Summary

Since 2006 I have been working as a freelance Camera Operator ranging from Doc/Reality TV, Corporate Video, to Feature Films. I own my own pro level Digital and Analog Cameras, Lighting, and Sound gear, and am no stranger to the one man band scenario.

Credits

5/23 – Current

Producer/Production Manager/Field Producer/Director/Editor Disease Related Video Interview Series

Online — Corporate — Neurocine Biosciences Details
5/23 – Current

Currently Coordinating Producer for all facets of this video production, which involves drafting budgets, securing locations, hiring crew, and scheduling shoots. Additionally I am the Field Producer & Director, managing the production, approving shots and camera placement, working with DP, Camera, G&E, and Sound, guiding interviews for optimal visual looks, and rich informational quality, expected by my client. Lastly, I am the primary Editor on this project, providing numerous string outs, rough cuts, special edit projects, and final picture locks, according to the clients requests.

4/23 – 4/23

Camera Operator (Sony FX9) Too Large (Season 2)

TLC — TV — Crazy Legs Productions Details
4/23 – 4/23

B-Camera Operator, Verité/Reality Scene coverage, B-Roll, cross coverage, for sensitive weight and health related show content. Additional work included massive green screen set up for Before and After shots, along with OTF's.

4/23 – 4/23

Camera Operator (Sony FX9) NY Homocide (Season 2)

Oxygen — TV — ITV America Details
4/23 – 4/23

B Camera Operator for sensitive, sit down style interview with show subject. Assisted DP in setting up cameras, lighting subject and background for mood, consistent with the show's subject matter. Operated B Camera, making sure interview subject was always in focus and properly framed according to production company standards.

12/22 – 4/23

Camera Operator (Sony FS7 MK2) Breaking the Ice (Season 1)

WE tv — TV — ITV America/Sirens Media Details
12/22 – 4/23

Camera Operator, Lighting set up, assisting Field Producers with staging scenes, capturing story/vérité, B-Roll, GoPro set ups, etc.

1/23 – 1/23

Camera Operator (Sony FS7) First Time Fixer (Season 2)

Discovery — TV — Blind Nil - Magnolia Details
1/23 – 1/23

Camera Operator, duties included collecting verité, cross camera coverage of show talent, hand held walk-throughs of current process of the location, "corners coverage" and detail shots, interiors and exteriors.

6/22 – 11/22

Producer/Production Manager/Editor Medical Malpractice Mock Trial Video Training Series

Online — Corporate — Medical Mutual Details
6/22 – 11/22

I was the Producer, Production Manager, Field Producer, DP, and Editor, for a video series produced for Medical Mutual. The video series focused on a mock malpractice trial that was presented to employees to train them on how their company manages legal defense for their clients in a malpractice situation. The all day event was condensed into 8 separate training videos, intended for internal purposes.

11/21 – 11/22

Producer/DP/Editor Epilepsy Video Series

Online — Corporate — Neurocine Biosciences Details
11/21 – 11/22

I was the Production Manager, Field Producer, DP, and Editor, for a video series produced for Neurocrine Biosciences. The video series focused on interviews with Neurologists and Doctors, with a specialty in this rare disorder, regarding diagnosis & treatments, and also sensitive interviews with caregivers who raise and care for their children afflicted with a rare form of epilepsy that hampers their development during infancy into childhood.

8/22 – 9/22

Producer/Shooter Ugliest House In America (Season 3)

HGTV — TV — Big Fish Entertainment Details
8/22 – 9/22

As Producer/Shooter, my duties and responsibilities included total coverage of the demolition and restoration of Season 03's winning home. I documented complete process with a handheld camera systems, as well as constantly setting up and restating GoPro action camera for timeless process and specialty action shots. Other important coverage included shooting scenes with corporate trade-outs. Additional duties included shipping and receiving trade-outs. Coordinating with lead contractors and contracting teams, collecting releases, and correspondence with the production team as boots on the ground for this production.

Media

Recos

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Education

Class of '98

University of Maryland Baltimore County

BA Visual & Performing Arts - Filmmaking

My Gear

  • Canon EOS 5D Mark III
  • Canon Rebel
  • Arri 4 Light Kit
  • HVX200
  • Sound Devices 302 mixer
  • Eclair NPR 16mm Film Camera
  • Lectrosonics UCR 411
  • Rokinon Cine DS Prime Lens Kit
  • Sennheisser 416 Shotgun
  • Zacuto indie recoil rig
  •  Mac Pro

Skills

  • Editing
  • Photography
  • Field Producing
  • Screenwriting
  • Field Producer
  • Interviews
  • Adobe Premiere
  • Camera Operator
  • Director of Photography
  • Production Managment
  • Cinematography
  • MAC/PC Proficient
  • Lighting
  • Final Cut Pro X
  • DaVinci Resolve
  • Producer/Shooter
  • Adobe Photoshop
  • Adobe After Effects
  • DIT
  • Boom Operator
  • Digital Asset Management
  • Sound mixing
  • time lapse
  • Canon EOS C300
  • storyboards
  • ShotPut Pro
  • concept art
  • Story Art
  • Analog (Film) Cinematography
  • Sony FS7 MK1
  • Sony FS7 MK2
  • Canon EOS 5DM3