Alexander Rubinow, ACE

Eps. 101, 102, 103

2-Hour Special

Eps. 1604, 1609, 1612, 1615, 1622, 1623

Eps. 25-04, 701-703, 705-718

Eps. 702, 703

Eps. 102-108

Tortured to Greatness

Ep. 808

Eps. 102, 106

Eps. 104, 106, 108

Eps. 1403, 1404, 1405, 1409, 1410, 1412, 1414, 1418

Eps. 709, 710, Special

Eps. 501-509, 511, 512

Eps. 1303, 1309, 1313, 1319

Eps. 1202, 1208, 1214

Eps. 420, 421, 422

Eps. 509, 513

Eps. 101, 105

Eps. 1101, 1106, 1112

Eps. 402, 408, 411, 415

Eps. 1003, 1009, 1014

Eps. 306, 310, 314

Eps. 902, 908, 913, 916

Eps. 203, 208, 212

Ep. 103

Eps. 806, 810, Behind The Scenes

Ep. 103

Ep. 106

Ep. 107

Eps. 101, 102, 106, 108

Eps. 707, 714, 715

13 eps.

10 eps.

17 eps., 2 specials

Avid Media Composer 4 assistant on Davis Guggenheim’s Sundance Audience Award winning feature documentary, "Waiting for Superman." Involved media management on FibreJet, capturing/importing multiple resolutions and footage file formats, audio sequence clean-up, Keynote animation creation, After Effects and Avid Script Sync work.

6 Eps. Avid Symphony, Meridian (11.2.7), and Media Composer (2.8.4) Offline and Online work on TV Land’s First Love, Second Chance. Involved titling, online digitizing/uprezzing, Avid Unity management, editor support, outputs, creation of graphics timing charts and still image StageTools MovingPicture work.

Eps. 468, 485

Credited in syndicated programming as well as shows produced for The History Channel, A&E, National Geographic, The Discovery Channel, and Lifetime. Titles Held: - Editor (2008 – 2009): Modern Marvels (History) - Lead Assistant Editor (2007 – 2009): Managed other assistant editors and lead preparatory work of shows pre-offline, during offline, pre-online, during online, and through delivery. - Assistant Editor (2005 – 2007): On Avid Adrenaline 2.8.4: captured, imported media, and placed in final footage, images, text & animation. Troubleshot any Avid software & related hardware issues. Additionally, addressed any fixes past offline & pre-online fix day. Also shot motion control. - Assistant Post Coordinator (2004 – 2005): Coordinated elements of shows moving between outside vendors (composer, sound mix, online, captioning, animation, etc.). - Post Assistant (2003 – 2004): Dubbed tapes between multiple formats, kept track of editors’ work schedules, prepared and handled other functions as well. Food Tech In 2009 10 eps. / History (Lead Assistant Editor) man made In 2007 1 ep. / National Geographic (Assistant Editor) Modern Marvels 2006 to 2009 141 eps. / History / 2006 – 2009: Assistant Editor (2007 – 2009: Lead Assistant Editor) Various Specials 2006 to 2009 4 Specials / Various (Assistant Editor) States 2006 to 2007 10 eps. / History (Assistant Editor) Garden Police (Season 2) In 2006 10 eps. / Discovery Home (Assistant Editor, credit: Post Production Staff) Anatomy of a Natural Disaster In 2006 3 eps. / National Geographic (Assistant Editor) Fine Living Homes & Hideaways In 2005 22 eps. / Syndicated (Assistant Editor) Garden Police (Season 1) In 2005 10 eps. / Discovery Home (Assistant Post Coordinator, credit: Post Production Staff Various Specials In 2005 8 Specials / History (Assistant Post Coordinator) Modern Marvels 2004 to 2006 100 eps. / History (Assistant Post Coordinator) The Big Build 2004 to 2005 5 eps. / History (Assistant Post Coordinator) Makeover Mamas In 2004 15 eps. / A&E (Assistant Post Coordinator) Famous Homes & Hideaways In 2004 22 eps. / Syndicated (Assistant Post Coordinator) Various Specials In 2004 2 Specials / Discovery (Post Assistant, Post Production Assistant) Famous Homes & Hideaways In 2003 22 eps. / Syndicated (Post Assistant - uncredited) Modern Marvels 2003 to 2004 26 eps. / History (Post Assistant - 5 uncredited) Makeover Mamas 2003 to 2004 17 eps. / A&E (Post Assistant) Intimate Portrait In 2003 2 eps. / Lifetime (Post Assistant)

Reviewed footage from HBO’s Project Greenlight 2, and took detailed notes of every aspect. Other tasks included tape duplications, labeling & filing tapes, assisting editors and writers, rights & clearances, as well as supervisory and administrative functions.

Reviewed footage tapes from MTV’s Fraternity Life: Season One and noted all aspects of the footage. Highlighted parts that were interesting or important to the story in order to assist the story department and ultimately the editors. Additionally, logged footage from MTV’s Sorority Life: Season Two.

Internship on the feature film Uncle Nino. Involved dressing sets, props, gaining clearance for usage of corporate logos and people likenesses, and swing gang.

Internship on MTV’s The Real World XI: Chicago. Duties included: lighting (Kino & on-set), on-set video feed monitoring, getting clearance to film individuals and locations, equipment transportation, footage tape logging, mini-DV shooting, and food services.