.

Prepping the set for the filming, setting up all the lights, running power, effectively communicating on set to make sure everything gets done right, the event was a huge success. Lights used : 3 4 bank salt & peppered kino's , 4-5 C-stands, stingers, power strips, 4 camera set up...

Assisting camera, assisting grip and lighting, setting up lighting, doing grip work, etc.

Building cameras, running cables (triaxe) to the camera's , the run is 200-250 ft total for each camera, running backup cable as well 2x500ft

Handling grip department, setting up lights (kino's and accent lighting), assisting camera departments, running power, making sure everything looks its best, great production team, lots of fun, and the final footage looks great.

Working as Swing G&E, handling lights :Mickey, a couple of Arri SkyPanel S30-C, setting up 6x, moving sets, dialing in the lights, etc.

Assisting camera department on set, making sure everything is set up properly, the lights as well, taking care of everyone on the set, and properly communicating with everyone.

Prepping the set for the shoot, pipe and drape, negative space, lights including Kino's , Astra's, strobes, flags, running power, working with other 2 Swing G&E's to get everything done quick and efficiently. It was an amazing set

Talent transportation, assistance on set, assistance to the camera operators, running errands, taking care of waters and other PA duties

Staging the lighting, running power, working with the DP, assisting on set, breaking down the set

Working with the DP on framing up the shots, shot selection, going with either sticks/tripod (set shots), or using a dolly track for dolly shots, or going with a jib, camera positioning, set up and so on

Lighting every scene in the film, indoors and outdoors, turning day into night and vice versa, working with DP to make sure all the colors are right and that the scene looks as best as it can taking into account time and other resource constraints. Mostly using 1x1 light panels with occasional usage of Kino's.

In charge of moving all the gear and making sure we have everything needed for the scene, handling other grips and making sure everyone works as a team

Providing utility assistance to camera and jib, involving cables, tripods, camera's, transportation, lenses and so on

Coordinating the audience, checking everyone in, checking their ID's, adding names to the list, making sure everything is running as smoothly as possible

Setting up everything for the scene, working with gaffer to set up the lighting, working with DP to make sure he has everything he needs, ensuring everything runs on set as smoothly as possible and that everyone is happy

Operating the camera, logging it fight data into the system, floating other table workers, troubleshooting computers, making sure everyone has what they need

G&E gear pick up / drop off, driving a 1 ton truck, full set up and tear down, lighting set up on set, working with DP on shots' set up, working with camera department and communicating effectively with the rest of the crew to make magic happen

Since the field team is small, the job was to provide assistance to camop, AC, and Sound person, plus to the producers. So the attention was split between them. Driving the van, helping out here and there, helping to light the scene as well. Great working with those guys. Thank you for having me.

Operating the Ronin, getting great shots of the crowd as well as the table games, communicating with the producer and working with other cameras to cover the live event.

Assisting photographer during the event and helping out the team as needed. Amazing working with those guys.

Building a booth for the client (Disability In) and coordinating the activity with another assistant. Everything went great and the client was very happy. Another successful event with them

Setting up lighting for the shoots in various locations, doing grip work as well and assisting the director

Running errands, handling rental equipment, assisting with lighting the set, breaking down the set (load out), assisting PM who was amazing by the way.

Operating a 12ft jib, operating a Ronin with a Canon C300 Mark II payload, making sure the subject was properly framed up, the movements were smooth and fluid and that the client loved the shots.

Producing, directing, and shooting a short turned feature film " False Confessions"

Gerenral PA duties, running errands, driving 15 pass van and production vans as well as producer vehicles, assisting on set, making sure everything is running as smoothly as possible, performing the duties of Grip department, in charge of making purchases with petty cash as well as handling corporate credit card, organizing the process and working with the PA team and other production departments

Was part of the grip team and performed the general duties of a PA, also assisted cam op and producers during the shoot, handling fog machine, and helping with talent as well. Amazing working with that team.

Booked as a table worked, in charge or keeping all the data accurate as well as handling the camera and making sure the competitors and the judge(s) were properly framed, panning, tilting and zooming in as necessary (cam op work). Loved working with FloSports, thank you so much.

Running cables, working with AV tech and Camera tech guys, assisting in drone recovery...

Biggest challenge during this production was doing car rigging of which there were 2 kinds. Hood car rigging and a door car rigging. Everything needed to be functional in order to support a Red Helium 8K Camera. Ultimately the shots we got were amazing, everything worked, everyone was extremely satisfied and no incidents took place.

Setting up lighting for the slot machine photo shoot

Live X Live, I was serving as both Stage Manager for Stage #2 as well as Camera Utility for handheld / mobile camera. We would be tasked with going into the crowd sometimes 100 feet deep to get the best possible camera shots possible. We killed it

Performing the duties of a PA, driving 15 passenger van, assisting in setting up the shoot, running errands, doing grip work.

Shadowing DP, assisting with lighting and grip, collecting release forms...

Registering Red-Carpet, Fill-in, and The Pit audience. Handling Fill-in audience during the life taping of the show. Working with other audience coordinators to make sure everything goes smooth.

Working as a Social Media Manager, engaging with online audience. Acting as a producer for the daily interviews and the live interviews. Being part of a film crew and working with Camera Op - Smith Etienne and Legendary Host Larry Becker. Great working with Ryan Salazar and Michael S. Robinson. Want to thank those guys for putting together an amazing team, over the few days of the show we became like family.

Working with gaffers to stage the lighting, running power, putting up green screen, putting up flags, working as one team to make sure there are no hiccups, mistakes are very costly when working with A-list talent.

Assembly of the Virtual Reality Booths for the Cinema-Con 2018.

Driving company Vehicles ( Cargo Van, Mini Van); Running errands; Working as a stand in for one of the characters; Wrangling crew meal orders; Assisting other PA's with their tasks; etc.

In charge of PA's, assisting grip and lighting department, working with Production Manager to assist camera and 1st AC

Assisting Production Manager to work out the kinks and get talent and crew booked and confirmed in pre-production. Running the PAs on set, working with grip and lighting crew. Assisting camera op and 1st ac during the filming.

Playing "Crowe".

Role - Family Member

Assisting the production team in building meeting space. 1/6/2018-1/13/2018 Client: SAMSUNG

Assisting Director (Cameron Gordon), Director of Photography (Joe Sailer), and the crew in the filming on site.

Assisting the production team with shoots and the acts. Assisting Producer with acts. Wearing multiple hats.

Role: Casino Guest

Assisting the team in set up, running, and tear down coordination. Working with the Beverage Manager and security. Ensuring the event will go through smoothly.

The Red Carpet Event Attendee / Background Extra

Audience Member

Filming opening music sequence

Playing a fan

PA management and attendee coordination, assistance, and management

Role: Security Guard and Businessman