Diego Felipe Rosende

Split into episodic teams, we collaboratively created full episodes with groups of both producers and editors. Stringed together sequences, found usable audio/visual bites, pulled selects, and refined individual segments. Used technical abilities of non-liner editing softwares and computer programs to organize and edit weeks of footage. Worked independently to create full segments of episodes. Analyzed and sifted through months of notes from field teams to decide the best story arcs and moments to focus on for each episode.

Worked across departments with Executive produces, producers, and editors to complete creative for multiple episodes Stringed together sequences, finding usable audio/visual bites, pulling selects, and refining individual segments, carried an overall knowledge of the show which could be applied to future episodes or passed on to new team members.

Communicated across several departments and teams to create segments that would creatively illuminate different aspects of the show. Constructively conversed with executive producers and senior leadership to pitch and develop complete segments to incorporate into full length episodes. Effectively executed notes from FOX Network and other teams to complete fully prepped segments within tight deadlines

As a Field Associate Producer, I coordinated shoots in 4 states and 5 cities with a full crew. As a Stage Associate Producer, I worked with talent from all over the country, prepped them, and worked alongside a stage crew to execute a full 8 days of shooting. Due to my extensive knowledge of the show and experience in post production, I was asked to advise, organize, and cut the footage we had captured and complete additional research

Worked as a 'swing' associate producer working alongside both the show team and Field department. I coordinated with team members to produce quick-turn around comedic sketches and remote segments. Working with high profile talent both in-person and virtually to ensure effective recording from anywhere in the world. I worked with producers and legal advisers to form budgets and ensure clarity and efficiency through the production and post-production process. Collaborating with the field director we analyzed creative to match budgets and plan shoots accordingly.

Did double-duty with a down-sized COVID crew - working as a Stage Associate producer and a Field Associate Producer. Co-operated with team members to produce quick-turn around comedic sketches and remote segments. Working with high profile talent both inperson and virtually to ensure effective recording from anywhere in the world. Worked with producers and legal advisers to form budgets and ensure clarity and efficiency through the production and post-production process. Collaborating with the field director we analyzed creative to match budgets and plan shoots accordingly.

Field Associate Producer at Comedy Central's Lights Out with David Spade. Working closely with other departments to execute on creative. Required attention to detail and organization as we working with high profile talent and many moving parts.