Carlos Malache

1st AC + Sound + Grip

Directing photography. Pre-production planning with director, producer(s), crew including but not limited to shot listing, crew and equipment sourcing. Location scouting. Efficient and effective lighting and camera direction for crew and schedule.

B-cam operator. Coordinated documentary coverage for interviews, b-roll sequences according to direction from Director (Erik G Parker), Producer (Rob Gomez) and DP (Justin Ervin).

Pre-production planning with director, producer(s) including but not limited to shot listing, crew sourcing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with producer to maximize shot potential.

Pre-production planning with director, (and sometimes producer(s), writer(s)), including but not limited to recommending schedules, ensuring an accurate equipment package, shot listing, collaboration/planning with other key crew members. Attending location, tech scouts. Planning for efficient and effective storytelling through camera lighting and movement. Direction/delegation for crew. Collaboration with director to maximize shot potential from a story standpoint.

Pre-production planning with director, producer(s) including but not limited to shot listing, crew sourcing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with producer to maximize shot potential.

Pre-production planning with producer(s) including but not limited to shot listing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with producer to maximize shot potential.

Pre-production planning with producer(s) including but not limited to shot listing, crew sourcing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with producer to maximize shot potential.

Pre-production planning with producer(s) and artist including but not limited to shot listing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with director to maximize shot potential.

Pre-production planning with producer(s) including but not limited to shot listing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with producer to maximize shot potential.

Pre-production planning with producer(s) including but not limited to shot listing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with producer to maximize shot potential.

Pre-production planning with producer(s) and artist including but not limited to shot listing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with director to maximize shot potential.

Pre-production planning with producer(s) including but not limited to shot listing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with producer to maximize shot potential.

Pre-production planning with director and producer(s) including but not limited to shot listing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with director to maximize shot potential.

Pre-production planning with director and producer(s) including but not limited to shot listing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with director to maximize shot potential.

Pre-production planning with director and producer(s) including but not limited to shot listing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with director to maximize shot potential.

Pre-production planning with director and producer(s) including but not limited to shot listing. Location scouting. Efficient and effective lighting and camera direction for crew. Collaboration with director to maximize shot potential.

Initial discussions with director. Location planning, shot listing and scheduling. Lighting and camera direction. Collaboration with director, gaffer.

Produced and production managed regional television commercials for Honda, Ford, Toyota, Subaru, Mazda. Shot Tier 3 client commercial footage for Ford, Toyota dealerships in Washington, Louisiana. Shot agency spec commercials for Ford, Toyota, Subaru, Mazda. Shot and edited agency web content, edited client presentation videos and reels.

Initial discussions with director and client. Location planning, shot listing and scheduling. Crew direction and collaboration with director, gaffer, AC, PA, actors.

Initial discussions with director. Location planning, scheduling. Collaboration with director, non-actors.

Creative concept and treatment. Planning for optimal lighting in each location. Shot listing and scheduling. Lighting and camera direction. B-cam operation. Assembly edit. Client interaction and direction/collaboration with camera crew.

Pre-production planning with agency executives and client including but not limited to shot listing, location scouting. Careful scheduling to maximize shot potential. Efficient and effective lighting and camera direction for crew.

Pre-production planning with agency executives and client including but not limited to shot listing, location scouting. Careful scheduling to maximize shot potential. Efficient and effective lighting and camera direction for crew.

KDCU 31 - WICHITA, KANAS Supervised and lead production team Responsible for end-to-end production workflow and scheduling Responsible for quarterly FCC compliance and report filing Traffic and master control coordination to ensure broadcast schedules have content. Produced, shot, directed, edited TV promos and commercials.

Initial discussions with directors and writers. Location planning, shot listing and scheduling. Lighting and camera direction. Collaboration with director, b-cam operator, gaffer, AC, sound recordist, PAs, actors.

KWCH 12 - WICHITA, KANSAS Produced, directed, shot, edited local TV promos and commercials.