Austin Zveare

1st AC for Formulated Solutions video content.

1st AC for Dell customer story featuring Dell laptops and accessories.

1st AC for Sarasota/St. Pete portion of red tide documentary series.

1st AC for St. Pete Film Commission PSA.

1st AC for Ring video content advertising how the neighbor feature of Ring doorbells help local police stop crime more efficiently.

1st AC for Tampa Bay Rays baseball team documentary.

2nd AC for Hot Wheels Challengers toy commercial.

1st AC for local health food chain commercial.

2nd AC for short film.

Tasked to cover round-table discussion between several captains from the Florida Skiff Challenge.

General 2nd AC responsibilities including assisting DP, B-Cam Op, and 1st AC.

General 1st AC responsibilities including maintenance and media management of 5 cameras on documentary series.

UNION FEATURE. Tasked with assisting the camera department and all duties associated with the position including slating, camera logs, keeping carts and truck organized, assisting DP and 1st AC.

General camera assistant responsibilities for commercial advertising Sarasota law firm.

General camera assistant responsibilities for New College tour video.

General camera assistant responsibilities for video advertising ACP services at IMG Academy and Port Charlotte Rehabilitation Center.

General camera assistant responsibilities for music video featuring a local Tampa/St. Petersburg artist.

General camera assistant responsibilities along with occasional B camera operation and light G&E work.

General coverage of several glass artists creating work over the course of several days.

C Camera Operator for Soma Intimates clothing campaign produced by Snowbird Content. Primarily shot lingerie on a tabletop setting while also shooting a large amount of behind the scenes footage. Equipment used: Sony FS5 with Fujinon MK zooms recording RAW to an Atomos Shogun Inferno.

9:16 social media content for Walgreen's holiday campaign.

Short film shot in the St. Petersburg, FL area. Director: Rayne Roberts DP: Caleb Heymann

Part 3 of feature film Directed by Kevin Smith. Camera equipment used: 2X RED Weapon 6K, Zeiss CP.2 Prime Lens Set, Zeiss 28-80 T/2.9 Zoom, Cmotion Cvolution follow focus, Teradek Wireless, SmallHD monitors, DJI Ronin 2. Produced by RCAD & Semkhor Productions http://www.imdb.com/title/tt6993240/?ref_=nm_flmg_dr_2 http://www.heraldtribune.com/news/20180803/kevin-smith-returns-to-finish-filming-killroy-was-here-in-sarasota-with-ringling-students http://www.mysuncoast.com/news/local/filmmaker-kevin-smith-returns-to-the-suncoast/article_7e925428-9b24-11e8-8a6c-afbaa212f71d.html

Worked as 1st AC to B Camera in a 3 camera television pilot shoot written and directed by Dylan McDermott (American Horror Story, The Perks of Being a Wallflower). Cameras and Equipment used: 2x RED Epic-Dragon 6K, 1x RED Scarlet-W 5K, ZEISS CP.2 Prime Lens Set, Cmotion Cvolution follow focus, Teradek wireless video, DJI Ronin 2, Steadicam, Handheld rig. http://www.heraldtribune.com/entertainmentlife/20180625/dylan-mcdermott-returning-to-sarasota-to-film-sweet-jane-pilot

Surviving Lunch is a new feature film about a beautiful teenage girl named Gabriella who moves to Florida after a terrible, school tragedy changes her life forever. Assisted Harrison Stagner (1st AC, Camera Operator) and Natasha Thornton (Director of Photography) by performance both 1st AC (focus pulling) and 2nd AC (Slate, Marks, etc.) on a feature film shot in the Sarasota, FL area using the Panasonic Varicam LT, Rokinon primes, DJI wireless follow focus, and Teradek wireless video. Film produced by Jerry Chambles and Directed by KT Curran. http://wearethesource.org/showcase/ https://www.facebook.com/survivinglunchthemovie/

Student worker position at Ringling College of Art and Design Sound Stage B. Primary tasks include general maintenance of all camera packages (RED Epic/Scarlet, ARRI Alexa Mini, Panasonic Varicam LT, Sony a7s) in order to make them production ready each weekend. Other tasks include backup and formatting of all hard drive packages on to storage server, organization of camera equipment room, and other tasks that involve camera maintenance.

