Ashneal Prasad

I was to operate the sound-recorder, notify the director of any sound problems, keep sound levels consistent, avoid distortion, watch for boom shadows, determine sound perspective after discussion with the director, record "room tone", and of course most important provide a sound track with clean, intelligible, first-rate audio quality.

I was to operate the sound-recorder, notify the director of any sound problems, keep sound levels consistent, avoid distortion, watch for boom shadows, determine sound perspective after discussion with the director, record "room tone", and of course most important provide a sound track with clean, intelligible, first-rate audio quality.

The restaurant, Dos Coyotes hired me to record and edit the head chef preparing and cooking all their menu items. The goal of this project was to distribute the training videos to all Dos Coyotes restaurants so that the menu items taste the same everywhere you go.

NorCal MasterCraft hired me for the summer to cover all events, promotions, new inventory, as well as conduct interviews with the CEO and marketing team to promote their brand. I was a one-man-band doing everything from writing scripts for the interviews to editing the final product.

I was to operate the sound-recorder, notify the director of any sound problems, keep sound levels consistent, avoid distortion, watch for boom shadows, determine sound perspective after discussion with the director, record "room tone", and of course most important provide a sound track with clean, intelligible, first-rate audio quality.

I was to operate the sound-recorder, notify the director of any sound problems, keep sound levels consistent, avoid distortion, watch for boom shadows, determine sound perspective after discussion with the director, record "room tone", and of course most important provide a sound track with clean, intelligible, first-rate audio quality.

My duties included auditioning actors, selecting cast and crew members, choosing settings and film locations, and deciding how and when to shoot scenes. As Director, I was in charge of all creative decisions made in the production of a movie from Pre-Production to Post Production.

I was to operate the sound-recorder, notify the director of any sound problems, keep sound levels consistent, avoid distortion, watch for boom shadows, determine sound perspective after discussion with the director, record "room tone", and of course most important provide a sound track with clean, intelligible, first-rate audio quality.

My duties included auditioning actors, selecting cast and crew members, choosing settings and film locations, and deciding how and when to shoot scenes. As Director, I was in charge of all creative decisions made in the production of a movie from Pre-Production to Post Production.