Milo Teplin

Coordinated all props, logistics, locations and personnel & counselled the director on how best to proceed.

I trained the actors in the necessary violence, and created/applied all of the gore makeup.

I was in charge of logistics and planning, and in that capacity I ensured that all personnel were informed, fed, and had completed all necessary paperwork. I also assisted in securing locations and extras, as well as doing some set design and procuring props.

I edited, color corrected, and titled all footage and arranged for a soundtrack, which I also edited in.

I choreographed and directed a sword fight (of which I was a participating actor), two falls, a choke scene, and a groin punch scene in the single-shot short film "Boom Up!". I also procured all necessary props for those scenes.

I found and hired the motorcyclist and directed how he would interact with the product and his motorcycle, as well as operated the camera, and edited.

I collaborated with the artist and the dance choreographer I hired to create the plotline of what we'd shoot, then worked with the choreographer and cinematographer to finalize a storyboard. I then directed the dancers, lighting crew and cinematographer as to how we would arrange the picture.

I operated the camera at the live event, as well as maintained the equipment and built my station, including all cables.

I assisted the 1st AD on episodes 5 & 7 of season 1 for the webseries "Method or Madness".

I was in charge of all logistics and planning, as well as organizing all personnel, props, paperwork, and equipment. I was on hand during all of shooting to take care of anything that would have taken the director away from camera/set.

I was in charge of all logistics and planning, as well as organizing all personnel, props, paperwork, and equipment. I was on hand during all of shooting to take care of anything that would have taken the director away from camera/set.

I was in charge of all logistics and planning, as well as organizing and securing personnel, locations, props, paperwork, and equipment. I was also directed all stunts, including the lead actress being dragged by a speeding car.

I wrangled a giant floating glowing cube. And a tiny one.

I choreographed all fight scenes for the movie, as well as created the mechanism by which one of the actors appeared to have blood shooting from their forehead as they were shot form behind.

I wrote, shot, edited the short film as well as directed the actors as to how to interact with the space and the material. I also arranged all locations, props, and costumes.

I was the Head PA on the short film "Family Feast".

I was in charge of all logistics and planning, as well as organizing all personnel, props, paperwork, and equipment, as well as driving the cube truck. I was on hand during all of shooting to take care of anything that would have taken the director away from camera/set.

I was in charge of all logistics and planning, as well as organizing all personnel, props, paperwork, and equipment. I was on hand during all of shooting to take care of anything that would have taken the director away from camera/set.

I researched the subject matter of the documentary and created a list of questions, tracked down all relevant interviewees, arranged all travel and lodging for the duration of the shoot in France, operated B camera, documented the making of the film, and updated the investors via Kickstarter.

I was in charge of all logistics and planning, as well as organizing all personnel, props, paperwork, special effects, and equipment. I was on hand during all of shooting to take care of anything that would have taken the director away from camera/set.

I wrote, shot, edited the short film as well as directed the actor as to how to interact with the space and the material. I also arranged all locations, props, and costumes.

I was in charge of organizing all personnel, props, locations, and equipment. I was also on hand to take over as producer when the producer walked off the set on day two.

I filmed, edited, and uploaded all content to which I was assigned, and then wrote an accompanying article.

I was in charge of organizing all personnel, props, paperwork, and equipment. I was on hand during all of shooting to take care of anything that would have taken the 1st AD away from the director.

I was in charge of organizing all personnel, props, paperwork, and equipment. I was on hand during all of shooting to take care of anything that would have taken the 1st AD away from the director.

I shot, edited and uploaded footage of all shows displayed on the runways to which I was assigned.

I shot and edited interviews, premiere events, and making-of footage for the feature film "Rosencrantz and Guildenstern are Undead".

I shot the entire concert and then edited live music videos from the footage.

I edited all footage shot documenting the making of the music video for Jordan Galland's "Free Love".

I shot and edited the behind the scenes interview with the director of the music video for Dopo Yume's "The Postcard".

I secured the location, and extras, and operated the camera for the music video, as well as edited the footage afterward.

I maintained all equipment and assisted the fight choreographer in demonstrations.