Summary

I focus on emergent visual technology bridging the intersections of still and moving pictures, pixel mapping, and lighting. In this capacity I work with clients to translate brand strengths into compelling story telling through innovative solutions.

Credits

8/16 – 9/16

Still Photographer New York Fashion Week

Live Event — LDJ/Mike Cohen Photography Details
8/16 – 9/16

Documenting buildout of NY Fashion Week 2016 (September) locations from RAW space, through mid-build, to finished show ready production, for Mike Cohen Photography, on behalf of LDJ Productions.

8/16 – 8/16

Sound Mixer – Holidy Inn Express (Ogilvy)

Commercial/Ad — Jc Productions Details
8/16 – 8/16

Boom op and audio records for Holiday Inn Express commercial with Rob Riggle, on location (multiple) in NYC, Manhattan and Brooklyn.

8/16 – 8/16

First Assistant Camera (redacted)

Alfie Boe & Michael Ball — Music Video — White Wolf (UK) Details
8/16 – 8/16

Assistant Camera/DIT (stills) to Maxwell Dodson for Decca Records/UMG for on location (multiple) shoot with Alfie Boe and Michael Ball. Worked with venue (King's Theatre Brooklyn) to tailor house lighting, and our lighting package to provide optimal aesthetic for shoot. Set up, framed out shots. Ingest, and export for selects, and worked directly with Decca/Universal client team to downselect material for post-production. (Additionally assisted production company based in UK with sourcing NYC EQ)

7/16 – 7/16

Video Engineer The Democratic National Convention - Official Afterparty

Live Event — MKG/IMS Technology Services Details
7/16 – 7/16

Video Engineer for The Democratic National Convention - Official Google Afterparty, responsible for deployment, set up, and running of video solutions including 16 projectors, 5 televisions, and associated data distribution solutions.

7/16 – 7/16

Editor (Mac) The New York Times - Cities for Tomorrow

Live Event — Mike Cohen Photography Details
7/16 – 7/16

Editor/DIT for NY Times Cities for Tomorrow conference. Responsibilities included ingest, sorting, selection, post processing, and uploading edits for client use, in real time, as event progressed, from event coverage team.

6/16 – 6/16

Video Engineer Aspire 2020

Corporate — Cenero Details
6/16 – 6/16

Video Engineer (V1) and video solutions architecting/implementation for Annual TD Bank C Level executives meeting. Responsibilities included speccing out and implementing switching and playback solution for running 4K equivalent resolution (6912 x 1152px) 58 ft wide video wall, and the actual running therof, as well as all video related I/O on project. This included 4 additional destinations , 3 cameras (managed by dedicated camera switcher feeding primary E2 switcher), 2 dedicated video playback media servers, and 5 graphics machines, and blueprinting/risk mitigation in pre-pro. Onsite responsibilities included overseeing/troubleshooting all video data path and system installs, directly running primary switcher (Barco Event Master E2) and directly running media servers.

2/16 – 2/16

Camera Operator ESPN Women of the Year Gala - Impact 25

Live Event — Power Posse Productions Details
2/16 – 2/16

Video Solutions Architecting and implementation in pre-production, using Barco and Panasonic EQ for switching/cams respectively. Camera operator during event.

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My Gear

  • Apple Cinema Display
  • Barco PDS 902 3G
  • Blackmagic ATEM 1M/E Production Studio 4k
  • Blackmagic Video Assist 4k
  • Lots of other gear...
  • Mac Pro
  • Macbook Pro Retina
  • Nikon 24-120 F4
  • Nikon 70-200 F2.8 G
  • Nikon D800
  • Sigma Art 20 F1.4

Skills

  • AC
  • Adobe
  • AJA
  • ARRI
  • Barco
  • BMD
  • Broncolor
  • Camera Operator
  • Canon
  • CaptureOne
  • Christie
  • DIT
  • DP
  • Hassleblad
  • Hog/High End Systems
  • Lightroom
  • Madrix
  • Mayima
  • Nikon
  • Panasonic
  • Phase One
  • Photoshop
  • Profoto
  • RED
  • Resolve
  • Sony
  • V1
  • Video Solutions Architect