Dina Chapman

Hired and supervised story team and five editors. Created season delivery schedule with Post Supervisor. Addressed executive and network notes. Coordinated communication with remote Alaska crew.

Created season story arcs with EP and wrote all episode outlines. Assisted in hiring additional staff and crew. Created daily beat sheets and helped coordinate weekly shoot grid. Supervised three story producers and six editors through post on 10 episodes, addressing all network notes.

Worked with cast (five comedians ranging from headliners to newbies) to identify and develop storylines; wrote detailed outline; scheduled shoot with EP and created daily shot lists; directed talent and crew and ran story in the field; conducted OTF and formal interviews; hired editors and story team and oversaw post.

Wrote episode for first season of newest House Hunters spinoff series.

Developed season story arcs; directed cast of 24 through six intense travel competitions (including emotional teenage girls, and challenging personalities among the parents and coaches) wrote outlines, beat sheets and shot lists; wrote first and last episodes; managed four story producers and six editors through locked cuts on six episodes.

Wrote four episodes for the long-running series.

Six episode series. Oversaw multiple episodes from rough cut through final lock cut and online. Addressed network notes and supervised up to five edit bays daily.

Eight episode docusoap series. Created full episode Avid stringouts; headed up three episodes and worked with multiple editors through fine cut.

Eight episode series. Wrote three episodes. Wrote beat sheets and host wraps for host Billy Ray Cyrus. Did Final Cut Pro stringouts and worked with editors through the post process.

Recreation script writer and story producer. Ten episode series. Wrote recreation scripts and was involved in casting, all production meetings and present in the field for shooting. Also wrote copy for on-screen talent. Produced episode outlines and worked with editors in post.

Wrote treatment and script, daily beat sheets and interview questions; produced daily hot sheets for EPs and execs; directed cast and conducted OTFs in the field; supervised two story editors; did Avid string-outs for editors.

A hybrid of reality TV and scripted sitcom. Produced reality segments and helped write pilot; helped prep and manage reality cast in the field.