Luke McClellan

Being on set Sound Assistant, Fixing mics, setting up sound, on the fly boom operating, Buddy's ( Host) sound man.

I was in charge of all sound department which included two boom ops. I applied microphones to talent, mixed levels and worked 15 hour days.

On set, I mic the talent and mix their levels. While in the studio, I control the mix station and record the audio and edit it.

I was in charge of Micing the people we were interviewing. We filmed in a large room with a large crowd behind the people we interviewed so I had a challenge but I was able to correct it with proper mic placement. I was also in charge of holding onto the boom pole during all of the interviews.

We had to shoot documentary style interviews and events inside of a small tattoo parlor. I had to lav three people at once and mix levels while they received tattoos and conducted their interviews. The small room proved a challenge because there were multiple people receiving tattoos in the room and I had to work around people talking in the room.

I was the Production Mixer for an action filmed based out of the San Angelo area.

I was in charge of all sound mixing properties, I mixed levels, applied microphones to talent, and was in charge of boom operators.

I was in charge of mic placement on cast and boom operation through out the film.

Along with being a Sound Mixer I was also the Boom Operator since it was a ENG Style shoot.

I was the Operator for a short film called When the Dust Settles. I boomed for three actors in the film and had to follow the actors while they spoke their lines. I was also responsible for gathering foley for the film as well.

I was responsible for recording all the sound design and dialogue for the film Drift Hard. I used a Sound 302 ENG/EFP Channel Mixer with multiple Rode Lavaliers and a Rode NTG2 Condenser Microphone with Boom Pole.