Location Scouted with direcor. Created Prelim budget (2M) and Schedule (27 Days). Consulted with local film office and vendors.
Summary
Show up early, work hard, stay late. Pen and paper type of person. Performs well in chaos.
Credits
3/21 – 3/21
Line Producer (Prelim) – The Wound Wood
Film (Feature-length) — Black Kettle Films Details
3/21 – 3/21
1/21 – 2/21
Production Manager – Intocable (documentary)
Prime Video — Film (Short) — Amazon Music Details
1/21 – 2/21
Hired crew and handled day-to-day logistics for an Amazon Music episodic documentary. Worked under senior producer to put together a documentary production under tight deadlines. Vetted local and non-local camera team, Grip/Electric, HMU, and Wardrobe for a skeleton shoot at the Texas-Mexico border. Coordinated gear rental, insurance, and transportation for all departments. Scheduled a three-day prep/shoot covering interviews and dynamic B-roll. Administered COVID rapid testing, PPE, and distancing guidelines. Maintained a safe, professional, and efficient workspace during location filming and company moves. Delegated daily runs and errands to Production Assistants. Oversaw budget, negotiated rates, tracked spending, totaled invoices, paid crew, filed expense reports.
10/20 – 1/21
Producer – In a Sea of Land
Film (Short) — Distant Fringe Details
10/20 – 1/21
Produced shot and Directed the short documentary "In a Sea of Land" During a month of nomadic living through the Southwest I stayed in a Thirty-two resident ghost town for a portion of the tip. The owner of the town’s oldest property, Josh, was kind enough to share the towns’ history as well as his own. Shot on 16mm film. www.inaseaofland.com
10/20 – 10/20
Line Producer (Prelim) – The Lot (Pilot)
TV — The Lot, LLC Details
10/20 – 10/20
Full script breakdown, prelim budget (2M), and schedule (25 days). Worked alongside producers to create several versions of the budget.
1/17 – 12/19
Producer – Nesting Dolls
Prime Video — Film (Feature-length) — Fat Panda Productions Details
1/17 – 12/19
Review early drafts of scripts. Assemble inital breakdowns, budgets, and schedules. Raise money for shooting from investors and crowdfunding. Location scout with key department heads to asses the needs of the production. Hire crew and manage legal paperwork. Secure insurance. Negotiate deals with vendors for equipment. Successful execution of 19 day shoot with 25 person crew. Oversee edits and finalization of the cuts. Coordinate smooth transfer of assets to Sound Supervisor and Post Supervisor for sound design, foley, and Color. Book talent, crew, and locations for ADR recording. Submit film to festivals and arrange meetings with distributors. Negotiate deal with distributor and oversee delivery of all final assets including marketing materials.
7/19 – 9/19
Associate Producer – The Great Fair (documentary)
Bushwick Film Festival — Film (Short) — Tomorrow TV Details
7/19 – 9/19
Casting research and development. Pre-Production and bookings. Connected with dozens of county and state fairs across the U.S, built a web of contacts for potential doc subjects. Interviewed subjects and presented options to the director. Made all bookings and reservations for a cross-country shoot at 4 state fairs.
8/19 – 8/19
Production Assistant (Art Department) – Ooki Cinema
Online — Advertising — Ooki Cinema Details
8/19 – 8/19
On set wardrobe styling, prop arrangement, last looks, wall decoration, logo masking. Worked under Art Director to create a lively home and office space on a low budget.
6/19 – 8/19
Intern – Declared (Season 1)
ESPN+ — TV — MATTE Films Details
6/19 – 8/19
Booked, picked up, transported, and assembled camera and light packages for skeleton interview shoots all over New York City. Second Unit cinematography, interviews. Managed receipts and petty cash. Tracked departmental expenses. Organized look books and shots list.
Orgs
Recos
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Education
Class of '20
Savannah College of Art and Design
Film Producion
Skills
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