Savannah Lucas

Managed a team of associate producers and production assistants while overseeing several episodes – at various stages of progress – through the post-production process | Directed voiceover talent in final sessions and coordinated session scheduling and scratch | Coordinated a team of editors in both the online and offline departments | Served as liaison to the network, delivering quality content up against tight deadlines, as well as addressing several rounds of network notes | Oversaw the completion of deliverables, coordinated pickup field shoots, edited scripts in post, approved loglines, updated production milestones, put out fires, etc.

Oversee a rotating team of writers, consistently and simultaneously managing several scripts in various stages of completion (total of 25-30 episodes per year). | Provide constructive feedback and narrative guidance to writers and producers. | Onboard new story producers and maintain writing section of series bible. | Coordinate pickup interviews with Field Producers, occasionally conducting interviews myself. | Edit rough drafts to produce a polished final script that meets series narrative standard. | Review and note story pitches and episode outlines before sending a case into the field | Support pre- and post-production teams by executing additional writing and research projects

Integrated interviews and investigative archives to create suspense-filled scripts for a 1-hour true crime program, woven together by compelling narration (staff writer position).

Assisted in concept development and early writing stages | Spearheaded pre-production, casting, and locations | Assembled crew | Maintained daily call sheets | Served as on-set contact | Provided additional support to grips and gaffers | Worked as script coordinator on set | Handled craft services | Tracked expenses and maintained budget spreadsheets

Directed a pre-production team of bookers, researchers, and writers | Assisted with on-set tasks: facilitated craft services, took production notes, served as point person for talent and continuity/fact accuracy, worked as unit photographer, assisted props and costume departments, and more | Overhauled pre-pro workflow & organization of show materials on server | Created several administrative research templates & training guides (still utilized regularly) | Researched & wrote episode outlines and compiled interview beats for field producers | Tracked down interviewees and assisted with booking & casting

Assisted with on-set tasks: facilitated craft services, took production notes, served as point person for talent and continuity/fact accuracy, worked as unit photographer, assisted props and costume departments, and more | Completed & maintained network deliverables for a number of television shows, including Snapped, Fatal Attraction, Justice By Any Means, Murder Calls, Evidence of Innocence, and #Murder | Assisted with pre-production tasks for both re-creation & field shoots | Researched and fact-checked script content to ensure accuracy

Wrote and directed short film "The Fishbowl" | Logline: When Lyle's mother leaves for the weekend, he must cope with the loss of his best friend. | Winner of "Best Cinematography"

Writer, Director, Producer, Editor | Logline: A unique subset of the population has adapted to modern times.