Summary

I am passionate and dedicated to getting the best sound on the day. I believe my work is a reflection of dedication to the cleanest high quality low signal to noise audio. Zydecoaud.io

Credits

7/22 – 7/22

Boom Operator The Channel

Film (Feature-length) Details
7/22 – 7/22

Mic talent and select the best position for the boom mic.

7/22 – 7/22

Sound Mixer The Dead Driver

Film (Short) Details
7/22 – 7/22

Mix and iso track 4 wires and 2 boom microphones. Work with wardrobe and camera to best make sense of the audio per given scene /shot/location

3/22 – 5/22

Utility Sound National Treasure (Season 1)

Disney+ — TV
3/22 – 5/22
1/22 – 4/22

Boom Operator Interview with the Vampire (Season 1)

AMC — TV — AMC / Stalwart Films Details
1/22 – 4/22

Sometimes boom and utility position sometimes just boom. We would choose the best position for the microphones and use lots of plants to provide atmosphere for even the simplest scenes with little dialogue. Our goal was to create an immersive sound that post could use to create a world

3/22 – 3/22

Utility Sound Master Gardener

Film (Feature-length)
3/22 – 3/22
11/21 – 11/21

Sound Mixer Cool Cooperative

Wolverine — Advertising
11/21 – 11/21
10/21 – 10/21

Sound Mixer (Pick up interviews) Katrina Babies

Time Inc — Film (Feature-length) Details
10/21 – 10/21

Traveled around the city picking up cameraless audio for wrap up of film. Used time of day timecode and wrote reports.

10/21 – 10/21

Sound Mixer Loss of Essence

Breaux Ent. — Film (Feature-length) Details
10/21 – 10/21

I mixed audio and handled all of the sound department responsibilities like hods wireless frequency coordination, boom microphone choices, ifbs and playback, some greens work (clearing leaves for clearer audio) lavalier final approval. Micing cast [7 person ensemble piece]

Orgs

  • Audio Engineering Society (AES)

Media

  • Smoot's

Recos

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Jonathan Berguno, AES
Sound Mixer
Jonathan is passionate about capturing pristine dialogue. He goes the extra mile to ensure that the audio tracks he delivers are intelligible and clear, as well as capturing any sound effects during the course of the production that benefits post-pro ...MORE...
Jourdan Farmer
Field Producer
Really talented and organized. It all sounds really good and I enjoyed the process! ...MORE...

Education

Class of '19

University of New Orleans

Bachelor of Film Arts

My Gear

  • Boom pole
  • Sanken COS-11
  • Sanken CS3e
  • Sennheiser MKH 416 Shotgun Microphone
  • Zaxcom Nomad 12
  • Clean Driving Record
  • Joe's Sticky Stuff
  • Moleskin
  • Shockmount
  • SAFETY PINS
  • TopStick
  • Clips
  • Mixpre6
  • Sennheiser G4
  • Tacklebox
  • URSA Foam
  • Thigh Strap
  • Chest Strap
  • Ankle Strap
  • University of New Orleans Diploma
  • 3 IFBs
  • Windkillers
  • stingray bag
  • audioroot batteries
  • Cinela Cosi
  • 8060 shotgun microphone
  • 8040 cardioid
  • 3 Camera Hops TC Boxes
  • 20 foot boom pole/12 foot pole.
  • 4 Wisycom mtp41s at rental cost
  • Battery Kit
  • 8070 long shotgun microphone
  • Mke Gold 2 Lav
  • 8090 wide cardioid microphone
  • 8050 super cardioid microphone
  • Mzd digital microphone adapter
  • Sonosax M2D2
  • Cinela Piano Blimp
  • Rycote WSJ8 Blimp
  • Bubblebee Mounts
  • Abetek button mounts for dpa
  • Analog and digital routing

Skills

  • Producing
  • Video Editing
  • Movie Magic Budgeting
  • DaVinci Resolve
  • Adobe After Effects
  • Mixing
  • Movie Magic Scheduling
  • Sound Mixer
  • Boom Operator
  • Script Supervisor
  • AVID Pro Tools
  • Playback
  • Sound Utility
  • Color Theory
  • post sound
  • Writer's Duet
  • Izotope
  • Camera Hops
  • Psychoacoustics
  • SMQV Transmitters
  • Timecode boxes
  • Deneke Sync Slate
  • Sync Slate Process
  • Multitrack Recorders
  • ORTF stereo imaging
  • Midside recordings
  • Emotive mixing