Ben Clerveaux

I helped to deliver transparent and timely assistance to all departments in need of professional production assistant services with a group of nomads.

I work side-by-side with award-nominated director are R. Malcolm Jones in achieving a subtle creepy camera movements and utilized advanced blocking and communication techniques filling in when the Assistant director was out.

I worked hand-in-hand with the Director of Photography operating the second camera and assisting with the first camera when necessary as well as setting up the marks for talent and assisting with blocking and unconventional creative shooting techniques.

I was except Runner and assisted with key information in regards to Miami and Miami Beach locations, places to eat, and local legalities about shooting. I also have to get some killer Miami Cuban coffee on set.

Assisted with vendor relations and casting assistant in directing talent of where to go and what to do. I also facilitated rental pickup and delivery with box trucks.

I helped to manage a group of freelancers to create an award nominated film within 48 hours for the 2017 48 hour film competition.

I was apart of the team of nomad's who helped put together this brilliant story. I helped rig and setup some custom setups and assisted with finding crew and talent for the camera and electric team.

I served as Production assistant Media Manager for Season 2's shooting for the Taste The Islands PBS and helped with equipment management and logistics of the set.

I was a Rigging Electrician on a part of some of the most talented behind the scenes workers in the east coast for the USA Network Television Show Graceland.

I was assisting in the load out of all equipment and items related to fixtures temporarily placed in residences and businesses. We used the faculties of the genie, forklift, and other modalities to transport and efficiently wrap hundred of bulbs, cables, and power tie-ins and cabling.

I was in charge in assisting and maintaining all electrical conduits and provide power to all departments available with assistance and guidance from key personelle. The shoot was a blast and the results are phenomenal!

During the pilot episode I worked with a team of professionals in powering, maintaining, and equipping all departments during company moves on location, and worked out power distribution and assured that the crew and talent were provided for during quick changes and shifting schedules.

I was in charge in powering, maintaining, and equipping all audio/visual departments during company moves on location, through 110V or 220V connections and worked out power distribution and assured that the crew and talent were provided for during quick changes and shifting schedules.

We custom built lighting fixtures on set for dolly moves and for custom video interactive backgrounds. We also rigged custom lights on the dolly.

We custom built lighting fixtures on set for dolly moves and for custom video interactive backgrounds. We also rigged custom lights on the dolly.

We lit a 20x20 greenscreen for keying and also did special work for the talent, highlighting features and softening physical imperfections through light masking. I worked out power distribution and assured that the crew and talent were provided for during quick changes and shifting schedules.

I was in charge in powering, maintaining, and equipping all departments during company moves on location, and worked out power distribution and assured that the crew and talent were provided for during quick changes and shifting schedules.

It was my responsibility to assist the producer and the cinematographer directly with what they needed when they needed in a timely and organized manner with some of the best lighting available.

I worked with two other individuals in technical lighting and direction of utilities for a variety of scenes involving veterinarians pet owners and indoor/outdoor environments and providing power and connectivity weather it be rain or shine.

In charge of all aspects relating to creative lighting, camera, and look.

In charge of camera's, blocking, lighting, and exposure. I also was in charge of maintaining happiness on set under a tight budget and pressing schedule.

It was my job to assist the producer and the grip department with what they needed when they needed in a timely and organized manner with courteousness and professionalism. The clients were well pleased.

It was my duty to make sure all media whether audio or visual was utilized correctly, without glitch or error and backed up to various hard drives, then verified for consistency and shipped out safely to a headquarters in California every night.

I was hired to create fantastic imagery for an action seen that cannot be revealed at this time as the film has yet to be released.

I directed a series of highly talented musicians as well as an extremely proficient crew in creating a powerful television pilot that was to be submitted to broadcast networks.

It was my job to extract the most out of the actors performances while keeping the crew and general budget in check.