Carlos Camacho

Ensure the camera is operable, battery changes, manage and organize media between two cameras, ensure that Teradeks are properly transmitting video to monitors and internet cloud, discussing and setting up lighting plans for scenes with the DP, organize camera truck.

Ensure the camera is operable, battery changes, manage and organize media for three cameras, ensure that microwaves are properly transmitting video to monitors, prep cameras for interview.

Ensure the camera is operable, battery changes, manage and organize media, ensure that microwaves are properly transmitting video to monitors for field producers, small lighting set-ups at cast house, operate FS700 as B-Cam during Interview Setups, operate the FS700 during challenges and eliminations for specialty coverage.

Ensure the camera is operable, battery changes, manage and organize media between three cameras, ensure that Teradeks are properly transmitting video to monitors and internet cloud, discussing and setting up lighting plans for scenes with the DP, ensuring the Ronin is balanced and operable with Sony A7S, organize camera truck.

Interviews: Organize gear, build cameras, organize media, manage camera settings, assist the DP with lighting based on plan, breakdown camera and lighting gear.

Build, prep, and log gear at each B-Roll location. Operate camera when needed. Media manage B-roll at end of day. Prep cameras for field work. Facilitate gear needed per location with coordinator. Trained in new Shot Glass technology: ensure that cameras are live with Shot Glass, ensure that signal strength is strong enough for broadcast, organize file structure in Shot Glass between ESU and Live. During field work: periodically make sure that focus is critical on locked off camera and that Shot Glass is delivering footage. Offload cards at end of day onto hard drive for courier.

Interviews: Organize gear, build cameras, organize media, manage camera settings, assist the DP with lighting based on plan, breakdown camera and lighting gear.

Cycle cameras through battery and media changes. Ensure microwave signals are being received by producers on wireless monitors. Organize gear and media. Assist B-Camera with B-Roll of location.

Interviews: Organize gear, build cameras, organize media, manage camera settings, assist the DP with lighting based on plan, breakdown camera and lighting gear.

Organize gear, build cameras, manage batteries and media, discuss lighting with DP, assist with lighting, operate locked off camera (riding the iris for outdoor exposure), breakdown gear, media manage.

Build and prep cameras to DP's settings. Organize gear and media. Make cameras operable for field use. Slate for audio sync. Lighting set ups. Set up and manage GoPros. Media manage all shot footage on to back up drives. Break down cameras for shipping.

On location: manage and change batteries and media, ensure microwaves are sending signal to field monitors, manage camera settings, discuss and create lighting plan with DP, gaff, build and balance Ronin. Interviews: ensure camera is in correct settings for green screen interview, organize and manage media, manage camera settings for interview and slow motion shots. (Was on as dayplayer)

Set Lighting, handle all lighting as directed by Best Boy and Gaffer, lay power to lights, production, camera, ensure lights are safely rigged.

Change batteries and tapes, logging and organizing all media, prep Steadicam, interview and elimination set-ups, shoot to relieve camera operators, GoPro set-ups.

Change batteries and tapes, logging and organizing all media, prep Ronin, interview and elimination set-ups, shoot with extra camera body on dana dolly slider.

Communicate with the Camera Operators regarding lighting set ups, rigging, organize G&E gear in van, Interview Set-ups, House builds, delegate tasks for any additional lighting help.

Change batteries, log and organize media.

House build for reality shoot: lay fiber, set up security cameras, build control room, set up antennas, ensured microwave signal

Speak directly with the DP regarding lighting set-ups for scenes, rigging, interview set ups.

House build: laying down fiber, building control rooms, setting up security cameras, ensuring picture from camera was being received in control room. Production: laying down fiber for on location shoots, set up antennas to receive microwave signals, walked perimeters with camera, troubleshoot cameras

Set up and rigging of lights as delegated by the gaffer, interview set-ups, on location.

Assist gaffer with lighting set ups and rigging. Delegate tasks for other electricians.

Change batteries and tapes, logging and organizing all media, time lapse set ups, interview, challenge and elimination set-ups, shoot to relieve camera operators, shoot B-roll

Assist gaffer with rigging and lighting set ups.

Shot stills of all competitors, and action shots during challenges. Organized pictures into a file by shoot date.

Fill coolers, clean dining area for crew, drive vehicles, pick up and drop off talent, assist each department as necessary to the production, escort talent to intros, make sure vehicles and generators were topped off with gasoline.

Change batteries and tapes, logging and organizing all media, interview and on location set-ups.

Prep production for travel, drive vehicles with crew/gear, assist tech, camera, and lighting departments as needed for production, delegate tasks for local PAs.

Communicate with the Camera Operators regarding lighting set ups, rigging, organize G&E gear in van, Interview Set-ups, House builds, delegate tasks for any additional lighting help.

Prep crafty, run tapes to post, accounting runs, cast and crew crafty stock up, bathrooms, lunch set ups, assist camera department as needed by production, delegate tasks to other PAs.

Prep gear for travel, drove equipment cross country and ensured the safe arrival of gear, on location builds for production, organize paperwork and/or receipts. As Camera PA: change batteries, change tapes, log media, label media, clean cameras after use on location, assist the Operators and AC with carrying gear up and down the trails we were shooting.

Assist the DP with rigging for lighting set ups, set up dolly track, level dolly track, delegate tasks to Grips

Prep gear for location shooting, load vehicles, drive vehicles, set up crafty, ensure lunch orders are correctly distributed, assist lighting with rigging and lighting set ups both interview and on location, assist camera with changing batteries and tapes, logging tapes and turning it into post, managing petty cash, AC on b-roll days.

Fill coolers, change trash cans, drive vehicles, help art department with set-ups, block real time foot traffic during shots.

Fill coolers, change trash cans, reset stages after challenges, drive vehicles, lunch orders, research for future episodes.