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Elen Orson's Profile on Staff Me Up

Elen Orson

Los Angeles, CA

http://staffmeup.com/profile/elenorson

Summary

Message

IATSE 700 (Editors Guild.) Full list of credits on IMDb. Supervising Editor. Films & TV include Drama, Doc, Animation, and Multicam Music. Avid since 1992. Broad experience in production, 35m/m film, sound recording, mixing and editing.

Credits

9/10 – 3/12

Editor (Avid Leica Reel Edit) – Mickey Mouse Clubhouse (Season 4)

Disney Channel — Walt Disney TV Animation Details
9/10 – 3/12

Created "Leica Reel" Edit of program from storyboard sketches. Created dialogue timing and edited musical song sequences to time. Edited sound effects for animation timing. Interfaced with Timing directors, conformed edit to final sheets, integrated clean-up sketches for shipment to production.

9/07 – 2/08

Editor (Avid) – Justice League - The New Frontier

Warner Bros. TV Animation Details
9/07 – 2/08

Editor in charge of all tasks including coordinating retakes, final editorial check for timing, title sequence editing, editorial interface/prep for online.

5/06 – 8/07

Supervising Editor (Associate Producer) – Maynard Dixon - Art and Spirit

Film (Feature-length) — Cloud World Details
5/06 – 8/07

Field Interview Recording. Collecting and Scanning 8,000 images. Creation of Database of images. Trailer Editor. Picture Editor (as Elen Carysfort) of full-length documentary. Music and Effects Editor.

9/90 – 10/90

Editor (Film) – Voices of Leningrad -National Geographic SPecial (Season 10)

PBS — TV — WQED Pittsburg Details
9/90 – 10/90

Edited from dailies to finished mix in association with Supervising Editor Hyman Kaufman.

8/90 – 10/90

Editor (Film) – Infinite Voyage -A Taste Of Health (Season 4)

PBS — TV — WQED West Details
8/90 – 10/90

Sequence Editor, under the supervision of Hyman Kaufman.

4/85 – 8/85

ADR Editor (Dialogue Editor) – Oceanquest

NBC — TV — Gruber-Peters Details
4/85 – 8/85

Dialogue Editor, ADR Supervisor. NBC Mini-series, "Reality-Doc" . Tasks included edit of production sound, interfacing with talent for ADR, scheduling and supervising dialogue mix. Of special note: facility (Neiman-Tiller) was the only existing digital facility in Hollywood; one of the first to employ 24-track sound slaved to picture by timecode.

Recos

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