Jack Farrell

Lead editor and post producer. Responsible for all aspects of post-production from ingest, story editing, picture edit, b-roll, music and sfx, and mix to delivery for issues-based documentary.

Full responsibility for episode from script through finish - VO, interview, clip show. Remote edit on Avid.

Rebranding of Ghost Asylum, Season 4. Exploring famous haunted towns. Lead Editor - premiere episode.

Lead Editor for Discovery pilot about DIY astronauts. Sold to series.

Writing and editing documentary component of immersive Virtual Reality docs following Olympic athletes before, during, and after the Rio Olympic games.

Edited pilot for Lifetime. Kids of the famous strive for their own careers in modeling and acting. Sold to series

Finish editor for multiple episodes. Drone pilots accomplish tasks in a build/performance show format.

Development Producer/Editor - multiple sizzle reels and pilots

Producing (writing), editing, color correcting and delivering multiple episodes of transaction/process show featuring realtors and wealthy clients touring and buying mega-mansions.

Story edited and video edited pilot episode. Confrontational "Intervention" situations involving KKK members. A&E ordered full season (which was then canceled because of the controversial subject matter).

8 Eps - 3rd season of highest rated DA show. Paranormal investigation and build show format visiting famous haunted locations. Completely responsible for episodes - from string-outs to locked deliverable. High level of vfx, sfx and sound design with Avid and Sapphire.

Edited pilot commissioned by Red Bull for new network roll-out. High intensity outdoor adventure with character-driven interludes.

Editing roll-in packages for 2-hour live show exploring fear, particularly being buried alive.

Creator and producer of pilot, including developing, writing, supervising production and post, and delivery of final product.

16 Eps - 2nd season of highest rated DA show. Paranormal investigation and build show format

Editing hour-long procedural and build show about hillbillies trying to trap monsters. Heavy comedy.

Editing two seasons of popular PBS series - docu-style background packages and line cuts of multi-cam studio shoots. Writing VO and pick-ups.

6 Eps 1 hours. Paranormal/adventure/build hybrid about hunting cyptids. Companion to highly successful Mountain Monsters.

Story-centric, comedy heavy travelogue and brewing how-to show. Specifically worked on comedy and VO for episodes.

Editing and story work for new Lifetime series about "little people" actresses living the high-life in Los Angeles. Also edited pilot and molded show, prompting the series order from Lifetime.

Edited first season of hypnotist, regression show. Used reenactments to tell the stories of people's past lives. Heavily stylized and music and sfx-oriented editing.

Editor on first season of Gym Rescue, a spin-off of Bar Rescue. Responsible for heavy story revision and show formatting of an in-your-face, make-over genre show.

Lead Editor of half-hour docu-drama featuring "little people," in a reality show modeled after Sex In The City. Lifetime picked up pilot and ordered full season after seeing first rough cut.

Editor on paranormal recreation show featuring psychic and clients being haunted and stalked. Worked with recreations, stock footage, and interview to weave compelling 1 hour episodes.

Producer/editor for Nat Geo half-hour adventure pilot. Grafted previous pilots with new footage to create buddy comedy/adventure show about a chef and his side-kick who go to hard-to-reach places to kill, cook, and eat their food. Dealt with talent, execs, and network notes until final product was approved.

Lead Editor for one-hour pilot paranormal recreation show featuring the voice of the ghosts haunting real people. Responsible for writing, formatting, graphics, musical and sfx style, and all technical aspects of post-production.

Lead Editor. Responsible for setting tone of series with music, efx, sfx, and story. Paranormal interview and recreation show about people who are cursed.

Lead editor for season 1 of Barter Kings. Helped format first episodes and establish story structure. 13 episodes

Editor and writer for premier season of auction and picking show. 12 episodes.

Editor - 4th season of ongoing Syfy host-driven travelogue and paranormal show.

Comedy-driven caper show like Mythbusters for the younger set.

Writer/editor for A&E pilot about World's greatest salesman.

Writer/Editor - hour-long pilot for Bravo about famous jewelry-maker to the stars.

Writer/editor - presentation pilot for Discovery about a Coal mining family in Pennsylvania.

Editor - Season 2 - paranormal research show - companion to Destination Truth. Mythbusters for Ghosts.

Couples therapy relationship show for Lifetime. Edited and formatted pilot.

Editor - 2nd season: Comedy featuring Las Vegas dancers and ex-Playboy Bunnies - spin-off of Girls Next Door.

Editor - historical clip and bite show positing the existence of ancient aliens in the prehistoric architecture of the world.

Lead Editor of premier episode and first season of Auction Hunters - the first successful storage unit auction-based show.

Researched and co-wrote first season episodes of Decoded. Supervised writers, researchers, and editors in post. Worked with casting and show design, to get this non-traditional concept up and running. Similar to a "real-life" Da Vinci Code.

Lead Editor for Paranormal State spin-off with new cast.

Editor for family comedy reality doc.

Lead editor for premiere episode and first season of Paranormal State. Went on to edit all or part of the next four seasons

Lead Editor for Season 1 and parts of Seasons 2 and 3. Crypto-zoology recreation show. Fictional, made to look like a documentary. Much story work and efx aimed at making cryptids look real.

Editor for first season of companion show to Paranormal State, featuring real Chicago police investigators, investigating paranormal events during their off-hours. Responsible for look and especially sound of show. Did full sound re-design for all episodes.

Editor - Pilot episode - scary horror contest show featuring college coeds getting scared.

Editor - Heavy sfx and music. Sports and technology show

Supervised all post-production, and edited a History Channel pilot in the vien of Modern Marvels and Dirtiest Jobs. Wrote script, formatted show and designed all graphics.

Produced 1-hour pilot: Hybrid process/performance show, restoring and racing vintage aircraft. Finish edited, and re-wrote for re-shoots, after being brought in as the "fixer" by network.

Lead Editor for pilot and premiere episode of Paranormal State. Went on to edit all or part of 4 seasons.

Presentation pilot for HIstory Channel following the search for, analysis, and repatriation of MIA soldier's remains from our country's foreign wars.

Edited and post-produced 5 seasons of a kid-oriented Hollywood behind the scenes show, exploring how movies are made, and the stories behind them. Heavy sfx and graphics. 60 plus episodes.

DP for feature length doc, featuring transgendered women performing Eve Ensler's Vagina Monologues. Doc stars Ensler, and cast of women, preparing and performing, and talking about their lives. Dp with all shooting and lighting, on location and stage.

Lead Editor - Psychic show investigating people's suppressed memories.

Shooter/producer for documentary segments (player profiles) for live-action competition show featuring celebrities playing pool.

Director/DP for Simple Life Christmas special featuring Nicolle Ritchie. On location shoots. Host wraps.

Shooter/producer and editor of documentary roll-in segments for live-audience participation game show special.

Reality competition show - like Survivor with animals 16 eps: multi-cam, competition and doc-style reality on location in jungle conditions

On location outdoor competition show, like Survivor with exotic animals. Shot two seasons back to back in the swamps and outback of Florida. Dealt with large cast of contestants 24/7 and interactions with dangerous animals and full physical competitions.

2 Theatrically released, multi-award winning 90-minute docs: Supervised all aspects of production from concept to delivery, including hands-on 90 shoot-days in 6 states. Directed 2nd unit, acted as DP to director on first unit.

2 Theatrically released, multi-award winning 90-minute docs: Supervised all aspects of production from concept to delivery, including hands-on 90 shoot-days in 6 states. Directed 2nd unit, acted as DP to director on first unit.