Wesley Caylor

Direct re-creations, run recree crew

To crew up and run the production phase for FCC.

Managed re-creations process from script through principal photography.

Helped cast and hire/run crew during pre-production. Did script breakdown and coordinated elements before and during production. Managed Schedule and Crew through principal photography. Blocked principal actors and background as well as mapped coverage and camera angles with DP. Made and adjusted all shot lists for production.

Director of re-­‐creations.  In charge of the overall creative vision of re-­creations from how the script is visualized to the final look and performance during production.

Helped produce and manage pre-production. In charge of scheduling and shooting process.

Helped East Tennessee Public Television break new ground in their production line up, by lending experience in this type of production (scripted dialogue).  Charged with running set and crew during principal photography.

Producer of re-­‐creations.  In charge of managing the pre‐production and production process, schedule and crew from the inception of the shot list to the end of principal  photography. Directed final episode of season one.

Worked with crew, from production design to props, to achieve a certain look and feel as well as in-­‐camera mechanical special effects.

Producer/Assistant Director of Re-­creations.  Helped decide how the script would be visualized on screen.  Managed preproduction/production process to the end of principal photography. When needed, worked with editors to translate the director’s vision into the cut.  Ran set/crew during principal photography.

Producer/Director of re­‐creations.  Managed pre­‐production/production process, schedule, and crew from A­‐cut to the end of principal photography. Directed scenes on set.

Set up dynamic, high end, high­‐speed camera shots of various high powered weapons to be used as bumps and transitions within the show in order to raise overall production value.

Producer of re­‐creations.  Managed entire preproduction process/crew from completed script to the end of principal photography.

Produced location shoots as well as high end, table top beauty shots.

Designed, set up, and art directed sets for on camera demonstrations and table top beauties.

Scout, secure, and manage locations/heavy props (vehicles, etc.)/mechanical special effects.

Scout, secure, and manage locations/heavy props (vehicles, etc.)/mechanical special effects.