Brian Petillo

Secured location, Managed SAG certification and paperwork, organized crew, and acted as on-set producer. Oversaw production from prep to completion.

Hired and managed crew, shot and recorded audio for interview shoots, organized appearance releases and deal memos, booked travel accommodations for interview shoots, liaised with interviewees and outside vendors for digital assets and archive media, worked with lead editor to create story outline, oversaw the creation of trailers and promos, managed equipment rentals, made expense reports and overall payroll

Produced shoots both on set and in the field. Liaised with celebrity talent for shoots, including Tony Hawk, Bryan Cranston, Weezer, Tom Morello, Blink 182, Green Day, U2, and others. Hired and managed crew for domestic and international filming. Booked travel and accommodations for talent and crew. Worked closely with the line producer to budget shoots. Supervised and managed editing/post teams and delivery deadlines. Managed administration and paperwork – contracts, releases, COIs, POs, P-Cards, etc.. Liaised with outside vendors, clients, and production partners. Licensed and organized archival media. Researched, story produced, and wrote outlines for projects both in development and production. Oversaw the creation of pitch materials. Managed film distribution department. Managed all equipment inventory – including purchasing, upkeep, and rentals.

Hired and managed crew, organized location permits & deal memos, liaised with Flappers Comedy Club managers for full shooting access, operated camera, oversaw post-production and deliverables schedule, created pitch materials, managed equipment rentals, story produced the pilot, made expense reports and managed payroll

Researched and wrote the story outline for the final cut, hired and managed crew, shot and recorded audio for interview shoots, organized appearance releases and deal memos, booked travel accommodations for interview shoots, liaised with interviewees licensed archival media, obtained digital assets from outside vendors, oversaw the post-production process including final cut, trailers, promos, DVD special features, managed equipment rentals, edited interview and story stringouts, made expense reports, managed payroll, and produced the premiere event at the 2018 Indy 500

Hired and managed crew, organized appearance releases and deal memos, booked overseas travel accommodations, liaised with Goodwood Feastival of Speed event managers for full on-location shooting access, oversaw post-production and release schedule, managed equipment rentals, story produced main and bonus episodes, made expense reports and managed payroll

Hired and managed crew, created callsheets, booked travel accommodations for out of state shooting & location scouting, oversaw budget with line producer, obtained COIs & shooting permits, licensed archival media, liaised with outside vendors for digital assets & post-deliverables, oversaw the post-production process including final cut, trailers & promos, managed equipment rentals, made expense reports, managed payroll, and produced the national theatrical release

Hired and managed crew, organized appearance releases and deal memos, booked overseas travel accommodations, liaised with Goodwood Feastival of Speed event managers for full on-location shooting access, oversaw post-production and release schedule, licensed archival media, managed equipment rentals, story produced main and bonus episodes, made expense reports and managed payroll

Liaised and shot with celebrity talent for interviews such as Tony Hawk, Jimmy Kimmel, Weezer, Tom Morello, Blink 182, Green Day, and U2. Booked crew and handled payroll. Managed equipment rentals. Organized and supervised interview and B-roll shoots. Ran second camera and audio recordings. Managed all media. Supervised post-production team and worked closely with the lead editor to create the sizzle reel. Wrote pitching materials and the 6-episode story outline.

Organized shoots across LA - including a standup comedy night at Resident, liaised with talent, lead a small field crew for verite-style filmmaking, recorded sound, Cam Op'd

Scheduled and organized multicam shoot, hired crew, oversaw on-set operations, managed equipment rentals, managed payroll, managed/DIT media, operated B-Cam, oversaw post production and final delivery to BrainFuel

Hired and managed crew, organized appearance releases and deal memos, booked travel accommodations, liaised with Rennsport event managers for full on-location shooting access, oversaw post-production and release schedule, managed equipment rentals, story produced main and bonus episodes, made expense reports and managed payroll

Cast, organized, and scheduled photo and film shoots for the video segments in the Jerry Seinfeld produced play, "Letters From A Nut", which played at the Geffen Playhouse in Los Angeles from 6/17 - 7/17.

Managed media and ran 3rd camera for all pre-recorded skits.

Created rough cuts for lead editor to build into the feature, created interview & story cuts, licensed archival media, obtained digital assets from outside vendors, did extensive subject research to ensure historical accuracy, managed equipment rentals, shot interview & B-roll footage, and edited the theatrical trailer

Managed equipment rentals and camera testing, operated B Camera on Canon C300

Organized shoot at Buttonwillow Raceway, liaised with main subject, lead a small field crew for verite-style filmmaking, recorded sound, ran festival outreach/submissions.

Scheduled and budgeted the film, oversaw reshoots and the post-production process, wrote and distributed callsheets for the cast and crew, hired crew and oversaw all paperwork, ran set and delegated on-set tasks to PA team.

Worked closely with the actors to coordinate their transportation, lodging, on-set arrival times, and paperwork, directed multiple second unit scenes, including one with Oscar Nominee Bruce Dern, Managed the creation of Exhibit G’s for SAG actors and release forms for non-SAG/extras, Delegated on-set tasks to PA team