Director, DP, & Editor of a commercial made for Lamborghini Sarasota. Shot a moving 2017 Huracan Spyder from a moving camera car and various Fisher dolly studio shots of the car static. RED Epic MX 5K was used in configurations ranging from a speed rail bungee rig, shoulder mount, and studio dolly. RED pro 18-85 zoom and Schneider Xenon primes were used along with an ARRI WCU-4 wireless follow focus.

Editor and 1st AC on a music video written and Directed by Liam Jordan, music by local artist Josh Morris. Editing involved cutting together a non-linear story encompassing multiple locations while also integrating VFX in the form a green screen poor mans process in Adobe After Affects and dynamic linking to Premiere for a seamless workflow. Workflow also involved maintaining of original 5K RED footage metadata throughout the entire post production process for the DP's to be able to color correct and grade at full quality without any need to transcode.

Gaffer on an Oreo spec ad written and directed by Will Bond. ARRI Skypanel, Joker HMI's, and multiple frames of diffusion used to create a very soft, monochromatic look.

Assisted in camera related duties including occasionally pulling focus for a music video written and directed by Liam Jordan for local musician Kim Logan.

1st AC on anti smoking PSA written and directed by Mitchell Cornish. Shot on Panasonic Varicam LT primarily on a 100mm prime lens with a constant T/2.1 aperture at 5000 ISO.

Second Unit Director of Photography working with DP Jeremy Teran to film several sports and athletes at the IMG Academy in Bradenton, FL for a promotional video.

Camera operator and occasional 1st AC on a Coors Lite spec ad written and directed by Nick Dello Russo.

Assisted both A and B cameras during pre-production and production on Kevin Smith's anthology film "Kilroy Was Here". Primary B camera assistance includes battery & media management, RED camera technical assistance, preparation of camera shoulder setup, and general camera maintenance.

Performed standard 1st AC responsibilities, including wireless focus pulling via ARRI WCU-4, maintenance of Panasonic Varicam LT, and video village. Written and Directed by Joshua Jordan.

Operated B-Camera & Steadicam, short film written and directed by Johanna Hartzell.

Performed standard grip responsibilities, including use of Fisher 11 dolly. Written and directed by Devon Collins.

Oversaw all cinematography aspects of this short film, including lighting, shots, and color correction/grading. Written and Directed by Keishen Lloyd.

Responsible for shooting and editing internal and client based content for Samsung, Intel, Jim Beam, and more at Leo Burnett in Chicago, IL.

Provided secondary camera angles for a commercial featuring a local yoga wear brand.

Provided high quality color correction and grading for a short film made for the West Coast Black Theater Troupe.

Responsible for capturing B-Roll of wildlife, landscapes, and interesting details on location in a nature preserve. Operated Sony α7s with telephoto lenses, shooting in S-Log2 gamma.

Christmas 2016 commercial for the Boys & Girls Clubs of Sarasota County. Responsible for following a single kid and documenting his experiences while attending the annual Boys & Girls Club Christmas event.

Worked with Director to set intended mood with light and cinematography. Operated RED Scarlet over a two day period with a mix of interior and exterior shooting.

Writer, Director, and Editor of Sci-Fi Apocalypse drama about a father and son living in a bunker.

Operated DJI Ronin-M with Sony a7s

Worked with Director of Photography to help achieve Director’s vision. Responsible for pulling focus, shot logging, and overall maintenance of the RED Scarlet camera.

Responsible for capturing alternate camera angles, inserts, and B-Roll. Operated Sony α7s with the intent of matching with the main camera, a RED Scarlet.

Narrative drama adapted from a play. Shot entirely in a public restroom, forcing creative camera and lighting techniques.

Drama with zombies shot in a single evening. Loose camera movement shot mostly with a Glidecam.

Narrative drama for my final Sophomore Directing project. Based on a script excerpt from the book of sides.