I was the Pre-Production POC for this project. My responsibilities included but were not limited to, creating the pre-production prep schedule, organizing all pre-production meetings, supervising the travel coordinator, securing office space, soliciting equipment and production vehicle bids, hiring crew & catering, hiring a clearance company and supervising clearance coordinator, securing production insurance, issuing insurance certificates, and managing an office staff of five people.
Summary
Experienced Production Coordinator for Indie Features and Talent Booker for National TV shows. I have a broad body of work in TV and bring a wealth of experience to the table.
Credits
8/16 – 10/16
Production Coordinator (Pre Production ) – Burden
Film (Feature-length) — The Firm Details
8/16 – 10/16
6/16 – 6/16
Associate Producer – America's Next Top Model (Season 23)
VH1 — TV — Anisa Productions, Inc. Details
6/16 – 6/16
This position was during prep only. I was responsible for organizing and creating pitch packets on Keynote describing the model challenges and photo shoots that comprised each episode. I also attended and participated in creative meetings that fleshed out some of the challenges and photo shoots.
1/16 – 4/16
Production Coordinator – The Tribes of Palos Verdes
Film (Feature-length) — The FIrm/Prospect Park Productions Details
1/16 – 4/16
Indie Feature with a A-list lead actress filmed entirely on-location. Created and published the prep-schedule which included all pre-production meetings, scouts, and rehearsals.
11/15 – 11/15
Unit Production Manager – Recalculating
Film (Short) — Revek Entertainment Details
11/15 – 11/15
As this was a short film this position required me to wear many hats. I scouted and secured locations, filed permits with Film LA, hired crew, rented equipment & production vehicles, organized pre-producton meetings, and conducted the wrap out.
11/15 – 11/15
Unit Production Manager – Tinderin' Foster
Snapchat — Digital — One Big Ball Pictures Details
11/15 – 11/15
I was responsible for scouting and locking locations, renting equipment and vehicles, organizing production meetings, hiring crew and catering, filing for permits with Film LA, and ensured production ran smoothly on shoot days.
11/15 – 11/15
Unit Production Manager – Spec commercial
Miller Lite — Advertising — Revek Entertainment Details
11/15 – 11/15
Worked directly with British commercial director Barrett Veldsman to create a Spec Ad that eventually lived on Miller's Latin America webspace. I created casting notices on Breakdown Services, arranged for casting audition space and ran the casting sessions, scouted and secured locations, rented equipment & vehicles, filed for permits with Film LA, hired crew, organized production meetings, and ensured everyone and everything was where it needed to be on shoot days.
9/15 – 10/15
Talent Booker – The Eric Andre Show (Season 4)
Cartoon Network — TV — Abso Lutely! Productions Details
9/15 – 10/15
I worked with show producers to develop a "priority list" of celebrities to invite to be guests on this insane, mock talk show. Then I developed a pitch letter that went out to top talent managers, publicists, and agents to check avails and interest of the celebrities on the "priotity list". I followed up with phone calls these reps to further describe how their clinet would be a great fit for the show and to sell them on the idea of making an appearance. Once an agreement was reached I generated a "Confirmation Sheet" that outlined the details of the appearance including the rate, covered travel expenses, production contacts, and a rough itinerary of their shoot day.
6/15 – 8/15
Production Coordinator – GONE (Virtual Reality 360)
3-D Virtual Reality — Digital — Skybound Entertainment Details
6/15 – 8/15
This was among the first long form, Virtual Reality projects ever created. It was distributed via Samsung''s Milk VR platform, but aside from the technology and practical production concerns of shooting in VR, this was like any other movie. I Created and published the prep schedule daily which included all pre-production meetings, actor rehearsals, location scouts and tech scouts. I found lodging for the crew and cast for a week of shooting in Sequioa National Forest and secured all production vehicles from rental companies. Additionally, I Solicited production insurance bids, rented equipment, hired a caterer, submitted guild signatory applications. I also assisted accounting with issuing per diems, start paperwork, completing actor time sheets, processed SAG contracts and above & below the line crew contracts. Finally I completed the project wrap out and filed for E&O Insurance.
Unions
Recos
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Education
Class of '05
Colorado State University
MS - Technical Communications
Class of '93
University of Colorado, Colorado Springs
BA - Communications
My Gear
Skills
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