Summary

After spending the past year abroad in Europe, I am seeking editorial employment in New York. Having studied both film production and graphic design, I am well versed in media and technology across multiple platforms.

Credits

6/16 – 7/16

Assistant Editor (Final Cut Pro) Flood

Global Asylum — Film (Theatrical) — The Asylum Details
6/16 – 7/16

I was responsible for offline preparation and online workflow settings. Ingesting and transcoding media, backing up drives, syncing audio, linking subclips, creating bins, shot-checking, and creating dailies to be viewed by department heads.

6/16 – 7/16

Assistant Editor (Final Cut Pro) Mom, Tommy Made a Dinosaur

Global Asylum — Film (Theatrical) — Dark Continent, LLC Details
6/16 – 7/16

Ingesting media, backing-up drives, transcoding media, syncing audio, linkling subclips, creating bins, shot-checking, and creating dailies to be viewed by department heads.

5/15 – 6/15

Assistant Editor (Final Cut Pro) Sharknado 3: Oh Hell No!

Syfy — Film (Theatrical) — The Third One LLC Details
5/15 – 6/15

My duties included ingesting media, backing-up drives, transcoding media, syncing audio, linking subclips, creating bins, archiving footage, and creating dailies to be viewed by department heads.

5/15 – 6/15

Assistant Editor (Final Cut Pro) Martian land

Global Asylum — Film (Theatrical) — Asylum Entertainment Details
5/15 – 6/15

I was responsible for offline preparation and online workflow settings. Ingesting and transcoding media, backing up drives, syncing audio, linking subclips, creating bins, shot-checking, and creating dailies to be viewed by department heads.

3/15 – 5/15

Assistant Editor (Final Cut Pro) Sharknado: Heart Of Sharkness

Film (Theatrical) — Cinedigm Details
3/15 – 5/15

Halfway through the documentary, Feeding Frenzy, the producers decided to create a fictional version of the documentary. I was responsible for cross-pollenating archived footage of both real and fictional interviews to support this fictional story, in addition to typical AE duties.

2/15 – 5/15

Assistant Editor (Final Cut Pro) Sharknado: Feeding Frenzy

Global Asylum — Film (Theatrical) — Slightly Distorted Productions Details
2/15 – 5/15

I conducted research, archived footage, sorted BTS footage, online articles, videos, and Sharknado fan content from the past 3 years. I condensed long interview sequences, regulated audio track layers, edited credit sequences, and added lower thirds to interview speakers.

8/14 – 9/14

Assistant Editor (Final Cut Pro) Hansel VS Gretel

Global Asylum — Film (Theatrical) — Asylum Entertainment Details
8/14 – 9/14

My responsibilities included ingesting media, backing-up drives, transcoding media, syncing audio, linking subclips, creating bins, shot-checking, and creating dailies to be viewed by department heads. I often had to toubleshoot to salvage problematic audio files.

6/13 – 8/13

Post Production Intern (Summer Internship) Rizzoli & Isles 4

TNT — Scripted (TV) — Warner Horizon Scripted Television Details
6/13 – 8/13

Working closely with editors and post department, I was responsible for preparing and delivering dailies and cuts for the studio and network. I answered and rolled calls in a fast paced environment. I commonly practiced online editing using AVID Media Composer with feedback from editors.

Media

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Education

Class of '16

Florence Institute of Design International

Master of Graphic Design
Class of '15

Pepperdine University

B.A. in Film Studies with Production Emphasis

My Gear

  • Adobe Creative Suite
  • Macbook Pro

Affiliations

  • New Filmmakers LA

Skills

  • Adobe After Effects
  • Adobe Illustrator
  • Adobe InDesign
  • Adobe Photoshop
  • Adobe Premiere
  • Avid Media Composer
  • Branding
  • Digital Illustration
  • Final Cut Pro
  • Graphic Design
  • Italian Language
  • Motion Graphics