Gabriel Carnick

Cinematographer in charge of telling the story through camera and lighting.

Director in preproduction for this short film with Grantlarson Productions

Cinematographer on a feature film.

I operate 4 cameras, live cut for the recording, and Technical Direct the work. This is a seasonal job where I film various musical artists across many different genres and who have many different styles.

I am the cinematographer and camera operator for this short film about a young artists journey into the music industry and the consequences it has on him.

Camera on Sticks, Handheld, Jib Operating, Production Coordinating and Technical Direction for both season 1 and 2 of this series of shows for Reach TV.

Cinematographer, Camera Operator, and Colorist for this short film with loosely fantastical elements. A brilliant little dramedy about existentialism in the new world.

Writer and Director of this short film about emotional abuse and suicide.

Cinematographer and Camera Operator on this Television pilot. Will resume duties once we get picked up.

I am a camera operator and editor for this live event company. We work around the country at plays, dance competitions, weddings, school dances, graduations, music shows, and various such events.

I was the first AC, managed the camera, and on the two gorilla days I was also the Key Grip in the mojave desert. Great little commercial, DP loved to shoot wide open with BPM, which was a challenge I loved and appreciated. I am inspired by commercials with such a great story to them.

Worked as both First and Second Assistant Camera for this great, artistic music video. Beautiful music, and great camera composition and lighting by our DP, Michael Merriman.

In charge of writing, directing, and casting a short online doc about a local bookstore.

I was the key grip in charge of rigging for this very ambitious and artistic short film. We did a 9 minute oner through a built obstacle course of a set, and I worked very closely with the DP, Gaffer, and steadicam operator to get this setup and execute it well and safely. Also got to work with airstars for the first time! Which are exquisite.

In charge of the Unit team, who oversee the distribution and implementation of logistical aspects on set, including, but not limited to: Pop-up tents, electric heaters, propane heaters, carpeting, flooring, changing tents, work lights, coordinating and keeping inventory of slop truck, assisting in rental pick-ups and drop-offs.

I worked as a camera operator with my A7sii camera package at a festival shooting 4k video for a client.

I worked as First AC, and also Key Grip on this first season of Mustache Murder. Super small crew, very nice little shoot.

I wrote and directed this short science fiction movie about our lives after we leave Earth.

Key Grippin yo!

Key Grip/Dolly Grip

Built and ran our GnE truck and kept the production happy with frames, courtesies, dollies, and all that jazz. Lovely little production.

I worked as Sound Mixer on a Sound Devices system. I also worked as First Assistant Director when the First AD had to leave set for a half day, and boom operator.

I built and loaded camera, kept notes, took measurements, slated, occasionally pulled focus and was in charge of transferring media.

I worked as BBE and BBG on set. We had company moves many days and a small crew, so this was a rockin little shoot with a high amount of energy.

I worked as Camera Operator and occasionally dolly grip when the DP wanted to step on camera. I built and controlled camera and kept track of media and shooting with the assistance of the first AC.

Documentary Short Film about an animal rehabilitation center in South Lake Tahoe. I was the Director, Cinematographer, one of the Producers, and the Editor.

Worked as Director from pre-, through, and post-production. This was one of the films I directed centering on LGBT issues.

I Wrote the script, and was the director through pre-, during, and post-production. I also found the location and worked as production coordinator, as my awesome producer was somewhat overwhelmed.

SCRIPT SUPERVISOR DOING PURE AWESOMENESS

Was a research assistant for Martha Coolidge in her preproduction for this Polish film.

I built and loaded both camera A and Camera B, kept notes and slated for Camera B, and pulled focus and handled media on Camera A. This was on two Red Dragons.

I was the second unit cinematographer, camera operator, director, and the productions Associate Producer. I wore many hats and we shot in Clemson, South Carolina. Shot on the Fs700 and Canon 5D's.

Writer and Director. I also funded the film. This film was accepted and screened at the Benicia Film Festival.

I worked as Director on this set. This is a comedy film about a woman trying to convert a man from homosexuality by seducing him. This is commentary on religious relations to the gay community. This film was an official selection of the CT Out Film Festival, and the Springout! Tennessee Film Festival.

I worked as First AD, and also acted as Key Grip when the crew was skeleton.

I was the colorist, director, and editor of this short film about the Venezuelan protestors. This film used mixed media, partially film I shot, and partially found footage that I designed into the film. The actually shooting was limited to two actors, three pages of script, and one location.

I was the Director, Sound Mixer, Sound Designer, Editor, Colorist, and overall one man crew for a series of short gallery pieces, most importantly this one. I did all positions but producer, and really enjoyed my time making nonfiction artist profiles for this art gallery.

I was the Director, Cinematographer, one of the Producers, The Editor, The Sound Designer, and the Colorist.

Cinematographer for a short film in Athens, Ohio.

Camera Operator on a pedestal camera.

Was a DP for an episode of this science fiction television show.