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Blake Brewer

Atlanta, GA

http://staffmeup.com/profile/blakebrewer

Education Recommendations

Summary

Message

My experiences, throughout the last 10 years working as a 1st AD, have allowed me to achieve a high level of efficiency, incredible organization, precise cast and crew management, but also the flexibility and adaptability needed to find fast solutions.

Credits

3/23 – 5/23

First Assistant Director – Black Spines

Film (Feature-length) — Amasia Entertainment

3/23 – 5/23

8/22 – 10/22

First Assistant Director – Audrey's Children

Film (Feature-length) — Amasia Entertainment

8/22 – 10/22

1/22 – 4/22

First Assistant Director – First Wives Club (Season 2)

BET — TV — BET Productions

1/22 – 4/22

9/21 – 12/21

First Assistant Director – Happiness for Beginners

Netflix — Film (Feature-length) — Netflix

9/21 – 12/21

5/21 – 8/21

First Assistant Director – The Noel Diary

Netflix — Film (Feature-length) — Netflix

5/21 – 8/21

1/21 – 4/21

First Assistant Director – First Wives Club (Season 1)

BET — TV — BET Productions

1/21 – 4/21

6/20 – 1/21

First Assistant Director – Dotty and Soul

Prime Video — Film (Feature-length) — Footprint Film 5, LLC

6/20 – 1/21

10/20 – 12/20

First Assistant Director – Unbreakable Boy

Lionsgate — Film (Feature-length) — Kingdom Story Company

10/20 – 12/20

9/20 – 10/20

First Assistant Director – Shadrach (Season 1)

Disney+ — TV — Triple Horse Studios

9/20 – 10/20

5/20 – 6/20

First Assistant Director – The Greatest Inheritance

Pureflix — Film (Feature-length) — The Mustard Seed Production Corporation

5/20 – 6/20

7/19 – 9/19

First Assistant Director – The Time Capsule

Film (Feature-length) — Cold Iron Pictures

7/19 – 9/19

4/19 – 6/19

First Assistant Director – Son of the South

Prime Video — Film (Feature-length) — LUCIDITY Entertainment LLC

4/19 – 6/19

3/19 – 5/19

First Assistant Director – A Genie's Tail

Showtime — Film (Feature-length)

3/19 – 5/19

9/18 – 10/18

First Assistant Director – Avalanche

Film (Feature-length) — Green Elephant Films LLC

9/18 – 10/18

7/18 – 10/18

First Assistant Director – Beyond The Night

Film (Feature-length) — Reckless Productions

7/18 – 10/18

4/18 – 5/18

First Assistant Director – Nose To Tail

Film (Feature-length) — Monolith Pictures

4/18 – 5/18

1/18 – 3/18

First Assistant Director – Through The Glass Darkly

Film (Feature-length)

1/18 – 3/18

12/17 – 12/17

First Assistant Director – Radiant Images

JBC Lifestyle — Advertising — Radiant Images

12/17 – 12/17

11/17 – 11/17

First Assistant Director – Cyberia

Toyota — Advertising — Cyberia Media

11/17 – 11/17

First Assistant Director – Tamara Mellon

Non Frontline — Advertising — Tamara Mellon

11/17 – 11/17

8/17 – 10/17

First Assistant Director – The Tomorrow Man

Film (Feature-length) — Sunblast Productions Inc.

8/17 – 10/17

4/17 – 5/17

First Assistant Director – Porthole

Film (Feature-length) — General Films

4/17 – 5/17

2/17 – 2/17

First Assistant Director

Advertising — CALAIS Entertainment

2/17 – 2/17

First Assistant Director – Pereira O'Dell

Timberland — Advertising — CALAIS Entertainment

2/17 – 2/17

12/16 – 12/16

Field Producer – Tailgaters (Season 1)

A&E — TV — Monolith Pictures Details

12/16 – 12/16

I was responsible for conducting interviews and directing story and talent. I was also responsible for guiding certain shots and looking for "in the moment" situations that could drive the story further.

