Summary

I have seen films from conception through completion, and have some experience in many disciplines including On Set Sound, Post Sound, Continuity, Art, Camera, & Editing.

Credits

11/21 – 11/21

Sound Mixer Cool Cooperative

Wolverine — Advertising
11/21 – 11/21
10/21 – 10/21

Sound Mixer (Pick up interviews) Katrina Babies

Time Inc — Film (Feature-length) Details
10/21 – 10/21

Traveled around the city picking up cameraless audio for wrap up of film. Used time of day timecode and wrote reports.

10/21 – 10/21

Sound Mixer Loss of Essence

Breaux Ent. — Film (Feature-length) Details
10/21 – 10/21

I mixed audio and handled all of the sound department responsibilities like hods wireless frequency coordination, boom microphone choices, ifbs and playback, some greens work (clearing leaves for clearer audio) lavalier final approval. Micing cast [7 person ensemble piece]

9/21 – 10/21

Boom Operator Rumble Through The Dark

Film (Feature-length) — Outlaw Carnival Details
9/21 – 10/21

I wired cast and oversaw time code/ ifb distribution and organization. I also was the sole boom operator for the portion of filming I worked. Nearly half the film

8/21 – 8/21

Sound Mixer La Promesse

Digital — Film (Feature-length) Details
8/21 – 8/21

Microphone choice and audio resource for feature film in toulon, france for this ensemble piece. 11 cast total captured pristinely with 4 boom mics and 3 wireless microphones.

9/20 – 6/21

Sound Mixer Dear Kate

Film (Feature-length) Details
9/20 – 6/21

I mixed and used a variety of plant boom and wireless lavalier microphones to capture the performances of the talent to ensure clear and intelligeble dialogue every day of filming

5/21 – 5/21

Sound Mixer Untitled nola project

Film (Feature-length) Details
5/21 – 5/21

Wired 3 talent, some verite coverage

5/21 – 5/21

Boom Operator Alias Films

Hulu — Advertising Details
5/21 – 5/21

Wire talent, set up stage mics, set up boomcaddy

Orgs

  • Audio Engineering Society (AES)

Media

  • Smoot's

Recos

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Jonathan Berguno, AES
Sound Mixer
Jonathan is passionate about capturing pristine dialogue. He goes the extra mile to ensure that the audio tracks he delivers are intelligible and clear, as well as capturing any sound effects during the course of the production that benefits post-pro ...MORE...
Really talented and organized. It all sounds really good and I enjoyed the process! ...MORE...

Education

Class of '19

University of New Orleans

Bachelor of Film Arts

My Gear

  • Boom pole
  • Sanken COS-11
  • Sanken CS3e
  • Sennheiser MKH 416 Shotgun Microphone
  • Zaxcom Nomad 12
  • Clean Driving Record
  • Joe's Sticky Stuff
  • Moleskin
  • Shockmount
  • SAFETY PINS
  • TopStick
  • Clips
  • Mixpre6
  • Sennheiser G4
  • Tacklebox
  • URSA Foam
  • Thigh Strap
  • Chest Strap
  • Ankle Strap
  • University of New Orleans Diploma
  • 3 IFBs
  • Windkillers
  • stingray bag
  • audioroot batteries
  • Cinela Cosi
  • 8060 shotgun microphone
  • 8040 cardioid
  • 3 Camera Hops TC Boxes
  • 20 foot boom pole/12 foot pole.
  • 4 Wisycom mtp41s at rental cost
  • Battery Kit
  • 8070 long shotgun microphone
  • Mke Gold 2 Lav
  • 8090 wide cardioid microphone
  • 8050 super cardioid microphone
  • Mzd digital microphone adapter
  • Sonosax M2D2
  • Cinela Piano Blimp
  • Rycote WSJ8 Blimp
  • Bubblebee Mounts
  • Abetek button mounts for dpa
  • Analog and digital routing

Skills

  • Producing
  • Video Editing
  • Movie Magic Budgeting
  • DaVinci Resolve
  • Adobe After Effects
  • Mixing
  • Movie Magic Scheduling
  • Sound Mixer
  • Boom Operator
  • Script Supervisor
  • AVID Pro Tools
  • Playback
  • Sound Utility
  • Color Theory
  • post sound
  • Writer's Duet
  • Izotope
  • Camera Hops
  • Psychoacoustics
  • SMQV Transmitters
  • Timecode boxes
  • Deneke Sync Slate
  • Sync Slate Process
  • Multitrack Recorders
  • ORTF stereo imaging
  • Midside recordings
  • Emotive mixing