Summary

Allen, a Visual Effects, based in Los Angeles, has 3 Visual Effects credits and 1 Dailies Technician credit, and has been a member since 2014.

Credits

4/21 – 6/23

Visual Effects (Digital Asset Manager) Transformers 7

Paramount+ — Film (Feature-length) — Skydance Media Details
4/21 – 6/23

Managed all aspects of digital asset/media management and distribution, ensuring seamless input and output operations. Additionally, I played a key role in the ADR facial capture process, contributing to the enhancement of visual effects. Demonstrated a keen understanding of asset and turnover concepts, creating comprehensive stringouts for Studio approval, reflecting my commitment to maintaining high-quality standards. Responsibilities extended to conducting thorough 2K and vendor reviews, showcasing my attention to detail and dedication to achieving excellence in every aspect of the VFX workflow.

5/22 – 6/22

Visual Effects (Data I/O Coordinator (Remote)) Day Shift

Netflix — Film (Feature-length) — Netflix Details
5/22 – 6/22

Led comprehensive digital assets and media management initiatives for the Visual Effects (VFX) department, overseeing the end-to-end process of organizing, storing, and distributing content. Implemented efficient input/output (I/O) systems to streamline workflows, ensuring seamless collaboration and optimal resource utilization within the VFX team

9/20 – 4/21

Dailies Technician (Dailies Operator) All Americans (Season 3)

The CW — TV — Mad Old Nut Productions Details
9/20 – 4/21

Proficiently contributed to the post-production workflow by constructing daily deliverables for both production and editorial teams using DaVinci Resolve. Demonstrated adept management of internal storage systems and meticulous logging practices. Efficiently handled LTO (Linear Tape-Open) archiving processes, executed O-Negative pull orders, and skillfully prepared and relinked media for online edits. These responsibilities showcased a comprehensive understanding of media management, technical proficiency, and a commitment to ensuring seamless post-production operations

7/18 – 10/19

Visual Effects (Digital Asset Manager) Lady & the Tramp

Disney+ — Film (Feature-length) — Walt Disney Studios Details
7/18 – 10/19

Managed comprehensive digital assets and media management within the Visual Effects (VFX) domain, overseeing the efficient distribution of inputs and outputs (I/O). My role extends to on-set duties, where I serve as the camera manager, shooter, and media wrangler for witness cameras during both on-set and Automated Dialogue Replacement (ADR) processes. Additionally, I possess expertise in ADR facial capture, contributing to the seamless integration of audio and visual elements in post-production workflows.

11/17 – 4/18

Data Management (Data I/O Coordinator) Deadpool 2

20th Century Fox — Film (Feature-length) — Marvel Entertainment Details
11/17 – 4/18

Took charge of the comprehensive server and media file management responsibilities for the Visual Effects (VFX) team. My role extended beyond mere management, as I actively prepared and facilitated daily sessions and orchestrated seamless 2K review playback sessions. This involved a combination of technical prowess, organizational finesse, and a keen understanding of the VFX workflow, contributing to the overall efficiency and success of our projects. My ability to navigate and optimize server systems, coupled with my hands-on involvement in daily operations, ensured that the team consistently met project milestones and exceeded client expectations

1/17 – 8/17

Data Management (Assistant Digital Asset Manager) Blade Runner 2049

Alcon Entertainment — Film (Feature-length) — Alcon Entertainment Details
1/17 – 8/17

Organized and categorized assets within the shot tree, demonstrating strong attention to detail and organizational skills. Took on the responsibility of overseeing server and media file management for the Visual Effects (VFX) team, ensuring seamless workflows during daily sessions. Additionally, I facilitated efficient data input and output processes by utilizing FTP and Aspera for vendor transfers, showcasing proficiency in data transfer technologies and contributing to the overall smooth operation of project-related activities.

11/16 – 12/16

VFX Assistant Ready Player One

Film (Feature-length) — Lousiana Premiere Productions Details
11/16 – 12/16

● Witness camera operator ● Sony PXW-X200 XD

10/16 – 11/16

DIT (Digital Imaging Technician) Chokehold

Film (Feature-length) Details
10/16 – 11/16

• Organized hard drives; offloaded, transferred and backed up media, set-up data management on system on a RAID for the project and made a master footage log. • Transcoded 6K RED footage and applied set color for all clips to be edit ready.

Media

Recos

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Education

Class of '14

The University Of Kansas

Bachelors: Film and Media Studies, Minor: Journalism
Class of '10

Labette Community College

Associates of Applied Science : Recording Arts/Commercial Music

Skills

  • AVID Media Composer
  • DaVinci Resolve
  • Premiere Pro Creative Cloud
  • • Attention to Detail
  • • Digital Data/ Footage & Audio Management
  • • Experience with Final Cut 7 and Adobe Photoshop
  • • Self Starter with Strong Work Ethic