12/16 – 12/16

First Assistant Director – Tailgaters (Season 1)

A&E — TV — Monolith Pictures

12/16 – 12/16

11/16 – 12/16

First Assistant Director – Oh Lucy!

Film (Feature-length) — Meridian Content

11/16 – 12/16

10/16 – 11/16

First Assistant Director – The Awakening

Film (Feature-length) — Monolith Pictures

10/16 – 11/16

9/16 – 9/16

First Assistant Director – Ananya - Living the Life, Spread the Love

Music Video — Rebel of America

9/16 – 9/16

7/16 – 9/16

First Assistant Director – And Then I Go

Film (Feature-length) — World of Color, LLC

7/16 – 9/16

5/16 – 6/16

First Assistant Director – The Relationtrip

Film (Feature-length)

5/16 – 6/16

4/16 – 4/16

First Assistant Director – Swim

Film (Short) — Vanishing Angle

4/16 – 4/16

2/16 – 2/16

First Assistant Director (Field Producer) – Outnumber Hunger (Season 2)

CMT — TV — Taillight TV / Anthem Pictures

2/16 – 2/16

11/15 – 12/15

First Assistant Director – After Party

Film (Feature-length) — Monolith Pictures

11/15 – 12/15

10/15 – 11/15

First Assistant Director – A Different Sun

Film (Feature-length) — Monolith Pictures

10/15 – 11/15

8/15 – 9/15

First Assistant Director – Trafficked

Film (Feature-length) — KK Ranch Productions

8/15 – 9/15

7/15 – 8/15

First Assistant Director – Offside

Film (Feature-length)

7/15 – 8/15

6/15 – 7/15

First Assistant Director – Amy Makes Three

Film (Feature-length) — Monolith Pictures

6/15 – 7/15

5/15 – 5/15

First Assistant Director – Wake Up America! (Pilot)

Internet — TV — VRRMM!

5/15 – 5/15

1/15 – 3/15

First Assistant Director – Folk Hero & Funny Guy

Film (Feature-length) — Chhibber Mann Productions

1/15 – 3/15

10/14 – 12/14

First Assistant Director – The Lennon Report

Film (Feature-length) — Francisco Productions

10/14 – 12/14

9/14 – 10/14

First Assistant Director – Goetia

Film (Feature-length) — Black Drone Media

9/14 – 10/14

8/14 – 9/14

First Assistant Director – Summer of 8

Film (Feature-length) — Favorite Five LLC

8/14 – 9/14

7/14 – 7/14

First Assistant Director – Kadence

Film (Short)

7/14 – 7/14

6/14 – 7/14

Second Assistant Director – Secret Life of Me

Film (Feature-length) — Caliban Pictures Details

6/14 – 7/14

I'm responsible for the Call Sheets, Production Reports, Exhibit G's, SAG paperwork and handling the ensemble of extras.

5/14 – 5/14

First Assistant Director – The Pink Sorrys

Film (Short) — Black Poppy Productions Details

5/14 – 5/14

I was the 1st Assistant Director on set. I was responsible for building the schedule in MMS, filling out the call sheets, directing the background actors and managing the set.

10/13 – 4/14

First Assistant Director (Producer) – Kensho at the Bedfellow

Film (Feature-length) — Adiuvo Productions / Bedfellow LLC Details

10/13 – 4/14

I was the Producer/1st Assistant Director on set. I was responsible for getting and managing all the locations, hiring the crew, renting the equipment, SAG paperwork, deal memos, permits, building the schedule in MMS, directing the background extras and coordinating everyday filming in NYC and LA.

12/13 – 12/13

First Assistant Director – The Market Trip

Film (Short) — Foak Productions Details

12/13 – 12/13

I was the 1st Assistant Director on set. I was responsible for building the schedule in MMS, filling out the call sheets, drawing up a floor plan of the location, directing the background actors.

10/13 – 10/13

First Assistant Director (Producer) – If the Trees Could Talk

Film (Short) — Runaway Productions Details

10/13 – 10/13

I was the Producer/1st Assistant Director on set. I hired the crew, managed locations, built the schedule in MMS, did the call sheets, deal memos and SAG paperwork.

