Brittney Hazley

I was responsible with collaborating with 2 other people to construct and paint the set pieces that were used in the play. The main set piece being an 11 ft. x 6 ft. arch with a large open cross center.

I was responsible for assisting in applying general special effects makeup to a few extras.

I assisted the Production Designer in buying building materials/set dressing/props/wardrobe, oversaw the building of the set alongside her, and tried to carry out the set dressing and assembling of the sets, according to her designs, to the best of my abilities. During production, I was in charge of working with the camera crew to help move set pieces and keep continuity with the set dressing/wardrobe/food.

As production designer, I was responsible for the overall look and design of all the film's sets and characters. I put together set/wardrobe morgues, designed each set down to the set dressing in Vectorworks, created a budget for building materials/set dressing/props/wardrobe, oversaw/contributed to the building of each set, collaborated with my art director to find and set in place the proper set dressing/props/wardrobe, and did my best to see to it that the overall look and tone of the film was the best balance between the director's initial vision, as well as mine, given our micro budget.

I was responsible for making fake blood, prosthetic pieces, and applying general special effects makeup to the principle actors.

I came up with a concept, put a crew together, sought out the topic, oversaw all filming, conducted all of the interviews, managed the crew's duties, and oversaw all of the editing.

I was responsible for setting up and scheduling the auditions, having the character sides ready for the incoming actors, getting all of their information when they come in, explaining what's expected of the scene's tone, asking the actors questions to get a better firsthand impression of them, giving the actors directions to better their performance, organizing the call backs, and collaborating with the director in choosing the most fitting talent for the role.

It was my job to come up with designs for the main set dressing, find materials and set pieces, and put it all together during pre-production. During production, I was in charge of keeping continuity and working with the camera crew to move particular pieces in order to better cheat shots.