Summary

I've made films as various roles but have narrowed it down over the past five years to the camera / G&E departments. Experience with Sony, Canon, BlackMagic, Panasonic, and RED cameras; as well as lights ranging from LED's to tungstens to fluorescents.

Credits

12/17 – 12/17

Gaffer The Mentor

Film (Theatrical) — Legacy Pictures Details
12/17 – 12/17

Chief electrical runner and cable management. Worked out as a G&E swing to keep things moving.

6/16 – 8/16

Cinematographer ((has not yet been released)) The Great Beyond

YouTube — TV Movie/Mini — Academy of Art University Details
6/16 – 8/16

Planned shots/movement, camera operator, 1st AC, gaffer, dolly/lighting grip

2/16 – 4/16

Gaffer Curbside

Film (Short) Details
2/16 – 4/16

Delegating a team of grips to light scenes as instructed by the director of photography.

3/16 – 3/16

Grip A Thousand Cranes

Film (Short) Details
3/16 – 3/16

Fly lights / flags / silks on set. Doubled as an electric and to run HMI's, Kinos, and Tungsten Fresnels.

7/13 – 12/13

Director Threshold of Elevation

Film (Short) — Academy of Art University Details
7/13 – 12/13

Wrote/directed, director of photography, dolly/lighting grip, art director, editor

9/13 – 10/13

Grip (Dolly Grip) Dead Celebrity

Film (Short) — SFUAD
9/13 – 10/13

Media

  • Emmett Bright Cinematography Reel 2018

Recos

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Education

Class of '17

Academy of Art University

Motion Pictures and Television w/ emphasis on Cinematography

My Gear

  • Canon Rebel
  • Rode Shotgun
  • Rokinon 50mm

Skills

  • AVID Media Composer
  • Directing
  • Editing
  • Photography
  • Writing
  • Adobe Premiere
  • Cinematography
  • Lighting
  • Adobe Photoshop
  • grip
  • Adobe Lightroom
  • gaffing
  • Cam Op
  • Shot lists