5/13 – 5/13

Field Producer – 180º Vivar - We Lost a Friend

Music Video Details

5/13 – 5/13

I was the Producer on set. I hired all the crew and helped with all the locations.

3/13 – 3/13

Producer (Director/Writer/Editor) – Last Round

Film (Short) Details

3/13 – 3/13

I was the Director/Producer/Writer on set. I hired the crew, managed the locations and helped design the creature. I was the Editor in post production.

10/12 – 10/12

Director (Producer/Editor) – Black Days (Pilot)

TV — Automatic Art Pictures Details

10/12 – 10/12

I was the Director/Producer on set. I hired the crew. I was one of the Editors in post-production.

7/12 – 8/12

Director (Producer) – Bob and Me

Film (Feature-length) — Automatic Art Pictures Details

7/12 – 8/12

I was the Director/Producer on set.

6/12 – 8/12

Set Production Assistant (Set Production Intern) – They Came Together

Film (Feature-length) — Lionsgate Details

6/12 – 8/12

Worked in various dept. but focused in sound.

6/12 – 6/12

Director (Field Producer) – NYC Time Square's Naked Cowgirl - Ride it Like a Cowgirl

Music Video Details

6/12 – 6/12

I was the Director/Producer on set. I was the editor in post production

5/12 – 5/12

Producer (Director/Writer) – Dark Shield

Film (Feature-length) Details

5/12 – 5/12

I was the Director/Writer/Producer on set. I hired all of the crew, found and managed all the locations, attained pyrotechnic permits for the state of New Jersey.

1/12 – 5/12

Intern (Control Room Assistant) – Late Night With Jimmy Fallon (Season 4)

NBC — TV — NBC Universal Details

1/12 – 5/12

Assistant to the Director and Technical Director during pre-production and production of the show. Managed the daily schedule and monthly calendar as well as, supervised the recording of the show and show promos.

1/12 – 5/12

Intern (Photography Department) – Saturday Night Live (Season 37)

NBC — TV — NBC Universal Details

1/12 – 5/12

Assistant to the head photographer. Set up all photo shoots for hosts and musical guests including any cast or skit photos needed for specific shows. Took behind the scenes photos during all dress rehearsals for the 37th season.

4/12 – 4/12

First Assistant Director (Editor / FCP) – Bailen Brothers - I Just Wanna Dance

Music Video Details

4/12 – 4/12

I was the 1st Assistant Director on set. I was the Editor in post-production.

3/12 – 3/12

First Assistant Director – Stolen Jules

Film (Short) Details

3/12 – 3/12

I was the 1st Assistant Director on set. I built the schedule, distributed call sheets to the crew and directed the background extras.

10/11 – 11/11

Producer (Director/Writer) – Ginger

Film (Short) Details

10/11 – 11/11

I was the Writer/Director/Producer of the film.

10/11 – 10/11

First Assistant Director – Mate

Film (Short) Details

10/11 – 10/11

I was the 1st. Assistant Director on set. I built the schedule, distributed call sheets to the crew and directed the background extras.

6/11 – 8/11

Director (Writer/Editor) – Zlodej

Film (Short) Details

6/11 – 8/11

I was the Writer/Director of the film. I worked exclusively with a translator to direct the entire Czech cast. I was the editor in post-production.

View 55 More Credits

Unions

Directors Guild of America (DGA)

Self ID

I identify with the following groups:

Military/Veteran

Recos

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Education

Film and Television School of Academy of Performing Arts (FAMU)

Master Class in 35mm Filmmaking

New York University, Tisch School of the Arts

Bachelor of Fine Arts in Film and Television

Skills

Producing
Television
Video Production
AVID Media Composer
Directing
Documentaries
Film
Film Production
Final Cut Pro
Music Videos
Video Editing
Screenwriting
Short Films
Movie Magic
Celtx
Microsoft Office Suite
assistant directing
Final Draft Pro
Movie Magic Scheduling 6

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