Responsibilities primarily included managing and organizing all of the media recorded thus far in production, and separating and cataloging all of the various types of footage, including b-roll, testimonials, interviews, and reenactments. Organized and prepped over eleven terabits of footage for ingest into AVID.
Summary
Resume and references available upon request,
Credits
2/17 – 4/18
Assistant Editor (avid) – Kate Nash Project
Film (Feature-length) — Span Productions
2/17 – 4/18
2/17 – 8/17
Assistant Editor (Avid) – Self Made Men (Season 1)
PBS — TV — Span Productions
2/17 – 8/17
1/17 – 2/17
Assistant Editor – Untitled Social Media Doc
TV Details
1/17 – 2/17
11/16 – 1/17
Assistant Editor – Ice
Film (Feature-length) — Maddness Productions Details
11/16 – 1/17
On set AE/DIT. Traveled with the crew on location and acting as DIT where I primarily offloaded and Transcoded footage. After shooting wrapped for the day my responsibilities shifted to syncing and prepping dailies for the editor and prepping the AVID project file while the editor worked remotely.
10/16 – 10/16
Assistant Editor – Adopted - Web Series (Season 1)
Internet — TV — BuzzFeed Details
10/16 – 10/16
On-set AE for the duration of shooting for the first season. Responsibilities included offloading and transcoding all of the footage into dailies and managing the workflow from production to post-production. Worked closely with the Post Production coordinator and the editors.
4/16 – 9/16
Editor – WARFIGHTER
Film (Feature-length) — Fireborn Studios Details
4/16 – 9/16
Upon completing AE work for the film, the director liked my work enough to give me a chance to edit, and liked my editing enough to keep me on for the duration of the project. For the entirety of the project I acted as my own AE when needed. Upon final picture lock, I coordinated with all four VFX teams as well as our Sound team and personally executed each turnover.
2/16 – 4/16
Assistant Editor – WARFIGHTER
Film (Feature-length) — Fireborn Studios Details
2/16 – 4/16
When the previous editor of the film was removed, I was brought in as an AE to bring the project to "edit ready" again. This included sifting through the hard drives and reorganizing all of the media and files, as well as retranscoding the footage. After this I prepared projects for the movie in both AVID and Premiere Pro so that the next editor could start working right away, regardless of preferred platform.
3/16 – 3/16
Data Wrangler – Eden
Film (Short) Details
3/16 – 3/16
On set DIT for a short film shooting in the Big Bear Mountatins. Managed on set workflow consisting of both Alexa and RED footage. Transcoded and synced dailies for a project in AVID. Ensured metadata was intact for reconnecting for the online.
Recos
Education
Class of '16
Chapman University
BFA in Film Production with an Editing Emphasis
Skills
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